By GameSpot Staff on May 02, 2018 12:26 am
Whether they're direct continuations that carry on the events of the previous game or unrelated follow-ups that share a general theme, gamers love--and love to hate--video game sequels. While you can argue that the emphasis on sequels seems to overshadow the creation of new, original IP, sometimes sequels produce unique experiences in their own right. Like the Legend of Zelda: Breath of the Wild--the characters and themes are the same, but the game was a refreshing take on the entire open-world genre. Sequels are a huge part of game development, but most creators shy away from revealing what they have in the works too early. With E3 2018 coming up, there are potentially some big-name sequels primed to be revealed. So in this feature, we've gathered together our wishlist of games that deserve sequels, or unannounced games that potentially could be announced at this year's E3. Some are a little more far-fetched than others; Grand Theft Auto VI, outside of Rockstar Games seeming like it always disappears off the face of the planet, is going to happen someday soon. Bethesda will likely make an Elder Scrolls 6, and there are already rumors circulating of a new Bioshock. But Bloodborne 2, Bully 3, and Portal 3? Those aren't necessarily guaranteed. This isn't a definitive list of every game that we want a sequel to, but it represents some of the titles the GameSpot editors feel most strongly about and would love to see appear at E3 2018. What unannounced games do you hope get a surprise announcement at this year's E3 or other gaming event? Let us know in the comments below!
Animal Crossing | Switch
Nintendo hasn't said explicitly it's working on a Switch version of Animal Crossing, but one is almost definitely in the works. With Animal Crossing: Pocket Camp on mobile last year, the company only whetted the appetite of fans who want a full-fledged entry in the relaxing life sim. And although Pocket Camp is surprisingly robust for a mobile game, it's still missing many of the most important elements of the Animal Crossing franchise: a large list of collectible wildlife, the ability to write letters and notes to your townsfolk, and customization options for your villagers' catchphrases. Pocket Camp is Animal Crossing in spirit, but not quite in execution. But that mobile release does seem to portend that the next chapter on Animal Crossing, this time on Switch, is imminent. Nintendo has stated that the core purpose of its mobile games is less about making money and more about keeping people engaged with its core franchises. For Animal Crossing, all that's left is the follow-through. What new features a Switch release of the game could bring is anyone's guess, but we imagine a large roster of potential neighbors and a more active way to connect and interact with other Animal Crossing players online. | Justin Haywald
BioShock 4 | PS4, Xbox One, PC
Where the original BioShock launched to praise from fans and critics alike, the third and most recent game in the series--BioShock Infinite--divided opinion somewhat when it came out in 2013. While some--including our own reviewer--loved it, others felt it turned the series too far towards shooter territory, and the story felt muddled. Time, then, for a new game in the series to unite everyone behind BioShock once again. One that can bring BioShock back to what everyone loved in the first place--its mystery, its atmosphere, its storytelling, and yes, its inventive powers--while also taking it to new frontiers. We've now done underwater and above the clouds; perhaps BioShock 4 could deliver another shock to our systems by taking us to space? | Oscar Dayus
Bloodborne 2 | PS4
From Software's Bloodborne forces Souls players to step outside of their comfort zone; to stop peeking at horrors from behind a shield and instead charge headfirst into them. Its gameplay focuses on bluster and brutality, but feels like a delicate dance of sword swings, explosive gunshots, and timed dashes. However, what really elevates Bloodborne is Yarnham, the mysterious gothic city where disease-ridden inhabitants wander around squalid streets, mindlessly attacking all that approach. It's also a place where science clashes with faith, factions battle over ideologies, and the presence of an unseen cosmic evil pervades. Bloodborne was both critically and commercially successful and, most importantly, fans of it are desperate for more. From Software recently teased a new project that adopts the studio's distinct style, but the use of the phrase "shadows die twice" could be hinting at something entirely new. A new From Software game is exciting, but we can't help but hold on to hopes of returning to the Bloodborne universe. The sweet blood, it sings to us. | Tamoor Hussain
Bully 2 | PS4, Xbox One, PC
Leading up to Bully (2006), Rockstar had been best known for hyper-violent games like Grand Theft Auto, Max Payne, and Manhunt. Then the developer adapted many of the core tenets that made those games great to craft an earnest, yet over-the-top tale of a troublemaker thrust into a private boarding school. Stereotypical cliques filled the student body at Bullworth Academy and painted a lively caricature of high school. It was your job as Jimmy Hopkins to navigate the dangerous waters of Bullworth and try not to get kicked out, all while trying to become the baddest, most respected fool on campus. Getting to class on time (presented as minigames), getting in fights, and causing all sorts of mischief makes up most of the game, but Bullworth and its surrounding town is also a believable place full of life. Not many games have topped the soundtrack's funky basslines and whimsical xylophone melodies either. Despite being twelve years old and one of Rockstar's best games, it never got a follow-up (although it was remastered). There have been rumblings throughout the years of a possible sequel; producer and lead writer Dan Houser said he had ideas for a Bully 2 back in 2013, and concept art believed to be tied to a sequel was shown last year. That's the extent of our hopes, though. Rockstar's portfolio has evolved since 2006: GTA continues to succeed, Red Dead emerged as a huge franchise, and LA Noire showed that action can take a back seat to story. With a resume like that, it's a lot of fun to imagine what Bully 2 could be.| Michael Higham
Bushido Blade 3 | PS4, X1, PC, Switch
Bushido Blade was a 3D, one-on-one sword-fighting game for PlayStation that was uniquely unforgiving. With no health bars, landing a clean hit on your opponent meant a crippled limb, if not instant bloody death. Tension was the name of the game, where every standoff was a strenuous task of reading your opponent, playing mind games and exercising quick reflexes. It was also a game concerned with maintaining honorable disposition and respecting your opponent. Bowing formally before a match, fighting fair, and never stabbing your opponent in the back was encouraged, and enhanced the game's zen-like appeal. But, you could also do the exact opposite: throw dirt in someone's face, kick them when they're down, and run frantically through the game's large, open arenas to search for an environment that could put your opponent and their choice of weapon at a disadvantage--a bamboo thicket could restrict naginata slashing maneuvers, a deep river could mask the movements of your katana, for example. Although Bushido Blade got a sequel in 1998, there hasn't been a a game in the last 20 years that has successfully come close to matching its understated qualities and strict mechanics. Its nearest neighbour today would be Nidhogg, if Nidhogg could be slowed to a snail's pace. In a post-Dark Souls era where players celebrate pure, unforgiving game experiences, a true Bushido Blade sequel with online competitive multiplayer is just the thing Square Enix should think about bringing back. | Edmond Tran
Diablo 4 | PS4, X1, PC
While Blizzard had a rough start with Diablo 3, they made great strides with improving the game in the years since its release. Once the expansion Reaper of Souls launched, Diablo 3 had earned its spot as one of the most impressive loot-focused action-RPG games on the market. Even now, regular updates are still ongoing, and with successful launches on PS4 and Xbox One, there's plenty of loot to go around for would-be adventurers traveling through Tristram and the underworld. Though Blizzard is still going strong with Diablo 3--along with Overwatch, World of Warcraft, and Hearthstone--the developers should look to the future of loot-oriented action-RPG games and get started with Diablo 4. The series scratches a certain itch that not many other games can, and Diablo 4 can take advantage of the second-wind the series has experienced in D3's post-launch life. | Alessandro Fillari
Elder Scrolls 6 | PS4, Xbox One, PC
There's no question that Elder Scrolls 6 is happening--Todd Howard has said as much a few times now. But between myriad ports of Skyrim and Elder Scrolls Online's recent Morrowind expansion, the questions are: "What kind of game will Elder Scrolls 6 be?" and, "Where will it be set?" The series has already explored several regions of Tamriel, but there are still places we haven't been: the Argonians' Black Marsh and the wooded region of Valenwood, just to name a few. But perhaps it's time to leave Tamriel behind and explore the rest of the world of Nirn. Yokuda is a continent destroyed by an unknown cataclysmic event. Could that be a chance to marry the gameplay of Elder Scrolls with the story trappings of Bethesda's other premiere RPG franchise, Fallout? Another possibility is the land of Akavir: a continent that rivals Tamriel in size, populated by four new races at war with each other. That covers the Elder Scrolls trope of multiple factions, and thanks to several mentions throughout the franchise, we already know that those four races--snow demons, snake people, monkeys, and tiger dragons--are important to the history of the world. Plus, it's easy to fit a fancy Roman numeral into the title, as Bethesda already did once with Obl(iv)ion. Elder Scrolls: Aka(vi)r, anyone? | Tony Wilson
Elite Beat Agents 2 | Switch
There's no reason to think that a sequel to Elite Beat Agents is in the works, but with the newfound success of Nintendo Switch, the quirky rhythm game from developer iNiS is a cult classic that's due for a revival. EBA was actually a localization of the cheerleading game Osu! Tatakae! Ouendan (which got a Japanese sequel on DS), but while the two versions are the same gameplay-wise, the soundtracks and overall themes were changed drastically to make the series fit into a Western archetype. But either way, both versions were solid games that took advantage of the DS' touch screen to let you tap out rhythms in time to the music. Ports of the originals would be great for a new generation of gamers to experience, though it's likely the music licensing deals make that a difficult process. But a new version of the game that takes advantage of either the traditional controls or the unique joy-con capabilities of the Switch would be delightful--maybe a Just Dance-style game that tracks your hand movements as you go through the game's on-screen choreography? | Justin Haywald
GTA 6 | PS4, Xbox One, PC
The last Grand Theft Auto game doesn't feel like it came out almost five years ago. Of course, that's partly due to the fact that its roll-out across Sony and Microsoft's consoles and then PC took three years. But it's also because the game is still consistently in the top 10 best-selling games of every month (here it is as number 10 for December and number 6 for the best-selling game of 2017). Although the GTA games are known for their multi-layered, single-player stories, GTAV's continued success is primarily driven by its multiplayer GTA Online mode. A sandbox set in GTAV's world, the game has captured such a large portion of Rockstar's resources that the long-ago promised single-player expansion has been dumped. But surprisingly, it's both not something that gamers seem to be clamoring for, and it hasn't affected the adoption of the game sales-wise. GTAV casts a long shadow, and it'll be interesting to see how its open-world model will affect the upcoming Red Dead Redemption 2. But it'll also be worth keeping an eye on how it affects the inevitable GTA VI. At some point, V's popularity will start to wane and we'll get another entry in the GTA world. But will this next game be a multiplayer-only experience that borrows both from elements that make GTA Online such a continuing success and other popular online games like Destiny 2? Or will GTAVI be a return to the single-player narrative with an even more robust online mode that just happens to exist alongside it? It's also worth noting that the gap between GTAIV and GTAV was only five years, so it's possible a new chapter in the rampant crime saga might be closer than you'd expect. | Justin Haywald
Horizon: Zero Dawn 2 | PS4
