2007 was a year in gaming that many still remember fondly. With the successful launches of several remarkable franchises--including Mass Effect, Uncharted, The Witcher, Bioshock, and many more--this particular year in gaming was a whirlwind of high-quality games that pushed the medium forward. Further more, many of the games of 2007 expanded the gaming community in a big way, propelling interest in videogames even further to the general masses.
GameSpot is taking a look back at some of the more notable games of 2007, and the impact they've had in the ten years since their respective releases. While some of these games became the stepping stones for something greater--and others have since fallen into obscurity--the impression they have had is still undeniable, and are worth recognition for their tenth anniversary. Here's a quick selection of games--in order of their respective releases--that made 2007 a year to remember.
Crackdown -- February 20, 2007
For many, buying Crackdown was a necessary obligation, as Microsoft packaged Halo 3's much-anticipated beta with the game. But the second I saw Crackdown, I was immediately intrigued: here was what appeared to be a novel twist on the open-world game, one that wasn't merely trying to mimic GTA. The end result was flawed--driving was terrible, the story was forgettable--but those issues mattered little. Why would you want to drive when you're a superhero who can run at high speed and jump over buildings (letting you collect orbs, further enhancing your jumping ability and producing one of the all-time great sound effects)? Who needs a story when the ones you'll create will inevitably be far better?
Even a decade later, I still have have, crystal-clear memories of two moments showcasing the game's freedom. In a co-op session, my friend wanted to board a tanker full of enemies, but he couldn't yet jump high enough to get on board. We improvised: He got in a car, and I picked it up and threw it onto the ship, letting him go about his business. Another time, a friend and I took part in a race across the city, which involves scaling huge buildings and bounding from one rooftop to the next. My character was outclassed, and as we neared the final checkpoint, I did the only thing I could: I kicked him. Bear in mind, we were high up in the air and I'm playing someone with super strength, so he went flying off the roof, and I casually strolled to victory.
Even today, Crackdown remains a fun game to return to, as there is little like it (some imitators, like Saints Row IV, aside). That's only made the wait for the frequently delayed Crackdown 3 all the more difficult to bear.
-- Chris Pereira, News Editor
STALKER: Shadow of Chernobyl -- March 20, 2007
Even in 2017, the FPS-RPG hybrid S.T.A.L.K.E.R.: Shadow of Chernobyl is still a shining example of world building. Atmosphere is a nebulous concept when it comes to games, but STALKER nails down the feeling of scraping by in a dangerous, foreboding world. Dynamic weather effects along with smart sound design, especially when it comes to rainfall and thunder, compound the uncertain nature of trekking across a nuclear wasteland. The X-ray graphics engine also featured dynamic lighting and HDR rendering which, to this day, presents a lifelike environment; lamps illuminate rooms realistically and the sun beams between the breaks in the clouds. Character models and animations definitely show their age, but some of STALKER's set pieces stand the test of time.
In many ways, STALKER had issues at its foundation with technical performance and difficulty balance. Around its initial release, frequent crashes and unstable framerates hampered the experience, which was cranked up more than you'd expect by the jankiness of a first-person open-world game. NPCs clipping through walls and spawning inside of geometry--sometimes breaking quests--are just a few examples. Difficulty worked in an odd way in that 'easy' meant everyone (including you) deals less damage, forcing you to pump already-scarce ammo into enemies.
But underneath the lack of technical refinement is a special game that never held my hand. I created my own approaches to combat; often times I questioned whether or not I should engage at all, akin to an immerse sim. Enemy AI is unpredictable and kept me on my toes, making STALKER suspenseful, but it also threw in survival-horror elements alongside its supernatural themes cohesively. But I found the quieter moments just as valuable, like sitting at a campfire with fellow Stalkers as one of them strummed their acoustic guitar.
-- Michael Hingham, Tech Editor
Bioshock -- August 21, 2007
Coming from Irrational Games, the creators of the classic PC Action-RPG System Shock 2, the original Bioshock was a throwback in more ways than one. Releasing in August of 2007, it marked the beginning of several high-profile releases for the end of the year period, and this immersive sim ended up being a rather seminal game for console players. For all its action and scenes of grotesque body-horror, this 1950s art-deco inspired romp made a number of surprising and innovation choices when it came to conveying its richly-detailed attempt at a utopia--as imagined by a mid-20th century industrialist--would look like.
Truth be told, this ended up being one of my first encounters with an immersive sim game--albeit scaled back a bit compared to the developer's earlier games. I was instantly taken in by the suspenseful and exciting atmosphere of its setting. Added to this were the creative plasmid abilities and the bizarre, jury-rigged weapons scavenged from the environment. It's not often a game lets you shoot bees out of your hand, and follow up with a shot from your ridiculously modified pistol with a drum barrel attachment.
But above all, I was blown away by the narrative that tied it all together. From listening in on the various audio-logs--which revealed some rather heartbreaking backstories--to witnessing the mad and horrifying musings of deranged artist Sander Cohen, the city of Rapture featured a lot to uncover. The original game was a solid release, and its follow-ups were even better--so it makes me sad to see that the series is now in a state of limbo due to the game studio's restructure. Still, the effect Bioshock had on me--and it's incredibly subversive twist--is something I'll never forget.
-- Alessandro Fillari, Editor
Meteoroid Prime 3: Corruption -- August 27, 2007
Retro Studios' third take on the Metroid series, Metroid Prime 3: Corruption, arrived within the first 10 months of the Wii's lifecycle, and it served as a proof of concept for the motion controlled console. Prior to the system's launch, Nintendo had advertised the Wii Remote as the perfect controller for first-person shooters, but the only notable one to release for it up to that point was Ubisoft's Red Steel, which many fans and critics--myself included--found to be mediocre.
As such, Corruption was the first major showcase for the Wii Remote's potential for "hardcore" games, and it brilliantly proved how the unorthodox controller could benefit certain genres when used smartly. As much as I loved the first two Metroid Primes, Corruption was a much snappier experience; you could shoot enemies much more quickly and accurately than before thanks to the Wii Remote's IR pointer. Also, the game made clever use of motion controls by using them to disengage locks on some doors or cast your Grapple Beam and rip shields off of certain enemies.
That wasn't the extent of Corruption's innovations. For the first time in the series, players could control Samus's gunship and use it to travel between different planets or call it in to carpet bomb an area via a special visor. The game also featured some of the most visually stunning environments in a Metroid title to date; I'll never forget the awe I felt the first time I stepped into the overgrown briar jungles of Bryyo or the floating steampunk city SkyTown. Corruption's controls were so influential that Nintendo would apply them to both previous Prime games and re-release the entire trilogy in one collection, which still stands as one of my personal favorite game compilations.
-- Kevin Knezevic, Associate News Editor
Skate -- September 13, 2007
There isn't a single sports game that captures its respective culture better than Skate has with skateboarding. And as someone who has been obsessed with skateboarding since 1999, I couldn't have fallen harder for it. While Tony Hawk's arcade-y gameplay feels more like what would happen if Superman jumped on a board, Skate introduces players to the actual foundation of skating: the repeated tackling of a specific spot until that elusive trick is finally nailed.
