The series finale is not just the end of a season. The final episode of any show--from short-lived single seasons to long-running, much-loved TV classics--is a chance for writers and showrunners to deliver something truly memorable and satisfying, giving audiences a payoff that will have them thinking about those final minutes for long after. From M*A*S*H and Cheers to Breaking Bad and The Americans, some of the greatest, most powerful episodes of any TV shows have been series finales.
But of course, there are those series finales that get it very wrong. In some cases, the bad end can be predicted for some time. Shows that have gone on way too long, often shedding viewers, cast members, and showrunners until they are finally put out of their misery by the network. In these cases, terrible final episodes were just the last in a long time of bad episodes, with seemingly little interest from everyone involved in making it good.
There are also bad series finales to shows that were still good, that totally fail to deliver what fans were expecting. Sometimes there are dramatic and bizarre narrative decisions that leave fans scratching their heads, and others times just a reluctant shrug that says "will that do?" And of course, some shows ended terribly simply due to sudden cancelation, with no opportunity for writers and producers to wrap things up properly. But in every case, these were not the endings that fans had hoped for, and are now remembered as truly terrible conclusions to often great shows. So here's our rankings of the worst ever...
10. Lost
Season 9, Episode 18
Let's face it, was Lost ever going to have a satisfying conclusion? After nine season, the writers had tied themselves in so many narrative knots that delivering a final episode that kept the majority of those still watching happy was always unlikely to happen. But that's no excuse for the lazy, sentimental cop-out that we did get, in which viewers were presented with a confusing, boring vision of the after-life and an explanation for the "Flash-Sideways Universe" that no one really cared about to start with.
9. ALF
Season 4, Episode 24
This episode was intended to be a cliffhanging season closer for the '80s alien comedy, not the end of the entire of the show. But there would never be a fifth season, leaving fans with one of the saddest endings in mainstream sitcom history. The final scene sees ALF is about to be reunited with his Melmacian buddies, who are descending, ET-style, in a spaceship. But the sudden arrival of the Alien Task Force scares them off, leaving ALF surrounded by sinister agents who have been hunting him for years. And that's it. Even though ALF cracks a few jokes to his captors, the mournful music and bleak tone of this entire sequence makes for a truly tragic final episode. The storyline was belatedly wrapped up six years later in the TV movie Project: ALF, but that was small comfort for a generation of traumatised ALF fans.
8. Seinfeld
Season 9, Episode 24
One of the more weirdly bad finale episodes, the final installment of the long-running--and mostly brilliant--Seinfeld was a serious letdown. Our self-centered misanthropic heroes Jerry, George, Elaine, and Kramer are sent to prison for breaking some bizarre "good samaritan" law. Jerry then ends up doing stand-up for the inmates. Even if you ignore the fact that one of the great things about Seinfeld was that it was never judgemental about its characters' terrible behaviour, it's still a stupid and unfunny episode, padded out with too many guest appearances and clips from previous seasons.
7. Weeds
Season 8, Episode 13
Some great TV shows slowly turn bad over many episodes--and some make a sudden, dramatic downturn. Weed is a firmly in the latter camp. After three hugely entertaining, witty and engrossing seasons, the suburban satire about a pot-selling widow took a nose dive in Season 4 and became increasingly ridiculous. Unfortunately it would be another four season before Weeds was put out of its misery, with a extremely poor final episode that lazily wrapped up all the hanging story threads by simply zooming forward to eight years to a point where everyone's life is pretty much sorted. While no one likes a load of unresolved storylines, this is not the way to do it.
6. True Blood
Season 7, Episode 10
Another show that started brilliantly but ran for way too long, True Blood's finale was truly terrible. By time this episode rolled round, the once weird, transgressive, daring show had become a vampire soap opera, complete with easily resolved conflict, overwrought melodrama, and an awful flash-forward happy ending that revealed that Sookie was happily married to... some guy we'd never seen before. A series fully deserving of the stake through its heart.
5. Roseanne
Season 9, Episode 24
You know a series finale is bad when the show's revival many years later pretends it never happened. Roseanne's original run ended with the "twist" that the entirety of the final season had never happened, and that Dan had died from the heart attack he suffered at the end of Season 8. The entirety of Season 9 was, in fact, Roseanne's imagined perfect version of her life, in which Dan is alive and Connors won the lottery. The season didn't work because in celebrating wealth it was everything that the show was not, but the ending that explained it all was even worse.