Despite exclusively making shooters for its first decade-and-a-half of existence, Guerrilla Games tried something very different with Horizon: Zero Dawn, and it more than succeeded. Guerrilla's debut open-world effort was impressive on a number of fronts, including its Monster Hunter-style combat and gorgeous visuals. But as with the first entry in any series, it had a number of areas that stand to be improved. Although combat encounters could be intense and memorable, that was only really the case at range--melee combat was simplistic and boring. Navigating anything but flat surfaces could be a frustrating chore, particularly in comparison to Zelda: Breath of the Wild, which made climbing so effortless. The bulk of the narrative, while interesting, was told through exposition dumps where you'd stand around and simply listen to someone talk. Improvements to these areas, combined with Guerrilla continuing to amaze from a technical standpoint (which we got a taste of with Zero Dawn DLC The Frozen Wilds' improved snow effects), would make Horizon 2 something really special. | Chris Pereira
Metal Gear Solid 6 | PS4, Xbox One, PC
After Metal Gear creator Hideo Kojima left Konami in 2015, fans began to question the series' future and whether a new entry would be warranted. Months passed until publisher Konami finally revealed the next game in the long-running franchise: a survival-focused co-op spin-off with zombies, called Metal Gear Survive. As you'd expect, fan backlash was understandably negative, as it seemed diametrically opposed to the series' lineage. At the same time, it left questions as to whether or not Konami would ever develop a true successor or reboot. While a new mainline Metal Gear Solid game not directed by Kojima raises alarms for hardcore fans, it's difficult to rule out how awesome it would be if Konami managed to let an ambitious studio build upon the series' foundations or provide a completely new vision of what Metal Gear can be for its sixth entry. After all, a Metal Gear game doesn't necessarily need Kojima to be good or interesting. You need only look to franchise spin-offs like Metal Gear Rising and Metal Gear Solid (GBC), which each played incredibly well despite lacking Kojima's involvement. But imagine the possibilities of what Metal Gear Solid 6 could be: a game starring The Boss during WWII, that Grey Fox spin-off we always wanted, or maybe an entirely new game starring a fresh face mercenary/government agent in a far-future, post-MGS4 world? The Metal Gear series' universe is ripe with characters and concepts that could be used to create a fascinating new entry in the tenured franchise. Regardless of whatever shape or form it takes, we're hoping Konami takes full advantage of Metal Gear's rich history for whatever it has in mind for the series now that Metal Gear Survive is out. | Matt Espineli
No One Lives Forever 3 | PS4, Xbox One, PC
Even before the saturation of first-person shooters in the mid-to-late 2000s, there were so many great single-player FPS games on PC. Medal of Honor: Allied Assault and the original Call of Duty were staples of the genre, but nothing had quite the charm of No One Lives Forever 2: A Spy in H.A.R.M.'s Way. For those not familiar, imagine the grandeur of James Bond and the absurdity of Austin Powers wrapped in an espionage tale with the highly capable operative Cate Archer at the helm. This was the foundation for a well-crafted shooter set in the Cold War era that took you across the world for hilariously ridiculous missions. Anyone who played it will never forget its incredibly adorable soundtrack, which so perfectly captured the campy spy theme. That was 2002, and 16 years later, little-to-no hope is out there for Cate Archer's return. NOLF 2 and its predecessor The Operative: No One Lives Forever are cult classics, but over time, the rights to the franchise went into a sort of limbo. Both games were developed by Monolith (known for the recent Middle-earth games), but were published by Fox Interactive. Fox was acquired by Vivendi, which merged with and separated from Activision. However, Monolith is now under Warner Bros. So, who the hell knows which company can even revive the series. Regardless, we're holding out hope that this series lives to die another day. | Michael Higham
Portal 3 | PS4, Xbox One, PC, Switch
Why hasn't this happened already? Portal and Portal 2 are masterpieces, with the 2011 sequel successfully expanding on the first game's amazing puzzle game base with an intriguing story, improved script, and more diverse environments. A third game would surely be even better. It wouldn't even have to do much! It's been long enough that just more Portal would likely be satisfactory for a lot of people. But this is Valve we're talking about. As we all know, this company doesn't just make games for the sake of it. The developer even seems happy to almost troll its own fans by allowing other companies to use the Portal license in their own games: the past few years have seen Rocket League and Lego Dimensions recieve Portal-related content, and last year we even got a full game crossover with Bridge Constructor. And yet, still no proper sequel. We might be waiting a long time for Portal 3. If only those wormholes allowed us to travel through time... | Oscar Dayus
Silent Hills | PS4, Xbox One, PC
Despite game director Hideo Kojima's very public departure from Konami, the company is still seems adamant about supporting the auteur's Metal Gear series. Kojima was also tied to the next game in Konami's Silent Hill franchise, and while that project (a collaboration with film director Guillermo del Toro and actor Norman Reedus) is canceled, Konami has publicly stated that the Silent Hill franchise will continue on at some point. And despite Konami's issues, Silent Hill is still a tortured video game location that we'd want to visit again. Spanning multiple developers and a wide range of protagonists, the series is uniquely positioned for a follow-up that doesn't strictly adhere to the games of the past. And a success with the long-running horror franchise could potentially mitigate the disastrous PR left by Kojima's departure. It seems like a sure thing that Konami will get around to making another entry in the franchise, and even though it would've been fascinating to see what a horror mashup between Kojmia and del Toro would have been like, we'll likely get a taste of that in Death Stranding. The next Silent Hill will be a new creature, but what form it takes has yet to be decided. Hopefully, it can return to its critically acclaimed roots, and avoid being another average spin-off like Downpour and Book of Memories. | Justin Haywald
Star Wars: Knights Of The Old Republic 3 | PS4, Xbox One, PC
Though there have been many games that have taken advantage of the Star Wars brand to great effect, one title in particular has stood out for many fans of the storied franchise. Bioware's narrative-focused RPG Star Wars: Knights of the Old Republic followed the adventures of an up-and-coming Jedi and their crew as they explored the galaxy, thousands of years before the rise of the Empire. At its time, it was a rather seminal game for the Star Wars series. Instead of shoehorning new characters into established lore and repeating moments from the films, this RPG title told its own story with a memorable cast of characters. While KOTOR had two sequels, one of which was the moderately successful MMO The Old Republic, there's been a yearning for a third game focusing on the single player experience with modern visuals and systems. However, much has changed with the Star Wars IP in recent years, and making a direct sequel isn't so clear cut. With Disney having acquired the Star Wars license, while also jettisoning much of the material from the 40-years of expanded universe fiction--including the plot of KOTOR--a follow-up would have to be a reboot. While this may draw the ire of hardcore fans, this also presents a wonderful opportunity to tell fresh stories with new characters. A Star Wars RPG seems well overdue, and with Bioware a part of EA--and with the publisher currently possessing the exclusive rights to produce Star Wars games--the timing seems perfect for the original developers to return to the Star Wars universe. Which should totally happen sooner, rather than later. | Alessandro Fillari
Super Mario Maker 2 | Switch
Mario Maker was one of the last hurrahs for Wii U owners, and what an event it was. It offered a chance for people to get creative with one of gaming's greatest icons, share Mario levels they've created online, and browse through thousands of levels made by other passionate players across the globe. If you followed game culture in 2015 and 2016, you probably saw plenty of people sharing videos of tremendously difficult stages being bested by skilled (or lucky) players; a testament to the game's widespread popularity and its effectiveness as a game creation tool. The Wii U GamePad touchscreen made the process of creating and editing levels a breeze, and all it takes is one look at your Switch to realize that it's built for a game like Mario Maker. Given that Switch's online environment is still a work in progress, it's understandable why Nintendo isn't rushing to make it happen, but given the massive Switch install base (relative to Wii U), it's easy to imagine that we'll see the next Maker game sometime down the road. | Peter Brown
Super Mario RPG 2 | Switch
Super Mario RPG: Legend of the Seven Stars blessed the SNES back in 1996, where our franchise favorite characters banded together to fight common enemies throughout the Mushroom Kingdom… in the form of a turn-based RPG. Squaresoft had created Final Fantasy VI, Chrono Trigger, and Secret of Mana by this time, but to wrap its refined RPG elements in the Mario universe made for one of the best mash-up/collaborations ever. Bowser was driven out of his castle, Peach was fed up with being held captive, and newcomers Geno and Mallow joined Mario in an adventure through new places that gave a nod to what we've seen in previous Mario games. What tied everything together and ingrained this game into our memories was the catchy, joyful soundtrack full of songs with layered instrumentation. You've probably heard the infectious "Beware the Forest Mushrooms" before. And shout out to those that fought Culex to the rearrangement of Final Fantasy IV's boss battle theme. Paper Mario, and its follow-up The Thousand Year Door, are incredible games in their own right, but are essentially spiritual successors separate from the world that was built in Legend of the Seven Stars. In this day and age however, the appetite for Mario spin-offs is strong; we got a tactical strategy game with Rabbids, and a remake of Superstar Saga on 3DS just in the last year. A proper follow up RPG should be on the shortlist for future Switch games. Of course, this is just wishful thinking given that there are no rumors, leaks, or cryptic messages from Nintendo that would indicate a true successor to one of its greatest games. | Michael Higham
By Array on May 02, 2018 12:23 am
Every Battle Pass Reward In Season 4 Of Fortnite
Fortnite has just released its big v4.0 update, meaning Season 4 has begun. On the way are new weekly challenges, skins, and much more for players to obtain on PS4, Xbox One, PC, and mobile. Some of these rewards can be obtained by anyone, but many are reserved exclusively for players who purchase the Battle Pass. The Season 4 Battle Pass costs 950 V-Bucks--the same price as previous Battle Passes. That works out to around $10 / £8. You can progress through the Battle Pass's tiers by collecting stars by playing and fulfilling certain objectives; alternatively you can purchase them using more V-Bucks. Season 4 runs through July 9. Here's everything you need to know about Season 4. Among the items you'll find in the premium tier of the Battle Pass are new skins, gliders, emotes, loading screens, and much more. In the images above, you can see all of the major new items included in the Season 4 Battle Pass. Bear in mind, these are all cosmetic; nothing will actually impact gameplay directly. In terms of playable content, Fortnite has received numerous additions in recent months. Epic has consistently added new content to the game, including new weapons, items, map areas, limited-time modes, and more. Additionally, the infamous comet has finally hit, changing areas of the map and introducing gravity-defying Hop Rocks.
By Matt Espineli on May 02, 2018 12:19 am
The Best Around
It feels just like yesterday, but PS4 launched over four years ago, and a ton of games have come out in that time. As such, it can be tough to sort through all of them and decide what to play. Luckily, we at GameSpot have played tons of PS4 over the years and have more than a few recommendations to start you off with--whether you're a new PS4 owner or have had the console and are just looking for something you might've missed. In this feature, we've collected the best PS4 games so far. This includes many of the games that have received an 8 or higher on GameSpot, and we've prioritized games that were nominated for our end-of-year Best PS4 Game lists. Check out our choices for the best games released on the PS4. And with the console's library continuing to expand, make sure to check back often as we update this feature over the coming weeks and months. For more PS4 games on a budget, see our roundups of the best cheap games on PS4, and make sure to check out our gallery of the PS4 exclusive games confirmed for 2018 as well as the biggest PS4 games of 2018 for everything coming to the console.