Watch any skate video, and you'll see these monstrous feats performed by seemingly ordinary people who make it look easy. Heck, I can't tell you how frustrated seven-year-old me got when I realized I had no idea how to do a Benihana. I'd try my hardest to pull off the simplest trick, attempt after attempt after attempt. And that's what you don't see in those videos: the dozens and dozens of tries it takes to perfect these tricks.
Skate puts you into the shoes of an actual skater, pushing you to pull off your most daring trick with nothing but your thumbs. There are no stat upgrades, level ups, or higher-grade boards. You get better the same way real skaters do: practice. Mastering Skate's revolutionary right-analog trick system is something you have to do all on your own and, just like real skateboarding, it's endlessly rewarding to see your hard work pay off. I can't even begin to describe the feeling I have when I learn something new, which is still something I experience from time to time as I continue to play the series.
In many ways, it feels like Skate's ideals come from a different era. Many games at the time and even today make you feel like you're getting better by giving you a new, cooler-looking way to kill your enemies. However, being in complete control of your board, and knowing you can do anything with it, feels similar to when you've mastered Mario and memorized all of his levels. The biggest difference is that you can't break any of Mario's bones and get rewarded for doing so. 1-0 Skate.
-- Mat Paget, Video Producer
Halo 3 -- September 25, 2007
If Halo 2 sparked the existence of Xbox Live, Halo 3 made it a necessity. Bungie's third game in the revered series was a confluence of seamless matchmaking and remarkable design, and to this date, still one of the best multiplayer titles the medium has produced.
Halo 3 took everything that made its predecessor's multiplayer excellent, and expanded upon it in every way. Curated playlists attracted millions of players, ranked matchmaking ensured a balanced experience, and new game modes poured out of the customization options available, creating one of the more vibrant multiplayer communities we've seen. This all ignores the fact that Halo 3's maps were stellar, unfolding across industrial landscapes, urban environments, and alien facilities. Halo 3 became the paragon for the multiplayer games that followed.
And while its story is serviceable, it remains one of the series' weakest. It's convoluted and self-indulgent, and relies on the franchise's outside lore far too much. The Master Chief was never the most compelling character to begin with, but in Halo 3, Bungie's writers wandered in circles before settling on a cliffhanger that never felt earned. In terms of gameplay, though, the campaign's level design and momentum make up for any of its blemishes elsewhere. Halo 3's campaign is good, and nothing more.
Many developers today seem attracted to the idea of "games as a service," creating platforms rather than games, adding incremental features and attractions to sparse foundations. Bungie itself does so with Destiny 2. But 10 years after its incredibly hyped release, Halo 3 is still alive in the form of its Master Chief Collection re-release. Its playlists hum with the sound of players who remember why they fell in love with Bungie's work to begin with. It's 2017, but Halo 3 is still proof: that the best way for developers to keep players invested is to make an amazing game.
-- Mike Mahardy, Video Producer
Portal -- October 9, 2007
When Valve released the Orange Box back in 2007, the addition of Portal seemed like an interesting, experimental extra that was meant to balance the package's otherwise big name titles. And while Team Fortress 2 continues to be an important franchise (albeit just on PC), and the hankering for a conclusion to Half-Life still haunts gamers today, Portal was the true blockbuster standout.
Spawning enduring memes, a sequel in Portal 2, and a glut of merchandise (including plushies and mugs), the original Portal holds up today as both a brilliant puzzle game and a hilarious, well-acted comedy. Since it was part of a larger package with other well-known franchises, Portal's relatively short three-hour runtime didn't seem like as much of a detriment as it would if the game had been a standalone release. But in hindsight, the game's length is what makes it such a fine-tuned experience. The game's challenging puzzles ramp up in difficulty, and it provides a satisfying slice of Half-Life side-story while never outstaying its welcome by dragging the experience down with tedious busywork.
But the performances of Portal's central character is what make it a modern masterpiece. While you serve as a silent protagonist throughout the game, you're constantly talked to by The AI construct GLaDOS. Over the course of events, GLaDOS slowly reveals its true intent and personality through both witty dialogue and deadpan delivery. And the game's ending credits song, "Still Alive" by Jonathan Coulton, rounds out the experience--like the game itself, it's a humorous earwarm that sticks with you long after you're done with it.
Ten years later, Portal's has a strange legacy. Few games have tried to imitate it, and none have approached the same level of enduring popularity or pop culture relevance. And Valve itself only followed up Portal with a single sequel before ignoring the Half-Life mythos entirely. Portal stands alone, an example of concise, carefully constructed design that marries puzzle-solving, clever gameplay mechanics, and hilarity in a way that is still unmatched by any other game.
-- Justin Haywald, Managing Editor
Team Fortress 2 -- October 10, 2007
What started as a Quake mod (Team Fortress) evolved into the model example of what a class-based competitive FPS should be. Building off of the popular Half-Life mod in Team Fortress Classic, Valve refined the multiplayer shooter with exceptional map design for both symmetrical and asymmetrical gameplay in objective-based game modes. Many of my Summer and Winter days were dedicated to pushing the payload back-and-forth while keeping a watchful eye for Spies at the iconic 2fort map. I'd lead flag capturing as a Scout, hopping across corridors, furiously dodging Soldier rockets and Demoman grenades only to be met by Engineer turrets around the corner. It was a never-ending game of adapting to enemy tactics and team composition.
The most striking difference with Team Fortress 2 was in its presentation. Instead of using the Half-Life aesthetic as its foundation, TF2 went for a light-hearted, cartoon art-style that exuded personality and breathed life into characters who would've otherwise just been avatars for a particular class. This visual approach fed into the gameplay; the expressive and colorful nature allowed you to spend more time assessing situations instead of trying to figure out what's even happening.
Like many modern multiplayer games that hope to have a long lifespan, changes need to be made aside from balance fixes. Team Fortress 2 went free-to-play in 2011 and introduced microtransactions for cosmetics and equipment. This shift bolstered the player-base and provided major profits for Valve, allowing the game to live on and stay relevant without sacrificing its foundation.
Today, Blizzard's Overwatch carries the torch for class-based multiplayer shooters, but the seeds were sowed by Team Fortress 2 which is still going strong considering it has been a decade since its launch.
-- Michael Hingham, Tech Editor
Half-Life 2: Episode Two -- October 10, 2007
Fact: we've been without a new Half-Life game for ten years. Originally released alongside Team Fortress 2 and Portal, Half-Life 2: Episode Two picked up where the previous part left off, with Gordon and Alyx Vance on the run outside City 17. Since the release of Half-Life 2 in 2004--which was also the first game I played when I purchased a new computer after high-school graduation--it set the bar for storytelling in a single-player FPS, showing that it was possible to balance fast action with a solid and rich narrative. While the concept of the series is simple--a guy in the wrong place at the wrong time being the only hope for humanity--the execution is anything but.
Though the Half-Life series is known for its approach to linear storytelling, Episode Two opened things up a bit with more explorable spaces, along with a handy makeshift vehicle that could over great distances in short time. This installment did a lot of interesting things with the familiar set-pieces and battles that its predecessors pushed forward, and with a cliffhanger ending that teased the intersection of storylines from Portal--a sequel in the form of Episode Three or even Half-Life 3 looked to be an exciting thing. But that follow up never came.