4. Quantum Leap
Season 5, Episode 22
To be fair to Quantum Leap creator Donald Bellisario, this episode was not intended to be the final one for the iconic '90s sci-fi time travel show. With NBC cancelling the series before the episode aired, some hasty reshoots were made that gave the whole show a vague resolution that made no one happy. The overall concept wasn't terrible--Sam Beckett leaps into his own body--but it never delivers on the promise that this would be the episode where everything is explained. Instead we got an episode padded with characters from earlier seasons but no sense of conclusion. Worst of all, the show's famous tagline and promise: "hoping each time that his next leap... will be the leap home." is completely betrayed by the final title card: "Sam Beckett never returned home." Huh?
3. St. Elsewhere
Season 6, Episode 22
For many years the final episode of the iconic '80s hospital drama was unchallenged as the having the worst ever episode. After six seasons of tears, laughter, and engrossing character-based medical drama, audiences were given the absolute nadir of all TV twists--it was all a dream. Or more specifically, it was an imagined fantasy in the mind of Tommy, the autistic son of Dr. Westphall. Known as the 'Snowglobe ending', there has been some suggestion that it was a meta-commentary about the fact we are all knowingly watching fiction. But trying telling that to fans who had stayed the course only to find that everything they had watched to that point was utterly meaningless.
2. Dexter
Season 8, Episode 12
As Dexter limped into its eighth and final season, it was becoming a bit of struggle to remember why it was so good to start with. Sure, Michael C. Hall's performance was still strong, but for the most part this was a messy, incoherent season that paid off almost nothing that had been set up in the previous one. But the worst was saved for last, a woeful conclusion in which packed with stupid twists, idiotic moments (Dexter stealing Deb's body?), tedious flashbacks, and THAT final scene where it's revealed that Dexter has taken up a new life as a sad-looking lumberjack. No.
1. How I Met Your Mother
Season 9, Episode 24
A classic case of a final episode that betrayed absolutely everything that the show had spent nearly a decade building towards. After nine long years, we discover that it doesn't really matter how Ted met his kids' mother, because she's going to die a few minutes after being introduced to the audience. And then he's going to get back together with Robin, even though their relationship never worked in past and she was recently married to his best friend, Barney. Whose wedding we just spent the entire season at. What?
The Dead or Alive series hasn't quite reached the same heights as Mortal Kombat or Street Fighter, but with that said, it's still a fighting game series that's carved out a place for itself alongside the others since its debut nearly 23 years ago. With Dead or Alive 6 slowly approaching its March 1 launch--releasing on PC, PS4, and Xbox One--the developers at Team Ninja plan for the next game to offer more single-player and online content, with the aim that this will attract greater interest for large-scale competitive play.
While attending a recent hands-on session for the soon-to-be-released fighter, we talked with game director Yohei Shimbori, who spoke about the lessons learned from the free-to-play experiment with DOA5, and what the series hopes to accomplish in 2019.
"There's many different kinds of fans for fighting games," said the director. "Some play it for the story, some play it for esports. We saw that when Street Fighter 5 came out, it didn't have a story mode, and there was a lot of controversy around that. Once we saw that, we knew that people really wanted a story mode in their fighting games. There are also a lot of fans who really gravitate to certain characters. We focused more on that in DOA5 and the free-to-play versions, and with the expanded customization in DOA6, we wanted the fans to create their own personal versions of that character."
Recently, the game's launch was delayed till March 1, away from its original release on February 15. According to the developers, this was to ensure that the game would be in stable shape for its debut. While the DOA series has had a particular reputation for blending fast, fighting action with characters that leaned heavily into fan-service territory, the developers want the series to be taken more seriously as a contender with DOA6, which they hope will push the franchise further into the spotlight.
"I'm very proud of how we're able to release this game after DOA5, as there was a pretty long gap when that game launched," Shimbori said. "Also, I'm very happy to see that the esports movement has gotten bigger in recent years. I really want to work with fans to help DOA expand and reach that type of stage. My dream is for the DOA fanbase is for it to grow even larger than from what it is today."
For more on Dead or Alive 6, such as the current roster and what to expect from the comprehensive customization options, be sure to check back with GameSpot.
By Anonymous on Jan 27, 2019 04:30 am With the recent release of Resident Evil 2 Remake, Mary Kish and Mike Mahardy return as the gruesome twosome to slay some zombs at the Raccoon City Police Department.
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