Yakuza 6: The Song of Life -- 8/10
"Yakuza 6 reins in its scope, but doubles down on what has made the series great. It's a unique and fascinating representation of the modern Japanese experience, worth playing even if you're a newcomer. The narrative is dramatic and sincere, and the game's endearing characters--coming from all walks of life--are interesting studies. The world is dense and rewarding to exist in, the dynamic combat system stays exciting even after you've kicked the crap out of five thousand enemies, and perhaps most importantly, Yakuza 6: The Song Of Life serves as a fulfilling conclusion to the turbulent, decade-long saga of its beloved icon, Kazuma Kiryu." [read the full review] -- Edmond Tran, Senior Editor and Video Producer
God Of War -- 9/10
"In many ways God of War is what the series has always been. It's a spectacular action game with epic set pieces, big-budget production values, and hard-hitting combat that grows more feverish and impressive as you progress. What may surprise you is how mature its storytelling has become. Like Kratos, God of War recalls the past while acknowledging the need to improve. Everything new it does is for the better, and everything it holds onto benefits as a result. Kratos is no longer a predictable brute. God of War is no longer an old-fashioned action series. With this reboot, it confidently walks a new path that will hopefully lead to more exciting adventures to come." [read the full review] -- Peter Brown, Reviews Editor
Bloodborne -- 9/10
"The finest treasures are found within the city of Yharnam and the forests, lakes, and purgatories beyond it. Only Bloodborne would be so bold as to bury an entire factional player-versus-player mechanic within an optional region, which is in turn buried within a series of oblique steps you might miss if you aren't exploring every nook and cranny, or ignore the game's enigmatic hints. I finished Bloodborne in less time than I did Dark Souls II, yet I treasure it more in spite of its few missteps. In death there is life, and in blood, there is redemption. More hyperbole, yes, but for a game this theatrical, only hyperbole will do." [read the full review] -- Kevin VanOrd
Monster Hunter: World -- 8/10
"Ever since the title was first announced last year, it was clear that Capcom was gunning for something grander than Monster Hunter Generations. It has succeeded, and this is likely the biggest and best that the franchise has ever been. It's not just the comparative depth of the narrative; it also boasts almost seamless integration between combat systems that were previously incomprehensible for amateurs. The Monster Hunter formula has definitely honed its claws, and all the above factors play their part in making Monster Hunter World a meaningful evolution for the series at large." [read the full review] -- Ginny Woo
Celeste -- 9/10
"It's a testament to convincing writing and ingenious design that after playing Celeste I felt like I'd been on the same journey as Madeline. Her struggle is one made easy to empathize with, her low points painful to watch, and her high notes exhilarating to experience. Her tale is delicately told and beautifully illustrated, confidently coalescing with the satisfying, empowering game it lies within. Not bad for a game about climbing a mountain." [read the full review] -- Oscar Dayus, Staff Writer
What Remains of Edith Finch -- 9/10
"Developer Giant Sparrow managed to strike the delicate balance between joy and sorrow in 2012's The Unfinished Swan, but What Remains of Edith Finch transcends even the latent sadness of that game, finding the beauty--even sometimes the fun--in what's always fundamentally a tragedy. It's not often that a game's plot slips past the bitterness of grief to finally get to the acceptance, but that's the triumph in What Remains of Edith Finch. Ultimately, if the game has any resemblance of a moral, it's that the bravest, most beautiful thing every one of us does is choose to keep going, despite knowing what's coming." [read the full review] -- Justin Clark
Wolfenstein II: The New Colossus -- 9/10
"The New Colossus never lets you forget who and why you're fighting. Nazi brutality is on full display, from the blown-out, irradiated remains of Manhattan to each of the resistance members, who all carry mental scars if not physical ones. You're never given a chance between cutscenes, missions, and even downtime on the U-boat to lose sight of the Reich's cruelty. Wolfenstein's tense gameplay elevates this further by giving you the power to truly resist--and come out of each battle ready for another fight." [read the full review] -- Kallie Plagge, Associate Editor
Sonic Mania -- 9/10
"Sonic Mania methodically uses its sentimental appeal to great effect, but in the process, it heals the wounds inflicted by its most disappointing predecessors and surpasses the series' best with its smart and interpretive design. An excellent 2D platformer, Sonic Mania goes beyond expectations, managing to be not only a proper evolution of the series' iconic formula, but the best Sonic game ever made." [read the full review] -- Matt Espineli, Associate Editor
Stardew Valley -- 9/10
"On the surface, Stardew Valley is a game about farming, but there are more adventures awaiting curious players beyond cultivating a rich and bountiful garden. From mining and fishing to making friends and falling in love, Stardew Valley's Pelican Town is stuffed with rewarding opportunities. As modern day woes give way to pressing matters on the farm and within your newfound community, Stardew Valley's meditative activities often lead to personal reflection in the real world. It's a game that tugs at your curiosity as often as it does your heart." [read the full review] -- Mary Kish
Resident Evil 7: Biohazard -- 8/10
"By the end of the campaign, I was ready for the game to be over, but that's okay. RE7 ends just as it starts to outstay its welcome, and after the fact, I felt like I'd survived a truly harrowing journey. The boss fights may be slightly inconsistent and certain sections might drag after a while, but RE7 is still a remarkable success. It has a clear vision and executes it with impressive patience and precision. By returning to horror, Resident Evil has once again become something special." [read the full review] -- Scott Butterworth
Night in the Woods -- 9/10
"Both intensely personal and widely relatable, Night in the Woods doesn't just tell a story--it gracefully captures complex, often unpleasant feelings and experiences. From the quiet melancholy of doing nothing on a rainy day to the emotional vacuum of severe depression, I felt deeply, sometimes too deeply, while wandering through the cartoon-animal version of a small Midwestern town. Its witty writing and character development keep its crushing existential themes grounded, making Night in the Woods one of the most evocative games I've played in a long time." [read the full review] -- Kallie Plagge, Associate Editor
Overwatch -- 9/10
"Overwatch is an exercise in refined chaos. There are multitudes of layers hiding beneath the hectic surface, and they emerge, one after another, the more you play. This is a shooter that knows how to surprise, one that unfolds at a frantic pace, one that takes a handful of great ideas, and combines them into something spectacular." [read the full review] -- Mike Mahardy, Video Producer
Titanfall 2 -- 9/10
"Titanfall 2 demonstrates a vitality that its predecessor couldn't. Whereas the first Titanfall kept up its breakneck pace throughout the entirety of every match, Titanfall 2 understands that sometimes, dialing things back for a few moments can make the long run much more enjoyable. In many ways, Titanfall 2 feels like the game Respawn should have made in 2013. It's a fantastic sequel. It's a fluid shooter. It's a spectacular game." [read the full review] -- Mike Mahardy, Video Producer
Dishonored 2 -- 8/10
"Any time I'm given a choice between stealth and action, I go stealth. I love the hold-your-breath tension of hoping a guard didn't spot you and the hard-earned triumph of executing a perfectly timed plan. Dishonored 2 delivers that sneaky satisfaction, arming you with stealth essentials like hiding bodies, peering through keyholes, and silent takedowns. But it's also an incredible engine for gleeful chaos, one so engrossing and amusing that I kind of accidentally beat the entire campaign raining hilarious, elaborate death on my enemies." [read the full review] -- Scott Butterworth
Dark Souls III -- 8/10
"Dark Souls III is a game of valleys and peaks, down through dungeons and up over castle walls. It's a plummet into places we shouldn't be--an escape from places we don't belong. But of course, we fight our way through the darkness, and find our way out. There are a few stumbles along the way, but in the end, Dark Souls III is well worth the riveting climb." [read the full review] -- Mike Mahardy, Video Producer
The Witcher 3: Wild Hunt -- 10/10
"Where the Witcher 2 sputtered to a halt, The Witcher 3 is always in a crescendo, crafting battle scenarios that constantly one-up the last, until you reach the explosive finale and recover in the glow of the game's quiet denouement. But while the grand clashes are captivating, it is the moments between conflicts, when you drink with the local clans and bask in a trobairitz's song, that are truly inspiring." [read the full review] -- Kevin VanOrd
Rise of the Tomb Raider -- 9/10
"Rise of the Tomb Raider's first shot pans over the vast, foreboding landscape we'll soon come to know. In many ways, it functions as a promise on the part of Crystal Dynamics: there are big things ahead of us. And at the end of Lara's journey, after we've seen her through this adventure, and experienced everything the world has to offer, it's clear that promise was kept." [read the full review] -- Mike Mahardy, Video Producer
Metal Gear Solid V: The Phantom Pain -- 10/10
"There has never been a game in the series with such depth to its gameplay, or so much volume in content. The best elements from the past games are here, and the new open-world gameplay adds more to love on top. When it comes to storytelling, there has never been a Metal Gear game that's so consistent in tone, daring in subject matter, and so captivating in presentation. The Phantom Pain may be a contender for one of the best action games ever made, but is undoubtedly the best Metal Gear game there is." [read the full review] -- Peter Brown, Reviews Editor
Fallout 4 -- 9/10
"Fallout 4 is an engrossing game that lures you in with mystery and the promise of adventure. Its wretched wasteland can be captivating, and you never know what odd person or settlement lies around the next bend. Fallout 4 uses its dark world as a canvas for exciting combat and gripping stories, and when you dig deeper into its post-nuclear-apocalypse version of Boston--defending yourself from violent scavengers and using your wits to climb social ladders--you become attached to the new you, and ultimately invested in the fate of your new world." [read the full review] -- Peter Brown, Reviews Editor
Middle-earth: Shadow of Mordor -- 8/10
"This is a great game in its own right, narratively disjointed but mechanically sound, made up of excellent parts pieced together in excellent ways. I already knew what future lay in store for Middle-earth as I played Shadow of Mordor; I'm hoping that my own future might one day bring another Lord of the Rings adventure as stirring as this one." [read the full review] -- Kevin VanOrd
Dragon Age: Inquisition -- 9/10