While fans have made certainly made the best of it with creative mods, along with a full remake of Half-Life 1 in Source--which Valve gave their blessing to--reports in the years that followed Episode Two showed that development on the sequel never gained much traction. The one glimmer of hope we all had recently was former-Valve writer Marc Laidlaw releasing a script for one of the proposed games--which fans promptly turned into a playable mod. Still, we've now been without a Half-Life game even longer than it took Valve to make HL2. Which is a rather depressing thought.
-- Alessandro Fillari, Editor
The Witcher -- October 30, 2007
Between titans such as Uncharted: Drake's Fortune, Call of Duty 4: Modern Warfare, and Mass Effect, a small team in Poland developed an ambitious RPG based on a popular polish book series. The developer set out to make a dark, role-playing adventure that took the atmosphere and grit from the source material, and translate it into a game. That game was The Witcher.
Rather than giving the player the option to role play as a hero or villain, CD Projekt Red presented the player with morally grey choices that led to unforeseen consequences. There is no good vs evil in The Witcher. Sometimes the "right" decision, could be a fatal one. You navigate this world as the famed Witcher--or monster slayer--Geralt of Rivia. As a Witcher, Geralt isn't supposed to show emotion, intervene in the affairs of humans, elves, and dwarves--and must only keep to himself. But anyone who's played a Witcher game knows that there are multitudes to Geralt's personality.
And all of this fed into a twisted, dark fantasy tale that broke conventions and flipped the genre on its head. But more importantly, The Witcher laid the groundwork for CD Projekt Red to continually push their vision and expectations further and further. Now, despite CDPR's humble beginnings, The Witcher series has become the gold standard for an RPG experience.
-- Jake Dekker, Video Producer
Super Mario Galaxy -- November 1 (Japan) 12 (US), 2007
Nearly a full 10 years before Mario's first Switch title, Super Mario Odyssey, took players on a globetrotting adventure to some of the strangest locales in the series' history, Mario boldly went where no other plumber had gone before in Super Mario Galaxy. Expectations typically run high with the release of any Mario game, but Galaxy in particular had a lot to prove to me when it debuted back in 2007. Not only was it the first Mario title to launch for what was at the time Nintendo's latest console, the Wii, it was also the plumber's first 3D adventure since Super Mario Sunshine--a fun game that I ultimately thought was disappointing compared to the groundbreaking Super Mario 64.
Despite the lofty expectations it faced, Galaxy would quickly become another classic Mario adventure and mark the beginning of a veritable renaissance for the series. Rather than following the sandbox-style approach of Mario 64 and Mario Sunshine, Galaxy pared back its levels to more linear platforming challenges, affording the developers greater control over the pace and flow of the adventure. And they certainly took advantage of it, crafting a breathlessly creative series of challenges that surprised and delighted me at every turn. New Galaxies and objectives would open up at a rapid pace, and the game introduced and discarded gameplay ideas so frequently that it never had a chance to grow stale.
The game's sequel, Super Mario Galaxy 2, would arrive three years later and further refine the gameplay ideas it introduced, but the first remains my personal favorite because of how it continually surprised me and laid the foundation for all future 3D Mario games. That traces of it could still be felt in some of Odyssey's levels and challenges further illustrates just how influential Super Mario Galaxy was to the series and why it remains one of the best titles Nintendo has ever released.
-- Kevin Knezevic, Associate News Editor
Call Of Duty 4: Modern Warfare -- November 5, 2007
When it came out in 2007, Call of Duty 4: Modern Warfare marked the blockbuster series' first foray out of WWII and into a contemporary setting--and the first shooter I'd ever played that took place in the present, inspired by a war that was currently being fought.
While the campaign was still bombastic action-movie fare, it had (and still has) some of the most memorable and impactful moments in the series. The opening credits, in which you, the president of an ambiguous Middle Eastern country, witness a coup d'etat as you're driven to your execution was a haunting introduction to the game's conflict. The nuclear explosion in Shock and Awe and the short death sequence in the following mission, Aftermath, took me out of the power fantasy and forced me to face the futility of war. And All Ghillied Up and Mile High Club remain two standout FPS missions for their level design and total change of pace from the rest of the campaign.
Modern Warfare also moved multiplayer forward, introducing the now-standard Create-a-Class. Being able to customize a loadout, coupled with the new perks system, redefined multiplayer for the series and inspired many other games to come.
-- Kallie Plagge, Associate Editor
Crysis -- November 15, 2007
Back in the 2000s, PC Gaming had gone through a significant resurgence. With games like Half-Life 2 and World of Warcraft offering players rich experiences that pushed their genres forward, there were also other titles that put the average PC gamer's rig through its paces. Crysis was released on November 13 2007, and it would eventually go on to become the benchmark for PC performance at the time. In 2007, my PC was mostly built for games like Half-Life 2 (three years old at this point), so seeing videos of Crysis running at max settings was a sight to behold, and it had me wondering if I would be able to experience the game.
Crysis is a standard shooter putting you in the shoes of a super-soldier who could single-handedly take down an opposing army and alien invaders. The main setup and story is unremarkable and cliche, but what it did do well was mixing linear storytelling with an open-ended mission design in a lush jungle setting. While the story took itself seriously, the gameplay often revelled in goofy action, allowing you throw chickens with maximum strength, to even strange an enemy soldier with one hand and firing a rifle with the other.
Playing Crysis for myself was somewhat of a mixed experienced, as my rig struggled to run it at medium to low settings with several FPS drops throughout. Still, I was blown away by the game, and it still stands out an incredibly solid and varied shooter. While Crysis is no longer the PC benchmark--and its two sequels fell short of matching the original--Crysis is still a solid shooter that manages to impress with its visuals to this day. It also made me more aware of general PC upkeep, which is always important.
-- Alessandro Fillari, Editor
Assassin's Creed -- November 16, 2007
I'll always remember the first Assassin's Creed trailer: a mysterious hooded assassin running through a busy crowd and jumping onto an unsuspecting evildoer to stab him with a hidden blade. These elements would go on to define the series, but in that moment in time, it was all so fresh and new. From its distinct setting and time period to its crowd-based stealth mechanics and free-running maneuvers, the first Assassin's Creed exuded a design philosophy that was innovative and different from most contemporary action-adventure games of the time. And the surprises didn't stop. People widely assumed that Assassin's Creed was strictly a period-piece, but when the game first released, it was revealed there was actually a modern-day component to its narrative.
As a game, Assassin's Creed was unable to truly live up to the high expectations set by its ambitious ideas. Its overtly bland main protagonist and repetitive mission structure often brought the game down. However, its conspiracy laden plot, its authentic recreation of a historical era, and the allure of the Animus as a device that could explore the memories of a person's ancestors were fascinating elements that still remain with series.
While the first Assassin's Creed may not be my favorite in the series, it's difficult to deny how exciting of a beginning it was to the then fledgling franchise. In many ways, Assassin's Creed set the tone for the seventh console generation, pushing the level of interactivity you could have in a game with not only the environment but the characters encounter. To be able to climb any building in the world, evade enemies in plain sight, and explore an era barely touched upon in games was a jaw-dropping experience. Ten years later, the first Assassin's Creed is still an impressive display of creative ambition that's well worth looking back at, despite the stronger execution of its subsequent entries.