"Inquisition's characters and world recall the grand gestures of the original Dragon Age, even though the game as a whole is so structurally different to its predecessors. It offers the thrill of discovery and the passion of camaraderie. It features a glee club called The Sing-Quisition, and a dwarf with writer's block. It establishes connections with its world in big ways and small, with the sight of a titanous temple and the smirk of an Orlesian commander in love. Dragon Age: Inquisition is a wonderful game and a lengthy pilgrimage to a magical world with vital thematic ties to one we already know." [read the full review] -- Kevin VanOrd
NBA 2K17 -- 9/10
"Despite its few drawbacks, NBA 2K17's excitement for basketball is contagious, and it's hard not to get wrapped up in it. Apart from the lacking 2KU mode and stiff recreations of commentators, the rest of the game looks great and plays even better. After finally devoting a significant amount of time to one of these games, I now see why it's such a well-regarded series, and it makes me wish that every sport got the same treatment that basketball does in NBA 2K17." -- Mat Paget
Assassin's Creed IV: Black Flag -- 9/10
"There's an incredible scope to what you can do in Black Flag, with a level of harmony between its component parts that encourages you to try it all, and a story that keeps you invested throughout the whole thing. If there was ever any question that Assassin's Creed needed something ambitious to get the series back on track, Black Flag is that game and then some." [read the full review] -- Shaun McInnis
Uncharted 4: A Thief's End -- 10/10
"Uncharted 4's gameplay pushes the narrative forward, the narrative feeds off its gameplay, and every detail coalesces to create something bigger. Uncharted 4 bounces between set pieces and personal moments with such grace, with such skill and poise and affection for its characters, that you don't mind when the guns stop firing, and the smoke clears, and Nathan gets a moment to breathe." [read the full review] -- Mike Mahardy, Video Producer
Until Dawn -- 8/10
"I didn't expect to have so much fun with Until Dawn, and the depth with which my choices mattered and affected the final outcome encouraged repeat playthroughs. The visuals can be wonky at times, but in the end Until Dawn succeeds in being a thoughtful use of familiar mechanics, a great achievement in player-driven narrative, and a horror game you shouldn't miss." [read the full review] -- Alexa Ray Corriea
The Last Guardian -- 9/10
"It isn't clear whether or not The Last Guardian means to be frustrating at times--if it's a concerted effort to test your patience for a lovable-yet-stubborn creature. Your affection for Trico and sympathy for both characters blossom nonetheless, culminating in an enrapturing series of revelations that cements your attachment to their personalities. Trico is the undeniable star of the show, exhibiting believable physicality and emotional range, but the boy is a valuable lesson in how to be patient and resilient when faced with unforeseen challenges. When the book closes on their story, it's hard not to open it up again and begin anew. The trials you overcome endear you to both characters, but the emotions Trico elicits make you want to give it another chance--to be the patient, effective partner it truly deserves." [read the full review] -- Peter Brown, Reviews Editor
Rocket League -- 9/10
"The joy of Rocket League rests on the countless plans that are conceived and discarded every other second in any given match. Trying to predict where and how the ball will bounce next is a game within the game. Despite the use of cars, Rocket League emulates the emotional surges typical of The Beautiful Game, such as the rush of an unexpected fast break or a well-timed header into a goal. With Rocket League, the promising concept of combining two wonderful things--cars and soccer--is equally magnificent in execution. You can't say the same thing about, say, combining cake and fruit to make fruitcake, as the comedian Jim Gaffigan observed." [read the full review] -- Miguel Concepcion
Hellblade: Senua's Sacrifice -- 8/10
"Hellblade's most notable achievement is the handling of an incredibly sensitive subject matter within an engaging and well-crafted action/adventure game. At its heart, the story is about Senua's struggle to come to terms with her illness. In the process, she learns to find the strength within herself to endure, and to make peace with her past. And in a profound and physical way, we go through those same struggles with her, and come away with a better understanding of a piece of something that many people in the world struggle with." [read the full review] -- Alessandro Fillari, Editor
MLB The Show 18 -- 9/10
"Sony's flagship baseball franchise has never been better. With its best-in-class controls and visuals, and impeccable attention to detail for the small stuff, MLB The Show 18 is worth catching for any baseball fan." [read the full review]
Horizon: Zero Dawn -- 9/10
"This is the first departure from the Killzone series for developer Guerrilla Games, and though you might think the team took a risk by stepping out of its FPS comfort zone to create a third-person open-world action game, you'd never know it was their first rodeo. For every minor imperfection, there's an element of greatness that recharges your desire to keep fighting and exploring Zero Dawn's beautiful and perilous world. Guerrilla Games has delivered one of the best open-world games of this generation, and redefined its team's reputation in the process." [read the full review] -- Peter Brown, Reviews Editor
Nier: Automata -- 9/10
"Thanks to Platinum Games' knack for riveting and gratifying combat, Automata is Yoko Taro's most exciting game to date. The combat mechanics click after hurdling a low learning curve, and the end result is a skillful dance where balletic dodges complement wushu-inspired aggression. Moreover, this multi-ending trip is generously peppered with surprises and revelations, as well as easter eggs that call back to the first game and the Drakengard series from which Nier spun off. It's a meaty, often exhilarating trek that showcases Platinum Games' and Yoko Taro's unique blend of genius." [read the full review] -- Miguel Concepcion
Persona 5 -- 9/10
"Within Persona 5 is a complex set of interconnected gameplay mechanics, and in almost every aspect Atlus has executed on its vision exceptionally, barring the pacing issues towards the end. At every turn, it presents something to marvel at, whether it's the fluid combat, vibrant world, or the many memorable characters. It's a game I could talk about for hours; I haven't mentioned the ability to connect to the Thieves Guild, which lets you see how other players spent their day or ask them for help answering questions at school. Or the thumping acid-jazz-infused soundtrack that I've not been able to get out of my head. Or even just the joy of seeing how it stylishly transitions between menus. But that encapsulates why Persona 5 is a game that shouldn't be missed. It's stuffed to bursting point with gameplay ideas and presentation flourishes--there's an overwhelming level of artistry in every part of Persona 5, making it a truly standout entry in the series. It's a refined, effortlessly stylish RPG that will be talked about for years to come." [read the full review] -- Lucy James, Video Producer
Madden NFL 18 -- 9/10
"Overall, Madden 18 marks an unusually large shakeup in a series that, due to its annualized releases, rarely features much more than small, iterative changes. The Frostbite engine allows the game to reach new levels of realism in its visuals, and EA has put a lot of effort into constantly evolving the game to keep it in line with real-world events. But it is the Longshot story mode that defines Madden 18. Some of Longshot is unnecessary spectacle, but its lasting value comes from the humanity that it brings to the game. The moments of vulnerability and sincerity between Devin Wade and Colt Cruise during the story are worthy of celebration and give the overall game a weight that Madden hasn't had before. And if that's not enough to entice you, it's also simply a terrific football game." [read the full review] -- Alex Newhouse
Far Cry 5 -- 9/10
"Despite some brief irritations and missed opportunities with its narrative, spending time in the world of Hope County remains absolutely delightful. Far Cry 5 boasts a wonderfully harmonious flow to its adventure, with its smart changes to exploration, discovery, and progression distinctly bolstering the enjoyment of creatively engaging and experimenting with its spectacular open world." [read the full review] -- Edmond Tran, Senior Producer/Editor
Transistor -- 8/10
"Transistor is always a good-looking game, but in these instances, it demonstrates a rare knack for combining its visuals and music to powerfully convey both narrative information and tone, driving the story forward with Red's own unwavering resolve. So in the end, yes, Transistor is a fun action role-playing game with a neat combat system, but beautiful moments like these make it more than that. They make it a game with a soul." [read the full review] -- Carolyn Petit
Yakuza 0 -- 8/10
"Unless you have a strong aversion to violence, sex, or middling graphics, you owe it to yourself to give Zero a chance. Its story will surprise you, its inhabitants will make you laugh at every turn, and its ambitious scope will redefine how you think about open-world games. It's a fascinating adventure no matter how you approach it, and it's proof positive that a game can be wildly inconsistent yet remain a great experience." [read the full review]
Inside -- 8/10
"This is a beautiful, haunting, and memorable game, a worthy follow-up to Limbo. Its puzzles, although rarely difficult, are engaging complements to the story. The real achievement of this game, though, is the way that it crafts its narrative: detailed environments convey the bizarre world that you travel through; introspective moments are filled with minimalist sound design and just the barest touches of music; and the things you must do to complete your journey force you to confront the realities of humanity, freedom, and existence." [read the full review] -- Alex Newhouse
By Matt Espineli on May 02, 2018 12:06 am
The Best Switch Games So Far
The release of the Nintendo Switch over a year ago marked the beginning of an new era for Nintendo. With The Legend of Zelda: Breath of the Wild as its major launch title, the Switch quickly rose to the top of console sales charts and dramatically increased Nintendo's revenue. And in the year since its launch, there has been no shortage of fantastic games coming to the hybrid console, from huge first-party games like Mario and Kirby to indie darlings like Owlboy and Celeste. The library only seems to be expanding and improving with every consecutive release. In this feature, we're taking a look back at the best Switch games so far. This includes games that have received a score of 8 or higher on GameSpot since the console's release, as well as reviews for new games and updates to reviews of older games that were ported to Switch. Check out our choices for the best games released on the Switch. And with the console's library continuing to expand, make sure to check back often as we update this feature over the coming weeks and months. For an analysis of Nintendo Switch's first year, be sure to read our retrospective feature discussing the console's various successes and failures. In addition, you can also check out our features detailingall the Wii U games we ported to Switch, 13 things we want to see from the console, and the best Switch games under $20.
Donkey Kong: Tropical Freeze -- 9/10
"Tropical Freeze isn't a heavy-hitter from Nintendo in the same way Breath of the Wild or Super Mario Odyssey are, but it's a fantastic platformer that's bursting with creativity and expertly designed challenges. It's tuned just right--always tough but rarely frustrating--to ensure that even the most common moments feel great. If you missed out when the game first debuted back in 2014, give it a shot today. It easily stands the test of time." [Read the full review] -- Peter Brown, Reviews Editor
Bayonetta 2 -- 10/10
"But it's a challenge you'll want to experience again as soon as you put down the controller. Bayonetta 2's combat is so expertly constructed, and its presentation so joyously insane, that you'd have to try so very hard to get bored of it all. In a year filled with the promise of ever more elaborate experiences on all the shiny new hardware, that Bayonetta 2--a homage to classic game design and escapism--should be the most fun I've had playing a game all year is unexpected. But maybe it shouldn't have been. After all, its predecessor still stands as one of the finest games of its genre. To have surpassed that with Bayonetta 2, and to have created a game that will be remembered as an absolute classic, is nothing short of astonishing." [Read the review] -- Mark Walton
Celeste -- 9/10
"It's a testament to convincing writing and ingenious design that after playing Celeste I felt like I'd been on the same journey as Madeline. Her struggle is one made easy to empathize with, her low points painful to watch, and her high notes exhilarating to experience. Her tale is delicately told and beautifully illustrated, confidently coalescing with the satisfying, empowering game it lies within. Not bad for a game about climbing a mountain." [Read the full review] -- Oscar Dayus, Staff Writer
Dragon Quest Builders -- 8/10
"The excellence of Dragon Quest Builders illustrates the versatility of this 30-year-old franchise as much as it speaks to the engrossing appeal of Minecraft-inspired creation. The story-advancing draw of quests goes hand-in-hand with the depth of a crafting system that cleverly uses monster drops as some of the game's building tools. Whether you want to focus on completing assignments or build with no specific purpose, the game is feature-rich enough to suck up untold hours, even if this happens to be your first Dragon Quest experience." [Read the review] -- Miguel Concepcion, Editor
The Elder Scrolls V: Skyrim -- 8/10
"The original version of Skyrim is still an immense, engrossing RPG, and the quality, number, and variety of its quests makes it as easy to become lost in its world as ever. With the addition of Zelda-themed gear that's actually useful--and the fact that you can play anywhere--the Switch version of Skyrim is a great excuse to revisit a much-loved RPG." [Read the full review] -- Kallie Plagge, Associate Editor
Golf Story -- 8/10
"It can take a little while for the narrative to ramp up in Golf Story and for you to feel like you've really cultivated the skills of a champion, but based on the sheer scope of what the game delivers, there's likely something for everyone to enjoy whether their shtick is mini-golfing or terrorising delinquents with frisbees. It has successfully captured the trappings of yesteryear's RPGs, and the witticisms and idiosyncrasies of the characters you encounter are a great palate cleanser between rounds. Switch has had a swathe of indies hit its eShop recently, but if you're looking for something that'll give you satisfaction in terms of an interesting story and a rewarding mechanic, then Golf Story is certainly par for the course." [Read the full review] -- Ginny Woo
Gorogoa -- 8/10
"Few games take the concept of altering reality to as artistic a level as Gorogoa. This labor of love made chiefly by one developer is a gorgeous and intriguing puzzle game that works because of its stunning art and intelligent puzzle design. Far from a traditional game, Gorogoa is a slow and methodical trip into the surreal." [Read the full review] -- Jason D'Aprile
Kirby Star Allies -- 8/10
"Star Allies is yet another Kirby game, but it's up there with some of the best. It's an artistic showcase, and a great opportunity for co-op platforming. The one real complaint you can levy at it is that it gates off its more challenging aspects, but the fact that they are present to begin with will please anyone who's grown weary of the series' painless platforming." [Read the full review] -- Peter Brown, Reviews Editor
The Legend of Zelda: Breath of the Wild -- 10/10
"No matter how gorgeous its environments are, how clever its enemies are, and how tricky its puzzles get, the fact that Breath of the Wild continues to surprise you with newfound rules and possibilities after dozens of hours is by far its most valuable quality. It's a game that allows you to feel gradually more and more empowered yet simultaneously manages to retain a sense of challenge and mystery--which, together, creates a steady, consistent feeling of gratification throughout the entire experience. Breath of the Wild is a defining moment for The Legend of Zelda series, and the most impressive game Nintendo has ever created." [Read the full review] -- Peter Brown, Reviews Editor
Mario + Rabbids: Kingdom Battle -- 9/10
"Mario + Rabbids: Kingdom Battle exudes off-beat optimism that never dissolves. It's a consistent delight, no matter how challenging the road becomes, because Kingdom Battle's unique turn-based tactics system is in every way a pleasure to engage with. Coupled with the annoyingly infectious allure of Rabbids, and the always delightful, colorful world of the Mushroom Kingdom, Mario + Rabbids: Kingdom Battle is an implausibly engrossing formula that is positively challenging and endlessly charming." [Read the full review] -- Edmond Tran, Editor
Mario Kart 8 Deluxe -- 9/10
"For Mario Kart fans, Mario Kart 8 Deluxe might look like more of the same with small Double Dash-inspired tweaks. But thanks to a series of updates both big and almost unseen, it's the version of Mario Kart to get. If you don't own a Wii U or skipped out on Mario Kart 8 the first time around--or even if you've played it before--Mario Kart 8 Deluxe is worth your time. It plays beautifully on Switch in both handheld and docked mode, and its core racing is as exciting as ever. And, most notably, it completely revamps the original's lackluster Battle Mode, rounding out an already great racing game." [Read the full review] -- Kallie Plagge, Associate Editor
Mr. Shifty -- 8/10
"Mr. Shifty isn't a huge game in terms of length, but the three- to four-hour campaign is ample. It's like a shot of adrenalin, offering an exciting, intense experience, and it's easy to forgive the game's performance flaws when it so consistently makes you feel like a badass." [Read the full review] -- James O'Connor
NBA 2K18 -- 8/10
"NBA 2K18 is a hardcore sports simulation. If you want to get good, you have to put in the work. Fortunately, there are plenty of ways to improve your skills no matter how you want to play. And the fact that there's so much to do is a bonus, because on the court, NBA 2K18 is also an amazingly well-crafted experience." [Read the full review] -- Seth Macy
Night in the Woods -- 9/10
"From beginning to end to epilogue, Night in the Woods is ultimately open to individual interpretation. How you relate to it depends on your own experiences and choices, including Mae's dialogue and who you decide to spend time with. Though its charming and angsty story works well on its own merits, it's special because of how it prioritizes conveying emotion over telling a straight narrative." [Read the review] -- Kallie Plagge, Associate Editor
Owlboy -- 9/10
"Owlboy is consistently charming and surprising, and when its final act doubles down on every front, it's bittersweet to see it end. As you relish the outcome of the final battle and watch the closing cutscene, you can't help but reflect on the beginning of your adventure and how far the world and its inhabitants have come. You'll never be able to play Owlboy for the first time again, but the memories of its magic moments stick with you. This is more than a treat for fans of old-school games; Owlboy is a heartfelt experience that will touch anyone with an affinity for great art and storytelling." [Read the review] -- Peter Brown, Senior Reviews Editor
Pac-Man: Championship Edition 2 Plus -- 8/10
"Pac-Man: Championship Edition 2 creates an exciting dynamic where ghosts are still dangerous, but the overall game is more forgiving than the original--and it's more entertaining as a result. Arcade ports tend to be games we play in short bursts--mostly for the nostalgia factor. Pac-Man: Championship Edition 2 certainly relies on that nostalgia to a point, but it handles the classic game in a way that plays with expectations to surprise you. It's the same game enhanced in the right directions to be make an old concept fun, innovative, and challenging all over again." [Read the review] -- Jason D'Aprile
Puyo Puyo Tetris -- 8/10
"Overflowing with colorful personality, Puyo Puyo Tetris revels in its weirdness. It provides solid versions of both puzzle games and merges the two in bizarre, frantic ways that adds a fresh dash of style to these long-running series. With an array of game variations spanning single-player, along with on- and offline multiplayer, it's an incredibly meaty package that should satisfy gamers for a long time to come." [Read the full review] -- Jason D'Aprile
Rive -- 8/10
"Rive is demanding, but it pushes the kind of near-thoughtless play that shoot-em-ups strive to achieve. When faced with an onslaught of enemies and environmental hazards, you'll have to think fast or die. Rive also doesn't run all that long, but what's here is excellent, top-notch action, and the game delivers some of the most memorable moments in a shoot-em-up in years." [Read the full review] -- Daniel Starkey
Rocket League -- 9/10
"For people new to the game, they have a lot to look forward to regardless, as it's one of the most fascinating sports games in memory. Nevermind if you don't like soccer or couldn't care less about the growing esports community. Rocket League is a unique game that redefines the concept of what a sports game can be, and Psyonix continues to support it with new content on a regular basis. It's been around for a while, but now that it's on Switch, there's no better time to give it a shot." [Read the full review] -- Peter Brown, Reviews Editor
Shovel Knight: Specter of Torment -- 8/10
"Specter of Torment is a finely-crafted 2D platformer that is satisfying in all respects. Simply controlling Specter Knight--flying through the air and slicing through enemies--is a joy in itself, and being able to push your ability to control these skills in overcoming the game's cleverly-designed and challenging levels is always an exhilarating feeling. Specter of Torment is a focussed, polished, and satisfyingly challenging game that's well worth experiencing whether or not you've had the pleasure of playing Shovel Knight." [Read the full review] -- Edmond Tran, Editor
Sonic Mania -- 9/10
"Sonic Mania methodically uses its sentimental appeal to great effect, but in the process, it heals the wounds inflicted by its most disappointing predecessors and surpasses the series' best with its smart and interpretive design. An excellent 2D platformer, Sonic Mania goes beyond expectations, managing to be not only a proper evolution of the series' iconic formula, but the best Sonic game ever made." [Read the full review] -- Matt Espineli, Associate Editor
Splatoon 2 -- 8/10
"At first glance, Splatoon 2 seems very similar to the first game. But all the small changes, and even the bigger ones in single player and League Battles, make for a fresh take on the already unique shooter. If you played a lot of the original, the sequel has enough to keep you coming back, and if you're new to the game, it's a fantastic place to jump in." [Read the full review] -- Kallie Plagge, Associate Editor
Stardew Valley -- 9/10
"The sheer number of things to accomplish in Stardew Valley can keep you interested beyond the original three in-game years you need to reach the end of your story--you may just want to start over rather than continue on. You'll work quite hard to gather enough money for your first horse, so that you can quickly move to the mines to get a mineral to complete a bundle at the community center. It's all centered around whatever it is you want to accomplish that day. And that's truly what makes Stardew Valley such a lovely experience, it encourages you to go out and be the best you can be, in whichever task that brings you the most joy. Stardew Valley motivates naturally, with blissful optimism." [Read the full review] -- Mary Kish
SteamWorld Dig 2 -- 9/10
"Every advancement Dig 2 makes to its story and mechanics strengthens your initiative to progress. There's an overwhelming sense of momentum that runs through the adventure; as if developer Image & Form sifted the original in a pan, removing its redundancies while expanding upon what made it so fun to persistently play. In your quest to acquire every upgrade and explore every nook and cranny, there's no shortage of hidden collectables to discover. And with post-game content that unlocks after you unearth every secret, the desire to keep digging intensifies. Dig 2 manages to not only be an exceptional successor, but a great adventure in its own right. Where the first game was a diamond in the rough, Dig 2 is a polished jewel." [Read the full review] -- Matt Espineli, Associate Editor
Super Mario Odyssey -- 10/10
"Odyssey is sustained beyond its major milestones not only through colorful worlds and hidden challenges, but through the sheer joy of controlling Mario, who's never felt more responsive or dynamic in action. Even with everything new that's been introduced, Nintendo's forward-thinking platformer retains the series' classic handcrafted appeal, which is even more impressive when you realize how densely packed each kingdom is. Mario's latest outing is big, bold, and bursting with new ideas, and like Breath of the Wild, is another instance of Nintendo going above and beyond to redefine our expectations. It's a shining example of refined creativity, and another crown jewel for Switch that is without equal." [Read the full review] -- Peter Brown, Reviews Editor
By Mat Elfring on May 01, 2018 11:05 pm
The latest trailer for Ant-Man and The Wasp just dropped, and it looks like a fun, ground-level superhero movie. Finally, a comic book movie where the stakes aren't, "Some bad guy is going to kill us all if we don't stop them" (we hope). While the Ant-Man sequel won't be on a cosmic level, the new trailer does introduce us to a new threat and some connections to Marvel comics. So what's the second trailer all about? We're breaking down a few of the important moments from this trailer to see what we can learn about the movie as a whole. There weren't too many major moments, but it does give us a good idea of when the movie takes place and how this movie delves into the secret history of super-powered people in the MCU. If you haven't seen the latest Avengers movie, there may be some minor Infinity War spoilers here, but don't worry; it's nothing major. And if you want to catch up on all the MCU movies before seeing the latest Avengers joint, you may want to watch them all in order.