-- Matt Espineli, Associate Editor
Uncharted: Drake's Fortune -- November 19, 2007
As a PlayStation first party developer making a transition to the PlayStation 3, Naughty Dog left behind the cartoony aesthetic of its PS2-era Jak and Daxter series to a new richer-looking franchise for Sony's third console. Their answer was Uncharted: Drake's Fortune, a Tomb Raider-inspired adventure that strove to package engaging gunplay, exploration, and puzzle solving in one cinematic escapade. While all those elements were seldom delivered in equal measure in the series' 10-year history, it established Uncharted as the best Sony exclusive series of the past decade.
Uncharted improved upon early 21st century gaming trends, particularly the rise of cover-based shooting, innovated by Kill.Switch and popularized by Gears of War. This type of combat was well-suited in capturing countless pulse-racing moments its protagonist, Nathan Drake faced. Whether hiding behind a column or a low wall, the player connected to Drake's precarious situations. His less than confident here-goes-nothing approach to harrowing predicaments was emblematic of the late 2000s wave of everyman heroes that dotted the story-driven gaming landscape.
Although I had missed Uncharted: Drake's Fortune the year it released, I discovered its greatness in anticipation of the release of Uncharted 2: Among Thieves. As a lover of the cinematic qualities of narrative-driven games, I had the strong drive to play each of those games in single sittings. These aren't essential ways to play those games, but such playthroughs allow the player to appreciate the well-crafted and cohesive movie-like flow of Nathan Drake's treasure quests. By the time Uncharted 4 came out, I was content beating that epic adventure in multiple sittings, which you can say speaks to how the series had long since transcended the film medium that so heavily inspired it.
-- Miguel Concepcion, Editor
Mass Effect -- November 20, 2007
2017 has been a rough year for the Mass Effect franchise with the disastrous launch of Andromeda being the butt of many jokes. Its initial goal was a noble one, looking to the first game's unique ideas for inspiration. That's why now more than ever, it's important to look back on what the original game did ten years ago.
As the introduction to the expansive Mass Effect universe, BioWare created a world filled with loveable characters and plenty of detail. The game's Codex functioned as an in-game encyclopedia letting dedicated players learn everything about the Milky Way's many planets and species. The core of it though is a fun sci-fi adventure, where as Commander Shepard, you get to make meaningful choices that not only affect the story, but the story in future games to follow. This commitment to player choice along with the creation of the now ubiquitous dialogue wheel, is probably Mass Effect's most lasting legacy for many other RPGs and story based games. For BioWare, it represented a new era of cinematic RPGs. The dynamic camera angles and facial detail brought, for the time, an unseen level of quality to the game's presentation.
Many aspects of Mass Effect have aged poorly such as the weak combat, and its beautiful but empty collection planets. While its sequels' with their improved combat and design are arguably better games, it's the original's ambitious attempt to create an explorable galaxy that still in many ways hasn't been matched and maybe one day a game will realize that vision.
-- Jean-Luc Seipke, Video Producer
Rock Band -- November 20, 2007
In 2007, peripheral-based rhythm games were starting to experience massive success in the West thanks to developer Harmonix's Guitar Hero series. The genre was initially more popular in Japan, but Harmonix's work allowed it to gain a wider reach in Western markets. While the company garnered massive success with Guitar Hero, it wasn't until its work on Rock Band where it reached greatness.
On the surface, Rock Band felt like a simple collection of established ideas, copying and pasting the timing-based mechanics of other peripheral-based rhythm games into single cooperative experience. But the way the game elegantly brought together each of its disparate parts made it so much more than what came before. By virtue of its premise, the game was undeniably alluring. After all, who didn't want to feel like they were playing in a rock band? The game allowed you the opportunity to feel like you were in a live band, playing together in (at times) perfect sync.
When Rock Band first released, it became the pillar of every party I went to during that year. Hours upon hours were spent jamming out with the game's array of plastic instruments, with eyes transfixed on the incoming notes down instrument lanes. Vocal cords were worn down, as the mic was traded between players from song to song. When Rock Band was in the room, it didn't matter if you played games or not, everyone wanted to be a part of the experience. And with how easy to pick up it was, there were often little boundaries to overcome to get enjoyment out of singing or playing guitar, bass, and drums. Rock Band possessed universal appeal, easily bridging the gap between casual and hardcore players.
Unfortunately, the rhythm game phenomenon that spurred from Rock Band's success eventually ended. With the oversaturation of rhythm games in the market, the series declined in popularity not long after the release of its third entry. However, the Rock Band series has since maintained a cult following. In fact, a Rock Band 4 was eventually released in 2015. While its latest entry received lukewarm reception, Harmonix continues to support the community, continually releasing DLC songs to this day.
Xenoblade Chronicles 2 offers a deep combat system with multiple interconnected mechanics. It's gratifying once you get the hang of it all, but that can be easier said than done. Xenoblade Chronicles 2 throws lots of tutorials at you that are lost once you click past them, with only meager reference material available from merchants after the fact.
To...combat this issue, we've compiled a breakdown of combat terminology and mechanics that will hopefully help you master the possibilities available to you early on. Let's get started.
Your battle party consists of two types of characters, Drivers and Blades. Drivers are traditional characters that you control--though you can only command one out of three in your party, while the rest of your allies are driven by AI, with one notable exception that we'll get to soon.
Blades are characters that provide powers to Drivers. They determine what weapon and abilities you have access to, and are imbued with a particular element--yet another important detail that we'll return to when discussing Blade Combos and Chain Attacks.
During combat, you can swap between your active Driver's equipped Blades (either two or three, depending on the in-game chapter.) This can't be done freely at any time, however; Blades have accompanying meters that fill automatically over time. Unlike Drivers, Blades do not have a health bar and cannot be damaged by enemies.
Party Gauge
In the top-left corner of the screen is the Party Gauge. This fills up as you damage enemies and execute advanced attacks. Divided into three sections, you can spend one portion of the meter at a time to revive a fallen ally. You can also use up the entire meter (only when it's full) to execute a Chain Attack. For more info on Chain Attacks, scroll further down the page.
Basic Attacks
When you're close enough to an enemy, Drivers will auto-attack. Proximity is the only requirement to trigger this action. Auto-attacking will fill meters surrounding ability icons that represent various Arts.
Arts
When an Art meter fills up from auto-attacks, you can execute it. Arts can be direct attacks, defensive moves, or healing spells, and each typically comes with a secondary condition attached to it, say, toppling an enemy (more on that in a minute) or spawning healing potions upon impact.
The Arts you have access to are dictated by the weapon of the Blade you're currently cooperating with. That means different Blades will offer the same selection of Arts if they are assigned the same weapon, which are predetermined and static. Each Blade offers four Arts, but you can only equip three at a time.
Cancels
Similar to fighting games, you can stop one action to begin another (with an added advantage) in Xenoblade Chronicles 2. Put simply, the moment after landing a blow on an enemy, you can initiate an Art with a bonus effect if your timing is on point.
Specials
Specials are like Arts, but deal more damage and are little more involved, asking you to engage with quick time events mid-animation. Specials come in four levels. Levels one through three are made available by cancelling an auto-attack into an Art, which fills up a meter surrounding the Special icon. Level four Specials are earned after filling up the meter enough to reach level three, and then by standing close enough to your active Blade on the battlefield for a few seconds. Specials tie into the element of the Blade in question, and will generate a meter above the enemy's health bar that will slowly deplete in roughly 20-30 seconds.