It Takes Place After Civil War, Before Infinity War
In the opening scene, Scott Lang (Paul Rudd) is talking to his daughter, and she asks, "How long have you been Ant-Man again?" He tells her that it hasn't been long, as we see a giant Ant-Man riding on the back of a truck, chasing an SUV. Because of the costume, we know this takes place after Captain America: Civil War and because we learned in Infinity War that Scott is no longer on the run from the government and on house arrest. We're assuming that what he's doing here is super-illegal, or he's working with the government to stop these baddies.
This Tiny Building Is A Major Part Of The Movie
We saw in the first trailer that Pym is on the run, and he shrunk down his entire building. This is not the same Pym Technology Headquarters from the first film, as that was destroyed. This one if more discreet, and in this scene, it's in the hands of Sonny Burch (Walton Goggins). He will be a featured villain in this film. In the comics, Burch is the head of Cross Industries, an advanced weapons manufacturer. While he mainly messed with Tony Stark by claiming Stark's old Iron Man suit rights, it's easy for that character to transition into Ant-Man's world. In the scene above, he's most likely trying to steal all of Pym's technology for himself to manufacture.
Luis And Friends Have A Security Company
One of the highlights from the first movie was Luis (Michael Pena). Apparently, Luis and the heist team from Ant-Man has gone legit. From the looks of the scene, Luis is working for or running a security company, as behind him are electronic locks and other security equipment.
Who Is Ghost?
Both Ant-Man and Wasp will be fighting Ghost (Hannah John-Kamen), who can phase through objects. In the comics, the Ghost suit was worn by John Morley, and he first appeared in Iron Man #219 back in 1987. The character was a mercenary for hire who sabotaged corporations, many of which were corrupt. In a sense, he was a vigilante for hire. Although, many times, corporations were hiring him to destroy their competition. His suit, which he claims he invented the tech for, can allow the user to phase through matter, become invisible, and disrupt electronic devices.
Lots Of Quantum Realm
The Quantum Realm was established in Ant-Man and used again in Doctor Strange. When Pym Particles make a person or object subatomic, said thing enters this alternate dimension where space and time are irrelevant. Lang went into the Quantum Realm at the end of Ant-Man--this is also where Janet Van Dyne, the original Wasp, ended up--and Doctor Strange briefly visited it when the Ancient One sent him travelling through numerous dimensions early on in his solo film. In the comics, this place is called the Microverse, but Marvel changed the name for the big screen, most likely because Paramount owns the movie rights to Micronauts, which was formerly part of Marvel.
Pym Tech Isn't Just For Costumes Anymore
In Ant-Man, we saw people shrink using Pym Particles as well as objects that Lang threw his shrinking discs at. Now, that technology is housed in a van, shrinking the automobile and everyone inside of it. The tech has an old-school look to it though, so maybe this is something Pym developed decades ago that he's kept locked in a warehouse.
Dr. Bill Foster And Project Goliath
At the end of the trailer, Lang is talking to Dr. Bill Foster (Laurence Fishburne) about Project Goliath and how both men have used Pym Particles to grow. Black Goliath, as he was referred to in the comics, first appeared in Avengers #32 in 1966. Foster worked alongside Pym--who was going by the name Goliath--and developed his own version of the growth formula. He became a superhero and eventually changed his name to Giant Man. Sadly, Foster met his end during Civil War, when he was killed by Ragnarok, a cybernetic clone of Thor.
By Array on May 01, 2018 09:35 pm
Being an arctic explorer ain't easy.
AMC's horror show, The Terror, keeps getting scarier. The crews of the HMS Erebus and HMS Terror--two real ships that set out from England in 1845 and disappeared for over 150 years--arrived in the frigid Northern wastes in search of the Northwest Passage. Please don't consider it a spoiler that things won't turn out great for these characters in the end. These real life shipwrecks weren't discovered until 2014 and 2016, respectively, and their crews had died long ago from cold, starvation, disease, lead poisoning, and cannibalism. Anything that happens in The Terror between the start and that foregone conclusion is just embellishment invented by Dan Simmons, the author of the book on which the show is based, or showrunners David Kajganich and Soo Hugh. But what embellishments they are. With that in mind, we're going to keep a running list of all the scariest s*** that goes down in each new episode of The Terror. Don't miss our interview feature on how The Terror embraces horror without resorting to jump scares. Now click through to find out what's new.
1. Man Overboard
Episode 1 Of all the things that are no doubt going to kill these characters over The Terror's ten episodes, you might think falling overboard and drowning would be the least terrible. Then you imagine your whole body going numb, your vision shrinking, and your senses deadening as you slide further into the depths, unable to move or help yourself or do anything but die. Not a great start to this voyage.
2. This Guy
Episode 1 We don't know what it means. We just know that he's terrifying.
3. A Boy Among Men
Episode 1 It's unclear what this poor kid died from, but does it really matter? It's easy to envision these expeditionary crews as ships full of brave, hardened men, big sailors with 5 o'clock shadows and tattoos of mermaids and anchors. Seeing this kid get sick and scared and die is pretty jarring.
4. Hello Again
Episode 1 This trip underwater is filled with so much foreboding that you spend the entire scene just dreading that something awful is going to happen. Ultimately it could have been worse, but it was still a deeply unsettling moment.
5. World of Ice
Episode 1 The final shot of episode 1 is the most chilling of the whole episode: The two ships are completely encased in ice, presumably with no hope of digging out any time soon. This is only the beginning of the doom, though.
Episode 2
6. Crew, Meet Tuunbaq
Because probably starving to death in an Arctic wasteland isn't bad enough, the crew met the Tuunbaq, an Inuit creature of legend, in The Terror Episode 2. It doesn't seem very nice.
7. Bye Dad
Episode 2 Given that they were able to get this woman (who will come to be known by the name Lady Silence) and her dad back to the ship, there was a brief hope that they would save his life. Her frantic cries that he couldn't die below deck were terrible to hear.
8. Lady Silence's Warning
Episode 2 If only Lady Silence knew how right she was when she said they're going to disappear. Was it a prescient prophecy, or is she going to make sure of it? We'll have to keep watching to find out.
9. Photo Fnish
Episode 3 Captain Franklin poses for a photograph with the men chosen to hunt and kill the "bear." This being 1846, the group must pose for a full 30 seconds for the picture to be taken. Nothing really happens here, but the atmosphere is seriously ominous, as Goodsir watches his pocket watch to count down until the picture is done. It's almost like they are counting down to something terrible happening...
10. Tent Attack
Episode 3 And it does! Before the hunting party can even leave their tent, the Tuunbaq attacks, ripping open the tent from above and grabbing one of the men. As the rest of the group fire wildly into the blizzard and Franklin makes a run for it, the creature's victim loses his head in gruesome style.
11. Owwww-lid!
Episode 3 Episode 3 might be filled with decapitation and dismemberment, but one of the most excruciating moments comes shortly after the Tuunbaq attacks the hunting party. Crozier hears the gunshots and screams so runs to the deck, using a telescope to see what's going on. After he spots the terrified men retreating back to the Terror, he moves the telescope away from his eye, only to find that the metal has frozen to his eyelid, pulling a chunk of skin away with it. OWWWW!
12. Franklin Checks Out
Episode 3 Franklin's death was a genuine surprise. He had been introduced as one the show's main characters, and his antagonistic relationship with Crozier provided much of this episode's drama. But he becomes the Tuunbaq's third victim, pulled through the ice before having his leg torn off and dumped in same icy grave that we saw the Eskimo dad's body lowered into at the start of the episode.
13. Dinner Gift
Episode 3 This episode closes with Lady Silence back at her camp, alone. From outside the igloo we hear the ominous sound of large, beastly footsteps and the breathing of something big and scary. But the Tuunbaq is not here to kill--it is leaving her some food (a dead seal). The final shot of Lady Silence's terrified face as she emerges from the igloo is one of the most chilling moments of the whole episode.
14. Setting Sun
Episode 4 Crozier and his men stand on the deck of the Erebus, watching the final rays of the sun disappear below the horizon as the months-long darkness of winter descends. "The last of the year," says one of the men. "Feels like an omen." How right he is.
15. Heather's Brain
Episode 4 The marine named William Heather is laid out on the operating table after being attacked at night by the Tuunbaq. His head is half-open and his brain is on display, but amazingly, he's still alive. The whole scene is so spooky that even the doctors are forced to seal his eyes shut so he doesn't stare at them while they operate.
16. Two Men, One Body
Episode 4 In Episode 4's creepiest scene, Hickey creeps along the deck of the Erebus towards a mysterious figure seemingly leaning over the edge of the ship. As he reaches out to touch the figure, the body falls to the ground in two pieces. Even worse, we discover in the next scene that the top and bottoms halves of the body belong to different victims and have been stacked by someone--or something--in this macabre way.
17. Hickey's Confession
Episode 4 Hickey takes matters into his own hands and kidnaps Lady Silence, bringing her back to the Erebus. When Crozier demands to know what happened, the officer describes seeing the Tuunbaq up close. It doesn't sound good. "It was three times that of any bear we've seen. With a different... set to its head," he says. "I do not believe it is an animal we battle."
18. Hearing Voices
Episode 5 A crew member named Manson is helping move yet another body into the lower decks of the Terror, into what is called "the dead room." Except the terrified Manson doesn't want to go; he tells Lt. Irving that he's heard the voices of the dead trying to escape...
19. Why Do You Want To Die?
Episode 5 In his drunken desperation to find out how stop the Tuunbaq, Crozier yells at Lady Silence, demanding to know how the creature can be killed. Her reply is as unsettling as it is accurate. She stares straight into Crozier's soul and tells the pathetic, sorrowful man, "You don't want to live. Look at you. Why do you want to die?"
20. Up The Mast
Episode 5 In the show's most terrifying sequence so far, the Tuunbaq finally boards the ship in search of victims. Poor Blanky is sent by a drunken Crozier to pointlessly observe the ice, and in doing so is chased up a mast by the angry beast. We get the best look at it so far, just before it slices into Blanky's leg.
21. Sore Saw
Episode 5 Speaking of which, unfortunately Blanky's leg can't be saved. And this being the Arctic wilderness in the 19th century, there's nothing that can be done except take a swig of whiskey, put a stick between your teeth, and get busy with the saw. We don't really see much, but the sound of the saw and Blanky's screams are truly horrifying.
22. "A Darkness… With No Firm Hand To Stem It."
Episode 6 Blanky tells Fitzjames a story about a previous expedition he was on, where the odds of survival were about as low as they are for the crews of the Terror and the Erebus. The point of this eerie scene is to foreshadow the creeping madness in this episode, and Ian Hart's performance makes for a chilling scene.