As mentioned, you can't fully direct all of your party members, but you can heed the call from fellow Drivers when they are ready to activate a Special. Why would they wait for your command? I'm glad you asked!
Blade Combos
After you or one of your allies activates a Special, a chart will pop up on the top-right corner of the UI illustrating a number of options for you to consider as you prepare to execute your next Special. These options are represented by elements, and if you activate a Special with the appropriate element before the meter generated by the previously cast Special runs out, you can create a Blade Combo. Complete three steps within the provided options, and you will not only deal lots of damage, but also seal away one of your opponent's abilities. The final Special of a Blade Combo will also leave an orb surrounding the enemy, based on that Special's specific element. These orbs/seals serve an additional purpose as well.
Chain Attacks
When you've got a full Party Gauge, you can press the + button to initiate a Chain Attack, which is an opportunity for each character in your party to deal a strong attack with an equipped Blade of your choice. These deal a lot of damage, but if you have previously executed Blade Combos (on the same enemy that you're targeting with your Chain Attack) you can do far more.
Remember the orb/seal generated by a Blade Combo? Chain Attacking with elements opposite of any orbs that may be attached to an enemy can burst the orb, which not only inflicts a lot morie damage, but also extends your Chain Attack for another round.
These are the basic concepts of Xenoblade Chronicles 2's combat system, but when you factor in various types of equipment, abilities, and mechanics unique to specific characters, things get even trickier. If you've got any questions, or any advanced tips to share with other players, throw them in the comments below!
By Anonymous on Dec 02, 2017 09:30 pm Xenoblade Chronicles 2 can be a tough nut to crack, and if you miss a few tutorials you could be screwed later on. Here's how Xenoblade 2's combat works and some of the mechanics you will need to know.
To call 2017 a "good year" for gaming would be a grave understatement. With Zelda Breath of the Wild, Super Mario Odyssey, and Divinity: Original Sin 2 all receiving Essential 10 review scores, and a multitude of amazing games that have captured similar critical accolades, trying to pick just one title to be Game of the Year seems like an almost impossible task. But that's just what we're going to try and do!
Over the course of December, we'll be rolling a out a series of features and videos that look back at 2017, look ahead to 2018, and that list out what we collectively feel are the best games of the year. Check out the list below for our full content schedule for both games and entertainment as we celebrate the Best of 2017!
2017 Year-in-Review
Coming Monday, December 4
Biggest Game News of 2017
Most-Read Stories of 2017
Most-Read Reviews of 2017
Most-Watched Videos of 2017
Console Report Cards
Microsoft Report Card: Xbox One -- Tuesday, December 5
PlayStation Report Card: PS4 and PSVR -- Tuesday, December 5
PC Gaming Report Card -- Wednesday, December 6
Nintendo Report Card: Switch and 3DS -- Wednesday, December 6
VR Report Card -- Thursday, December 7
Console "Best Of" Award Winners
Our unranked list of the five best games for each console. This year we are (obviously) dropping the Wii U category and adding Nintendo Switch.
Best 3DS Games -- Friday, December 8
Best Mobile Games -- Friday, December 8
Best Switch Games -- Monday, December 11
Best VR Games -- Tueday, December 12
Best Xbox One Games -- Wednesday, December 13
Best PS4 Games -- Thursday, December 14
Best PC Games -- Friday, December 15
Best Expansion -- Monday, December 18
Best Reissued/Remastered Games -- Tuesday, December 19
Game of the Year Countdown
Game of the Year #10 -- Monday, December 11
Game of the Year #9 -- Tuesday, December 12
Game of the Year #8 -- Wednesday, December 13
Game of the Year #7 -- Thursday, December 14
Game of the Year #6 -- Friday, December 15
Game of the Year #5 -- Monday, December 18
Game of the Year #4 -- Tuesday, December 19
Game of the Year #3 -- Wednesday, December 20
Game of the Year #2 -- Wednesday, December 20
Game of the Year #1 -- Wednesday, December 20
Editors' Spotlight Awards -- Thursday, December 21
These awards highlight games that we think deserve special recognition, but which didn't earn a spot in our "Best of" or GOTY lists. Looking ahead to 2018, on Thursday December 21 we'll have a host of features looking at the most-anticipated games of next year:
The 20 Biggest Games to Play in 2018
The Biggest PS4 Games to Play in 2018
The Biggest Xbox One Games to Play in 2018
The Biggest Nintendo Games to Play in 2018
The Biggest PC Games to Play in 2018
In the latter half of the month, we'll focus on our favorite movies and TV Shows:
2017 Entertainment Year-in-Review
The Craziest Entertainment News Of 2017 -- Thursday, Dec. 21
Biggest Comic News of 2017 -- Thursday, Dec. 21
Report Card: Marvel -- Thursday, Dec 21
Report Card: DC -- Thursday, Dec 21
Report Card: Star Wars -- Thursday, Dec 21
The Biggest Disappointments In Movies And TV This Year -- Friday, Dec. 22
The Entertainment That Should Have Been More Popular In 2017 -- Friday, Dec. 22
Characters We Loved (And Loved To Hate) In 2017 Movies And TV -- Friday, Dec. 22
Worst Reviewed Movies of 2017 -- Friday, Dec. 22
Game Of Thrones Season 7 Episodes Ranked From Worst To Best -- Tuesday, Dec. 26
Best And Worst Adaptations, Reboots, And Remake -- Tuesday, Dec. 26
The Best And Worst Entertainment Trailers Of The Year -- Tuesday, Dec. 26
The Biggest Moments In WWE This Year -- Tuesday, Dec. 26
Best of Entertainment
The Top 10 Movies of 2017 -- Wed, Dec 27
The Top 10 TV Shows of 2017 -- Wed, Dec 27
The 10 Best Netflix Originals Of 2017 -- Wed, Dec 27
The 10 Best Comics of 2017 -- Wed, Dec 27
The Best Horror Movies And Shows -- Thu, Dec 28
The Best Sci-Fi Movies And Shows -- Thu, Dec 28
The Best Superhero Movies And Shows -- Thu, Dec 28
The Best Anime Of 2017 -- Thu, Dec 28
The Best TV Show Episodes Of 2017 -- Thu, Dec 28
The 10 Best Scenes In 2017 Movies And TV -- Thu, Dec 28
And looking ahead to 2018:
The Biggest Movies to Watch in 2018 -- Friday, Dec. 29
The Biggest TV Shows to Watch in 2018 -- Friday, Dec. 29
The Biggest Comics to Read in 2018 -- Friday, Dec. 29
The Biggest Anime To Look Forward To In 2018 -- Friday, Dec. 29
Razer's phone isn't a gaming phone per se, but it is a device built for gamers. As a result, it breaks unprecedented ground in a few areas but falters in others. Here are the top five things you should know about the Razer phone.
The Razer Phone uses a 5.7 inch 2560x1440p display. This is the same resolution that many high-end gaming monitors use and it looks really sharp. What really makes it unique, though, is the fact that it features a variable refresh rate, that's similar to G-Sync or Freesync, and can scale up to 120Hz. Most other phones are locked to 60. It's really refreshing to see Razer break into a mature market here and disrupt a bunch of leading phone manufacturers like Apple, Google and Samsung. One downside here is that it doesn't use an OLED panel like many other flagships and opts to use an IPS LCD instead. This means that it doesn't feature true black levels that OLED displays offer, which might be a deal breaker to some, but unfortunately they don't make 120Hz OLED panels.
Specs:
The Razer Phone uses top tier Android parts. It's equipped with Qualcomm's leading Snapdragon 835 SOC coupled with a massive 8GB of RAM. To put things into perspective, that's twice as much RAM as Google's flagship Pixel 2 XL. It also has a HUGE 4,000 milliamp hour battery that is more than capable of lasting a typical day. While it comes with 64GB of built-in storage, it thankfully allows you to install a microSD card so you can expand it to 2 terabytes.
Camera:
The Razer Phone has an 8 megapixel f2.0 front-facing camera coupled with 2 cameras on the back. One is a 12mp f.175 wide angle and there's another 12MP f.26 zoom. The bad news is that the cameras are pretty bad. Overall, they make images look much too soft and lack image clarity. In addition, the back cameras oddly shoot almost everything in a forced portrait mode, so that only a certain part of the image will be in focus. Software updates could potentially address some of these issues, but if you're looking for a great camera on your phone, I'd focus elsewhere for now.
Speakers:
The Razer phone has two large bezels at the top and bottom, but I don't really mind them because the company has squeezed in some amazing speakers here. I'd say they are the best phone speakers currently on the market. They're good enough to replace small, cheap bluetooth speakers.
Operating system:
The Razer phone is rocking Android Nougat 7.1.1 with a clean nova launcher skin. It also comes with different Razer themes you can download along with additional settings that allow you to optimize battery life over performance and vice versa. Razer tells me it plans to update the phone to Android 8.0 Oreo in Q1 next year, but hasn't laid out an update roadmap beyond that.
By Anonymous on Dec 02, 2017 07:00 am Star Wars Battlefront 2 actress Janina Gavankar answers our burning questions about Star Wars, and calls the real Jar Jar, Ahmed Best, to find out if Jar Jar Binks is a Sith Lord!
Happy Friday! It's the last GameSpot News Roundup for the week, and Jess McDonell and Dan Crowd are ready to close it out with some hot video game news! Here's what we cover today:
Previously Blocked By Strike, Life Is Strange Voice Actors Return For Bonus Episode
Voice actor Ashly Burch is increasingly become well known for her great performances in a number of recent games, like Aloy in Horizon: Zero Dawn and Chloe in Life Is Strange. However, due the most recent Screen Actor's Guild strike, the follow-up prequel series, Before The Storm, went on to be released without Burch in the role. But now she's back! What's the deal? How does this work with her replacement, Rhianna DeVries? Find out in today's episode!
Nintendo Switch was the hottest product on Black Friday and Cyber Monday — and it wasn't even on sale
This is a pretty amusing story. Even though the Thanksgiving weekend once again had countless great deals on video games and game hardware, the best-selling product during this period was the Nintendo Switch. Hilarious. We explore one analyst's assessment of this strong trend in the video today.
Call of Duty: WW2's Headquarters Social Space Is Back
The infamous multiplayer social space in Call of Duty: WW2, that's the one where you can watch people open loot boxes, is back online after developer Sledgehammer Games disabled it in order to address the sever issues that affected the game at launch. With its return comes a bunch of updates to the game, which nerf the effectiveness of some of the game's more powerful weapons and perks.
Thanks for tuning into GameSpot News this week! Keep the conversation going by letting us know your thoughts on today's news. We'll see you next week!
Rem Nendoroid - Re:ZERO Starting Life in Another World
From the anime series 'Re:ZERO comes a rerelease of Nendoroid Rem, one of the maids at the Roswaal mansion. Her cute maid uniform has been carefully converted into Nendoroid size and her standard expression is based on the scene where she first met Subaru and had a bit of an untrusting, cold gaze. She also comes with a smiling expression for much more cheerful poses! Her third expression is the memorable 'oni' expression from the series, and she also comes with alternate front hair parts with a horn in order to fully recreate the oni form. Her morning star is also included in two different forms - one with a static chain for dynamic action poses as well as one with a real chain. Size: Approx. 100mm in height
From the Nintendo 3DS game 'Fire Emblem Fates' comes a figma of the main playable character in her female form - Corrin! Using the smooth yet posable joints of figma, you can act out a variety of different scenes. A flexible plastic is used for important areas, allowing proportions to be kept without compromising posability. She comes with both a gentle smiling face plate as well as a powerful shouting expression for combat scenes. The powerful sword 'Yato' is included for her to wield and a Dragonstone is also included to display with her. An articulated figma stand is included, which allows various poses to be taken. Size: Approx. 145mm in height
One-Punch Man contains episodes 1-12 plus 6 OVAs. Saitama is a hero who only became a hero for fun. After three years of "special" training, though, he's become so strong that he's practically invincible. In fact, he's too strong—even his mightiest opponents are taken out with a single punch, and it turns out that being devastatingly powerful is actually kind of a bore. With his passion for being a hero lost along with his hair, yet still faced with new enemies every day, how much longer can he keep it going?
If you're like Guts, you're constantly fighting for more time! But on the bright side, you'll always know what time it actually is with this Berserk watch. With the Dragonslayer as the second hand, you can beat the clock in style!
From 'The Legend of Zelda: Breath of the Wild', the latest addition to the popular The Legend of Zelda series comes a Nendoroid of the main character, Link! This DX Edition is a special version that comes with additional parts to help you recreate even more scenes from the game! He comes with two face plates including a smiling face as well as a shouting expression for combat scenes. Optional parts include a large selection of items including his bow and arrow, quiver, sword, sheath and shield allowing you to recreate various situations in Nendoroid size! The Sheikah Slate that appears in-game is also included. The DX (Deluxe) Edition also comes with an axe, club, chicken leg as well as his hood and even a horse for Link to ride on - a huge selection of parts to bring out the atmosphere of the game in your collection! Enjoy the brand new design of Link in your collection with Nendoroid Link: Breath of the Wild Version! Size: Approx. 100mm in height
Warm up the holidays with this new Santa Nami prize figure! This figures strikes the perfect balance of size and quality that you would expect from Banpresto's Glitter & Glamours line of figures! Size: Approx. 14x14x25cm
From the popular anime series 'YURI!!! on ICE' comes a Nendoroid the figure skater with the most sensitive glass heart – Yuri Katsuki! He comes with three expressions including a smiling expression, the 'eros' expression he had during his short program as well as an embarrassed expression. You can easily pose him skating as if in a skating competition, but he also comes with alternate hair parts, glasses and a smartphone to recreate his standard appearance as well! His favorite food 'katsudon' is also included allowing for even more everyday scenes from the series! Be sure to add the skater that become stronger through love to your collection with Nendoroid Yuri Katsuki! Size: 100mm in height
Miss Kobayashi's Dragon Maid-Kanna Kamui 1/6 PVC Figure
From Miss Kobayashi's Dragon Maid comes a figure of Kanna Kamui! This 1/6 scale figure from Pluchra feautres all the details that make Kanna so adorable, such as the red backpack and pink clothes. She's so cute you'll squeal in delight! Size: Approx. 190 mm in height
Wubba Lubba Dub Dubbs! Adult Swim and Kidrobot present the Rick and Morty medium figure! Featuring everyone's favorite familial interdimensional travelers, a portal and a bureaucratic bug, this squanchy figure clocks in at 7 inches tall. Grab one today and get schwifty in here!