23. Toungue-baq
Episode 6 Lady Silence sits on the ice with the Tuunbaq and reveals that her father was its master. "You cannot be with a shaman for so long," she tells the creature. "Accept me in his place." And then, with the beast looking on, she raises a knife and starts to cut out her own tongue.
24. King Heather
Episode 6 Poor old Heather hasn't had the best winter. He was mauled by the Tuunbaq in Episode 4 but survived, and since then has been lying on a gurney with his brain exposed. But if that was enough of an indignity, he ends up as the centrepiece of Fitzjames's carnivale, propped up as a macabre king with a paper crown on his head.
25. Lady's Back
Episode 6 Lady Silence returns to the ship, minus her tongue and covered in her own blood. Has her sacrifice given her control of the Tuunbaq? I suspect we'll find out soon enough.
26. Fire And Ice
Episode 6 In a great bit of misdirection, Collins sits with Dr Stanley early in the episode, describing his feelings of isolation and general mental disintegration. But in the end, it's not Collins but Stanley who cracks first. He sets the carnival tent ablaze and then immolates himself, staggering towards the terrified crew with his arms outstretched. It's a truly horrifying scene.
27. Cooking With Gas
Episode 7 Collins' mental disintegration continues. He tells Goodsir that the smell of "gas" is everywhere, ever since the ill-fated carnivale. Goodsir presumes he means the fire itself, but Collins is more specific--he is continually smelling the "meat" of his friends, burning alive. "They were cooking, like fillets grilling."
28. Heads Off
Episode 7 The one glimmer of hope that the stranded men had was the rescue team sent out after Franklin's death in Episode 3. Unfortunately, as we discover in the most gruesome way possible, the team only made it 18 miles. Hartnell finds their severed heads lying in the snow, presumably removed weeks earlier by the Tuunbaq and now displayed as gruesome frozen trophies.
29. Morfin's Madness
Episode 7 Madness continues to creep amongst the men, and a crewmember called Morfin is its next victim. The camp is awoken by Morfin screaming at the others, demanding that they cut off his head and lay it with those that they found the previous day. While his colleagues are obviously reluctant to do that, his death wish is soon granted when his gun malfunctions and explodes in his face.
30. Hacking Hickey
Episode 7 The episode ends with a shocking death, but it's not a Tuunbaq attack. Having encountered a group of Inuits, Irving races back to tell Hickey and another man. At this point Hickey fully becomes the evil character that the show has been building up to, and having already killed the other man, brutally stabs Irving several times through the chest. The episode concludes with the reveal that he is not Hickey at all, but someone else who has assumed his identity to board the Terror before it sailed.
By GameSpot Staff on May 01, 2018 06:34 am
Dream Fighters
After much anticipation, Nintendo finally confirmed that Super Smash Bros. is officially coming to Nintendo Switch. And what's even better news is that the game is actually releasing this year. Naturally, this has us pretty ecstatic, and we're already speculating which characters we want to return or debut to the game's roster. While characters who have been in past entries, like Ice Climbers and Falco, are obvious choices for our staff's most hardcore fans, we're also eager to see characters from other Nintendo franchises and third-party games make appearances. Can you imagine how awesome it would be if the latest Super Smash Bros. features characters, like Crash Bandicoot, Captain Toad, Shovel Knight, or King K. Rool? With so many possibilities, here are the 20 characters we want to see the most in Super Smash Bros. on Switch. Currently, we don't know if the upcoming game will be an updated version of Super Smash Bros. Wii U or an entirely brand-new game. If it is a port, it could follow the model of Mario Kart 8 Deluxe, which offered a slew of new features on top of including all existing DLC. There are plenty of other Wii U titles that deserve a second chance on Switch as well but Smash Bros. is undoubtedly the most obvious candidate. Nintendo has remained ambiguous about what form this game will take. Which characters do you want to appear in Smash Bros. for Switch? Let us know in the comments below. In recent news, a Super Smash Bros. Switch tournament is going to be held at this year's E3. For more on the recent Nintendo news, check out GameSpot's roundup of all the recent Nindies Nintendo Direct news and our roundup of all the mid-March Nintendo Direct news, which includes release dates for some of the most exciting upcoming Switch and 3DS games.
Captain Toad
Super Smash Bros. rosters are generally dominated by the expected heroes and villains. What I want to see is another character like Animal Crossing's Villager who is a little more unconventional. Captain Toad may seem harmless, but the idea of him transforming into a fighter who can go toe-to-toe with Bowser, Ganon, or precious Mario (you know Captain Toad hates him and his proclivity for jumping and hogging the spotlight) would get me more interested in the Switch edition of Smash than anything else. While sure to be just one part of an expansive roster, making Captain Toad playable in Smash would help to provide Switch's Treasure Tracker re-release with some additional attention. He may not have the makings of a prototypical fighter, but to me that's what would make him more interesting. I'd be curious to see how Nintendo finds a workaround for his inability to jump--maybe he could throw his backpack into the air before leaping. He has a variety of tools and abilities at his disposal in Treasure Tracker (a pickaxe, an off-screen turnip gun, the ability to pull things out of the ground) that could be leveraged as weapons in Smash. And imagining a matching Treasure Tracker stage--one that messes with camera perspectives--is even more exciting. Captain Toad may not have the glitz and glamor of other names, but his unique nature would make him a worthwhile member of the roster. | Chris Pereira
Crash Bandicoot
Crash never made it into PlayStation All Stars, but he deserves a chance to throw down. With the N. Sane trilogy making its way to Switch, I think it's time for everyone's favorite marsupial to do the same. Crash's moveset is so easy to envision: spinning attacks, throwing wumpa fruit, and a Final Smash that slaps a golden Aku Aku mask on his face, charging him up like some kind of Australian Super Saiyan. If Crash were added to the roster, elements of his games could also be incorporated into the Smash universe. Maybe a standard mask could be picked up by anyone. Maybe the game's signature crates could be added to Smash's group of containers like barrels and party balls. One thing's for sure: making Crash a playable character should also mean Coco joining as an assist trophy. Let's talk stages. The Crash Bandicoot series has been all over the world, from the Great Wall of China to Ancient Egypt to a crazy techno-centric future. Why not take the "warped" mentality of Crash 3 and have fighters bounce between those crazy locations? I can already picture Neo Cortex floating around in the background of the outer space phase of the map. | Tony Wilson
Toon Zelda/Tetra
The Smash Bros. series has seen many Links: Young Link, Toon Link, regular Link, and now, what looks like Breath of the Wild Link. But there's only one Zelda. Zelda/Sheik is one of the standout characters, of course, but it's time for something new. Tetra is a badass pirate queen with a sword, and her Princess Zelda transformation has a bow with light arrows--among other possible weapons. (Her Hyrule Warriors incarnation has a pistol, for example.) She's scrappy, she's sassy, her pirate ship is already a Smash stage, and she already has an Amiibo. Even if she didn't transform like her standard counterpart, Tetra or Toon Zelda would both make sense among the ranks of the top Smash fighters. And it's about time. Plus, I just really want Wind Waker HD to come to Switch. | Kallie Plagge
Ice Climbers
The Ice Climbers were introduced in Super Smash Bros. Melee as representatives of the NES era of Nintendo's history. As a single entity, Popo and Nana were different from the other fighters; if the NPC-controlled Ice Climber was knocked out, you could still fight, just without team moves. Fighting as them was just really...well, cool. Popo and Nana got shafted in Smash 4. Supposedly cut due to the 3DS' limited processing power (and the fact that there probably won't be another game in their series soon, if ever, so they weren't a high priority), the Ice Climbers only appeared as a trophy. But the Switch solves one of those problems, at least! And if what Masahiro Sakurai says is true, and the Ice Climbers were fully functional in the Wii U version, it's not too much to ask to bring them back in the next Super Smash Bros. | Kallie Plagge
Geno
Since his debut in Super Mario RPG, fans have been clamoring for ♡♪!? (also known as Geno for those who struggle to pronounce his true name). While a true Super Mario RPG sequel will likely never happen, there is hope for the badass Star Road warrior to appear in Smash. When Nintendo started to release character announcement trailers for the Wii U and 3DS versions, I'd sit on the edge of my seat hoping he'd be revealed every time. When it came to the final DLC character reveal, Nintendo found a way to get my hopes up, only to crush them instantly. They showed off Geno, but not the way anyone wanted. We were told Geno was available...but as a Mii Gunner costume. While I was happy to see they acknowledged his existence, it was still disappointing to see he was still not a playable fighter. If he were to be added, he'd make an excellent ranged fighter and a welcome roster addition compared to the influx of sword-based fighters in recent games. Geno Beam (or even Geno Flash) would be perfect as a charge attack and Geno Whirl could be used similar to Samus's missile with the side-B attack. For a Final Smash, Geno Blast would look gorgeous as rays of light come flashing down to devastate his opponents.While I know deep down that it's a long shot, I'm still hoping that somehow he'll find his way onto the roster. With the inclusion of Square Enix's Cloud in the most recent version, the door is now open for Geno. I, for one, am eagerly awaiting his arrival. | Gajan Kulasingham
Isaac
One of the most exciting aspects of every Super Smash Bros. release is seeing which forgotten Nintendo characters the developers have plucked from obscurity and added to the roster. Not only is it fun to see old mascots completely reimagined on a modern console, but in many cases, an appearance in Smash Bros. heralds a revival for their series--as was the case with Kid Icarus after Pit appeared in Brawl. While Golden Sun may not be as well-known as some of Nintendo's other franchises, I'd still love to see its main protagonist, Isaac, join the fray. Despite his brief tenure in the spotlight (only three Golden Sun games have been released thus far, the latest of which starred not Isaac but his son, Matthew), Isaac is perfectly suited for Smash Bros. thanks to his special abilities. As an Adept, he's capable of wielding Psynergy, magic-like abilities that would form the basis of his moveset. To further set him apart from other fighters, he could equip different Djinn during a match, which would alter the Psynergy spells at his disposal. And for his Final Smash, Isaac could call upon one of Golden Sun's many other over-the-top summons, such as Judgment, to deliver a devastating, screen-consuming attack. Moreover, Isaac isn't a complete stranger to Smash Bros.; he appeared as an Assist Trophy in Brawl, so it would hardly be a stretch for him to make the leap to playable character. The Smash series may already have a glut of swordsmen on its roster, but I think Isaac has enough unique skills in his repertoire to make a great addition--and if it would help pave the way for a new Golden Sun game on Switch, so much the better. | Kevin Knezevic
King K. Rool
For every great hero, there is a villain that helps define them. For Batman, there is the Joker. For Mario, there is Bowser. And for Donkey Kong, there is King K. Rool. The Kremlings leader has been around since Donkey Kong Country and has frequently opposed the Kongs. Being such an iconic foe to a popular Nintendo character makes his absence in Smash Bros quite perplexing. If King K. Rool were to be added, he'd easily be classified as a heavyweight character--of which there is a significant need in the Smash Bros. games. With so many smaller, faster characters in the game, adding more powerhouse fighters would definitely be a welcome addition. He'd even have a vast array of costume options based off his various appearances in the DK Country games, such as Kaptain K. Rool, Baron K. Roolenstein, and King Krusha K. Rool. As for attacks, he has a wide amount of gadgets at his disposal, which could be attached to his basic attacks. This could make him a fun powerhouse character capable of dealing significant melee damage up close but also have the option of utilizing ranged attacks. I'd be excited to see him added, but I'm honestly surprised he hasn't been in a Smash game already. | Gajan Kulasingham