Popular characters from Naruto Shippuden and Boruto anime series come to you in Megahouse's Petit Chara! Land series of chibi figures! Despite being only 45mm tall, each figure is detailed and true to the original character design! Get all seven Hokages and Boruto in this single set! Bonus: Each set comes with a postcard featuring these Petit Chara figures and a Hokage poster!
Wear your Star Wars pride with these the brand-new Pop! Tees from Star Wars: The Last Jedi! These shirts feature Chewbacca holding an adorable Porg! Add to your wardrobe today!
Ahead of its debut sometime in 2018, the first look at the upcoming live-action adaptation of Teen Titans has been released and it showcases a major DC universe character. Robin, otherwise known as Dick Grayson, leads the team in Titans, and his vigilante suit is an impressive one.
The first image from the series shows Brenton Thwaites (Pirates of the Caribbean: Dead Men Tell No Tales) in Robin's suit, complete with his signature staff. The costume was designed by Laura Jean, who is no stranger to superhero looks with costume credits that include both Iron Man and The CW's upcoming Black Lightning.
Titans hails from DC Entertainment and The Berlanti Company, with Akiva Goldsman, Geoff Johns, Greg Berlanti, and Sarah Schecter serving as executive producers. In addition to Robin, Anna Diop stars as Starfire, Teagan Croft as Raven, Ryan Potter as Beast Boy, Alan Ritchson as Hawk, and Minka Kelly as Dove.
An official synopsis for the series reads, "Dick Grayson emerges from the shadows to become the leader of a fearless band of new heroes, including Starfire, Raven and many others. Titans is a dramatic, live-action adventure series that will explore and celebrate one of the most popular comic book teams ever."
Titans is being produced exclusively for the still-unnamed streaming service DC is planning to launch in 2018. It's one of three programs in the works for the service so far, along with a revival of the animated Young Justice series and a Harley Quinn cartoon geared toward adult audiences..
By Anonymous on Dec 02, 2017 05:30 am Life is Strange sees the return of Ashly Burch, and COD: WWII brings back multiplayer to the Headquarters social space!
December is here, and that means another batch of free games is on the way for PlayStation Plus members. Six more games are set to be available soon for all subscribers, with PS4, PS3, and Vita owners each getting at least two.
As usual, the main highlight comes on PS4. First up is Darksiders II Deathinitive Edition, the remastered version of the 2012 action game. It includes all DLC released for the original version along with improved graphics and other enhancements. It'll be joined by a more family-friendly game in Kung Fu Panda: Showdown of Legendary Legends. The ongoing bonus PS Plus game, Until Dawn: Rush of Blood, will continue to be available throughout December, too. If you're in Europe, you can still grab That's You.
PS4 will owners will receive a third game this month, thanks to Cross-Buy: the Metroidvania-style Forma 8, which is officially one of Vita's free games for December, will also be playable on PS4. Vita's other new game in December will be co-op shooter Wanted Corp. Rounding out the month's lineup are two PS3 games: Syberia Collection (which includes adventure game Syberia and Syberia II) and Xblaze Lost: Memories.
These freebies will be available starting next Tuesday, December 5. You have until then to claim November's free PS Plus games, which include Worms Battlegrounds. You can see the full December lineup below.
As previously announced, a beta of the upcoming Monster Hunter World will be available exclusively to PS Plus members. It will run from December 9-12 and features the Ancient Forest and Wildspire Waste levels, where you'll hunt a Great Jagras and Barroth. An additional bonus will also be available during December and into next year in the US. From December 12 through January 9, PS Plus subscribers can claim the Smite PlayStation Plus Pack, which consists of a variety of gods, skins, voice packs, and an announcer pack.
Lionsgate has set an official release date for its upcoming remake of Hellboy. The film, which is not connected to the original two movie, will arrive in theaters on January 11, 2019.
The reboot will star David Harbour (Stranger Things) in the title role, with The Descent and Game of Thrones director Neil Marshall helming the project. The script for the new take on Hellboy comes from Mike Mignola, who created the character, along with Andrew Cosby (Eureka) and Christopher Golden (Ghosts of Albion: Embers).
The first two Hellboy movies starred Ron Perlman as the titular demon who fights supernatural villains, with Guillermo del Toro serving as director. Back in June, comedian Patton Oswalt got Perlman and Harbour to sit down together, at which point the first Hellboy gave his approval to his successor.
"Apparently Patton Oswalt aka balvenieboy thought it was a good idea to host [David Harbour] and yours truly for a detente dinner," Perlman wrote on Facebook. "The result: I gained 3 pounds and ruined my liver. Meanwhile, good luck kid! Signed, the babe."
While details surrounding the new movie are being kept under wraps, Harbour previously teased that it wouldn't be an origin story. "We kind of pick up the movie like we're running and gunning," he explains. "We do have a little bit of stuff where we show stuff, but it really is a story and you just drop in with this guy."
Hellboy also stars Milla Jovovich, Daniel Dae Kim, and Ian McShane.
As we've moved further away from PlayStation VR's launch last year, it's become more difficult to find retailers offering demo units. That effectively means your only chance to try PSVR without purchasing one is to have a friend who owns the headset. That's now changing, with Sony offering to send a demo unit right to the home of select PlayStation 4 owners.
Sony has begun sending out email to select PS Plus members, providing them with the opportunity to take advantage of this promotion. In addition to the headset itself, the trial package includes a PlayStation camera (the other necessary component, besides a PS4), two PlayStation Move controllers, a copy of Skyrim VR, and a demo disc. You'll need to supply the PS4.
These trial units are available essentially as a free, two-week rental. In order to receive one, you'll need to provide Sony with a credit card number, which will be charged $300 if you don't return it after the 14 days. Alternatively, you can opt to keep the package for $300 if you enjoy the experience--an excellent deal, considering this Skyrim bundle costs $450 normally.
According to the official terms and conditions, only a total of 1,400 PSVR units are available, and this promotion will only be around for a portion of December. It's possible Sony could expand these plans and offer it again in the future; we've followed up with the company to find out more about its plans.
PlayStation VR originally debuted in October 2016; you can check out our PSVR review for our thoughts, as well as our impressions of whether you should play Skyrim in VR. Sony delivered an updated version of the PSVR this October, which made some small refinements (such as allowing HDR passthrough with the external processor unit) but otherwise left the overall experience untouched. It's this updated CUH-ZVR2 model that's available through the new promotion.
With just two weeks before Star Wars: The Last Jedi debuts in theaters, new behind-the-scenes footage has been released. The training featurette finds the movie's cast learning the choreography and fighting skills needed to pull off the epic battle scenes that will be featured in the film.
From Daisy Ridley picking up new lightsaber tricks for her role as Rey to Gwendoline Christie figuring out the easiest ways to move around in a battle while wearing her restrictive Captain Phasma armor, the Star Wars cast is going out of their way to make the movie's fights as authentic as possible. They are also looking to use stunt doubles as little as possible when it comes to the movie's showdowns.
"Finn and Phasma end up face-to-face, which results in a major fight," John Boyega (Finn) explains. "One thing I do want to do is do the whole fight by myself."
Even new addition Kelly Marie Tran, who plays Rose in The Last Jedi, is getting in on the fun with her own training. "What was cool was learning different types of fighting," she says. "It was intense and fun, but it was really hard."
The training can also hurt. In the featurette, as she prepares for a scene with Adam Driver (Kylo Ren), Ridley strikes herself in the head with her own weapon. "It's just rigorous in a great way," Driver says.
If this short look at the making of the movie shows anything, it's that Star Wars: The Last Jedi is taking its fights to an entirely new level. You'll be able to see the next chapter in the Star Wars saga when it lands in theaters on December 15.
American Horror Story: Cult has come to an end, leaving fans wondering what Ryan Murphy and Brad Falchuk may have up their sleeves for 2018. While we wait, here's a polarizing question: Which season of American Horror Story is the best?
Every season speaks to different horror tropes and sensibilities. Some hit the nail on the bloody head, while others have left fans feeling a bit disenfranchised. The Murphy-verse, so to speak, wouldn't be complete without its rubber demons, killer clowns, feminist witches, and sexy vampires--but that only just scratches the surface.
From the deeply scary to the flatout silly, here's each season of American Horror Story, ranked from worst to best.
7. Freak Show
The fourth installment of the FX hit had two things going for it: Twisty the Clown (John Carroll Lynch) and freak show manager Elsa Mars (Jessica Lange). The first visual of the murderous clown hacking up a couple in the park was so terrifying, Ryan Murphy revisited the scene in AHS: Cult. Jessica Lange's David Bowie-style swagger gave Freak Show a stylish edge. But outside of those two elements, things quickly got silly.
Aside from its ongoing musical component—the cast would regularly perform modern day pop songs, for some reason—the series couldn't decide on a big bad to focus on. Dell Toledo (Michael Chiklis), Stanley (Denis O'Hare), Chester Creb (Neil Patrick Harris), Edward Mordrake (Wes Bentley) and Dandy Mott (Finn Wittrock) were all featured as villains. One could say Freak Show fell down the Heroes trap, but instead of presenting too many characters worth rooting for, the show got bogged down with all the baddies. Once that happened, the story became an overcrowded mess that lost its way more than once.
6. Roanoke
The sixth season of AHS was ultra gritty, super meta and anything but polished. The first five episodes of Roanoke presented themselves as My Roanoke Nightmare, a show-within-a-show docu-series that followed a married couple struggling to make it out of a haunted house alive.
The big twist came halfway through the season, exposing the whole thing as one big exercise in meta storytelling. The combination of reenactments, flashbacks, and found footage tropes quickly unraveled the story into a trainwreck. Not even Kathy Bates' portrayal of Agnes Mary Winstead, Thomasin White or The Butcher—for which she earned an Emmy nomination—could dig the season out from the hole it buried itself in.
5. Coven
American Horror Story's third season doubled down on the stylish camp of the witch sub-genre. The mostly female cast helped elevate FX's series into refreshing feminist territory, garnering Emmy wins for Jessica Lange and Kathy Bates--who played coven Supreme Fiona Goode and socialite serial killer Delphine LaLaurie, respectively.
References to New Orleans' spooky past are plentiful here, but that historical element isn't enough to keep things interesting. Exploring the power dynamic and relationship drama that exists among the witches made for interesting fodder. But aside from the conflict between Kathy Bates' racist severed head and Angela Bassett's vengeful voodoo priestess, the tale being told became more of an exercise in soap opera spectacle than a compelling horror story.
4. Hotel
AHS: Hotel was built on a foundation of gothic decadence, where a gaggle of Lady Gaga-led vampires reveled in some fabulous '80s-themed wardrobe. There are many moving parts in Hotel: A hunt for a Se7en-style serial killer, a vampire queen coveting other people's vampy children, a flamboyant millionaire murderer who turned his hotel into a killing machine, and an addiction demon who murdered junkies with a drill-bit dildo. But, the fifth season of the series was an exercise in extravagance over any real story substance.
Lady Gaga and Denis O'Hare deliver standout performances here, which is worth paying the Hotel Cortez a visit. Just don't expect a hard-hitting story to connect each episode. Style has always been greater than substance in American Horror Story. In Hotel, the shiny glitz and bloody glamour wasn't just the icing on the proverbial cake—it was the cake.
3. Cult
Just a year after Donald Trump was elected as the 45th President of the United States, the inspiration for the newest round of episodes was the 2016 election. AHS: Cult was the first season of prime time TV to delve headlong into this political fallout. It was also the first installment of the FX series to avoid any supernatural subject matter altogether.
The story explored the psychology behind people driven to join cults and those who lead them. Evan Peters' portrayals of Charles Manson, David Koresh, Jim Jones, and Andy Warhol make Cult definitely worth a watch. But what makes it terrifying is the symbolic mirror the story holds up to present day America. It's a season that's both cathartic and terrifying--echoing regularly trending events gracing the 24-news cycle. There's not much escapism here, and that's kind of the point.
2. Murder House
When American Horror Story premiered in 2011, no one really knew what to expect. The promos featured an ominous Rubber Man stalking a pregnant Connie Britton, which definitely succeeded at raising some eyebrows. Once the show began killing off each of its main characters, it proved to be a rule-breaker within the genre TV space.
As the Murder House story unfolded, the haunted house motif—which has been revisited multiple times throughout the series—acted as a compelling reflection of the Harmon family's fractured state. Tate's (Evan Peters) school shooting, Ben Harmon's (Dylan McDermott's) dwindling grip on reality, the questionable things happening in that basement, and of course, the murderous Rubber Man help make the freshman season well worth a watch.
1. Asylum
American Horror Story: Asylum follows investigative journalist Lana Winters (Sarah Paulson), who finds herself committed at the 1960s insane asylum she was investigating. Audiences followed Winters as she set out to take the establishment down from the inside. Jessica Lange's Sister Jude, Zachary Quinto's deranged Dr. Thredson, and James Cromwell's Nazi Dr. Arden provide multi-layered threats that only add to our hero's compelling journey.
Experimental mutants, demonic nuns and abducting aliens filled out a packed season. But unlike most of the other installments of FX's series, the Asylum story stays on task. Not only does Winters' story arc reach a fulfilling end, the outcasts within Briarcliff all gain their own sense of justice. And while Freak Show's musical numbers became one of its biggest flaws, Jessica Lange's dreamlike performance of The Name Game was absolutely spot on.
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Xenoblade Chronicles 2 can be a tough nut to crack, and if you miss a few tutorials you could be screwed later on. Here's how Xenoblade 2's combat works and some of the mechanics you will need to know.
Star Wars Battlefront 2 actress Janina Gavankar answers our burning questions about Star Wars, and calls the real Jar Jar, Ahmed Best, to find out if Jar Jar Binks is a Sith Lord!
Life is Strange sees the return of Ashly Burch, and COD: WWII brings back multiplayer to the Headquarters social space!
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