Crono
The Chrono series, outside of the thoroughly excellent DS re-release and the not-so-good PC port, has been silent for a long time. But aside from the business and development reasons that the seminal RPG only received one semi-sequel in Chrono Cross, a character crossover with the next Smash Bros. actually makes some weird sense. The biggest argument for Crono is that Cloud was playable in Smash Bros. for Wii U and 3DS. The protagonist from Final Fantasy VII is a staunchly third-party character from a Final Fantasy game that never came to a Nintendo console, so there's at least a precedent for that level of crossover. The Final Fantasy VII Remake gives a reason to elevate Cloud's profile (so maybe Aeris or Tifa would be a more-likely candidate). But Crono is such an outstanding character from developer Square's past and its long-running relationship with Nintendo. The other reason that Cloud makes a good fit is that, despite being yet another character with a sword, his reliance on multi-character attacks mean that he'd have his own unique identity, moveset, and visual flair. Crono is a long shot character, especially since unlike Final Fantasy, there isn't an official high-definition 3D model of the character available. But who would've guessed that Cloud, Ryu, and Bayonetta would ever be in a Smash game? | Justin Haywald
Professor Layton
The austere professor with his oversized hat may sound like an odd fit for Smash, but as an iconic representative of puzzle gaming on the DS, Professor Layton is long overdue for a spot on the SSB roster. The best examples for how Layton would work in a fighter is Phoenix Wright, who made an appearance in various Vs. Capcom fighting games, or a character like the peaceful Animal Crossing Villager. Not having a ready-made assortment of combat abilities doesn't rule out their effectiveness in a wacky game like Smash. And as we've seen from several of Layton's adventures, he's an accomplished fencer, so he's ready to throw down with a weapon when the situation calls for it. And Layton could also introduce fun, interactive stages that play off his previous adventures. Hand-drawn village backgrounds that open up to unlock puzzles, and maybe the characters on the screen would have to try to solve some of the simpler ones in order to avoid hazards from hitting everyone one the screen. Layton has been a dream addition to Smash for me for a long time, and figuring out how he'd fit into the game doesn't feel like a terribly difficult puzzle. | Justin Haywald
Ridley
As Samus Aran's arch-nemesis, the Space Pirate leader Ridley seems like a perfect candidate to go head-to-head with the Metroid hunter in the Smash Bros. arena as a playable fighter. Aside from the intergalactic bounty hunter and the Metroids that she hunts, the fire-breathing boss is one of the most recognizable characters in the series--who seems to always survive the last battle by the skin of its razor-sharp teeth. Despite never having been playable, Ridley has already made several appearances in past Smash games, most notably as a boss in Brawl's Subspace Emissary story mode. It's about time that Samus' nemesis became a playable character, and Ridley's fighting style, which is focused on fast, hard-hitting moves, along with a large set of wings that give it great speed and agility, can make Ridley a welcome change from the other heavy-set characters like King Dedede, Bowser, and DK. Moreover, Ridley's many appearances throughout the Metroid series also opens up the opportunity to let players choose from different incarnations of the character. I mean, who wouldn't want the chance to play as the cybernetically enhanced Meta-Ridley to battle Samus in one of the Metroid-inspired levels? | Alessandro Fillari
Tharja
Super Smash Bros for Wii U and 3DS has no shortage of Fire Emblem characters. To be honest, by the time Corrin and Roy rolled around as DLC I was starting to get sick of them, however, Tharja could add something unique to the roster. Unlike Roy, Marth, Lucina, and Ike, Tharja is a Dark Mage and she could specialize in ranged-attack spells. Sure, Corrin and Robin had a fair amount of medium-range attacks, but in most cases, you'd still want to keep your foes close. Tharja could utilize a flashy set of dark spells to deliver powerful blows from afar, and quick on her feet to escape close range fighters. The likelihood of Tharja coming to Smash is slim, but I think she would add much more character and personality to the roster than Robin and Corrin did. | Jake Dekker
Kass
While Breath of the Wild was very much Link's show, there was one character who always knew how to make his presence known throughout the young(ish) champion's quest throughout Hyrule--and it always started off with the faint sound of an accordion in the distance. Kass, the traveling storyteller, could spin a memorable yarn about Hyrule's past, but I'd like to think he can also hold his own in a fight against other Nintendo characters. While we don't ever see Kass fight, that certainly hasn't stopped Nintendo from turning normally passive characters--like Wii Fit Trainer or R.O.B.--into powerhouses on the battlefield. As a member of the bird-like Rito tribe, Kass has the natural gift of flight, potentially making him an agile character in a fight. However, his true gifts lie with his accordion and oratory talents. Much like in Breath of the Wild, Kass can use the power of song to grab the attention of anyone nearby as they listen to him tell the tale of the surrounding environment. While this may seem a bit gimmicky, Super Smash Bros. tends to shine most when it comes to characters that has a specific purpose. And often times, those characters prove their worth and find an audience among fans. And I for one think that Kass has the potential to prove himself on the battlefield. | Alessandro Fillari
Waluigi
If Waluigi can't get his own game, he should at least be added to the Super Smash Bros. roster. Wario has been playable in two previous Smash games, but Luigi's rival, Waluigi, has never been included. Now is the time. Waluigi has already made appearances in Smash as a collectible trophy and assist trophy, and in Brawl, Luigi has a black and purple color swap to make him look similar to his arch-rival. If he's already a part of the Smash universe, then making him playable is an easy transition. Smash Bros. on the 3DS and Wii U had plenty of Nintendo heroes on their rosters and not enough villains. The Switch version's roster could only benefit from adding another fun, fan-favorite antagonist like Waluigi to liven things up with his personal brand of mischief. Throughout the years, his popularity has only been growing. He's sassy, cunning, relatably self-hating, skilled, and ridiculous. Just think about how campy and glorious his taunt would be. It's Waluigi time. | Chastity Vicencio
Shovel Knight
Shovel Knight hits things with a shovel. I want to hit Kirby with a shovel. Honestly, it's as simple as that. Shovel Knight has been one of the best 2D throwback platformers in recent years, a game that perfectly captures the spirit of the NES era while making smart tweaks to make it more palatable for modern sensibilities. That's an excellent fit for a fighting game that oozes Nintendo spirit if you ask me. The game features a wide variety of upgrades that Shovel Knight (who can be male or female) can utilize to take down foes, so there's more than enough options to make Shovel Knight a distinctly interesting Smash character if brute shovel force isn't enough. And look--he's already got an Amiibo, so that's basically his ticket to ride. It's Shovelling Time! | Edmond Tran
Rex
Xenoblade Chronicles 2 was one of Nintendo's biggest games of 2017, so it would only be fitting to see it represented in the newly revealed Super Smash Bros. for Switch. Naturally, the most logical choice for a Smash fighter from the game would be its protagonist, Rex, but just as in his own adventure, he should come with a few Blades in tow to make him a truly unique addition to the roster. Whereas Shulk (Smash Bros.' other resident Xenoblade character) is able to use the Monado to grant himself different buffs, Rex could derive his abilities from the Blade he currently has equipped. Like Pokemon Trainer from Brawl, he could swap between the Blades during a match, with each granting him a different set of special attacks. Of course, Pyra would be his primary Blade, but he could also have two others--such as Roc and Nia--at his disposal, just as in Xenoblade Chronicles 2. And for his Final Smash, Pyra could transform into Mythra to rain down a powerful Sacred Arrow attack over the entire field. Not only would Rex be a fun addition to the roster, but Xenoblade Chronicles 2 would make a fitting basis for a new stage. The game is filled with beautiful vistas and fantastical fauna, which could make for some rather interesting stage hazards--imagine having a match interrupted by a powerful Named Monster that forces all players to temporarily team up with each other to take down. As the face of one of Nintendo's most ambitious Switch games to date, Rex certainly deserves a spot on the Smash roster. | Kevin Knezevic
Falco
This might seem like an odd pick considering Falco will most likely be in the game, but as a diehard Melee fan, I want the Falco of old. Super Smash Bros. Melee is my most played game of all time, and Falco was my main man...err...bird. I liked him because of his side-A attack, which acted as a super strong KO kick that would send players flying off stages at moderate percentages. Newer revisions of Falco changed his kick to a much less effective arm-swinging swipe move, which isn't nearly as potent. Falco's shine was also very useful in Melee. Players could use it to perform combos, but later revisions had the shine shoot out of him, which removed these abilities. He's just not the same. As a die-hard old-school Falco fan, I just want Nintendo to return Falco to his glory days. | Jimmy Thang
Star Wolf
Even though Melee is my most-played game of all time, I didn't particularly care for Brawl when it came out. I didn't like the slower pace of the game, and the inclusion of tripping didn't help either. One character that I did love, however, was Star Wolf. His skillset matched with my playstyle perfectly. He has a strong side-A that could finish people, decent recovery moves, an effective arial game, and is equipped with a stunning projectile laser. I was dismayed to hear that he wouldn't be in the Wii U version, considering Nintendo doesn't often remove characters from Smash. I'm hoping Star Wolf makes a comeback and retains his moves. | Jimmy Thang
Snake
Super Smash Bros. has always a been cool way to have a bunch of your favorite Nintendo characters fight it out, and the idea easily invites other game characters to join the fight. But back in 2008 my wildest dream came true. Often said as a joke amongst my friends I always wanted a character from Metal Gear, my all time favorite series, to show up and that is exactly what I got with Super Smash Bros. Brawl. It was show time. Snake is an interesting character mostly due to the fact that he is one of few realistic-looking individuals in a roster of cartoon-y ones. He pulls a lot of his attacks from Metal Gear Solid 1 and 2, but a lot of his mannerisms come from Metal Gear Solid 3. He is a very range-heavy character, but if someone gets in close, he still has a lot of great tools at his disposal to even the playing field. He is a fun character to play with lots of tricks, and I really enjoy all of the small details they put in for fans of the MGS series. They could even incorporate some new stuff from MGSV; maybe just change him to be Punished Snake! From his silly codec taunt conversations about all of the characters to his vast arsenal of weapons rivaling any of the metal Gear games, Snake deserves to come back to Smash. | Ben Janca
Porky Minch
Technically, Porky has already made an appearance in Super Smash Bros.; in Brawl, he was one of the boss characters that Ness and Lucas face while fighting in the Subspace Emissary. But that only proves that he make an excellent addition to the fighting game roster. Although Giygas is the Big Bad in Earthbound, Porky is the malevolent being's willing accomplice. And as the Earthbound sequel, Mother 3, shows, Porky is a resourceful villain who's able to rise above his previous failures to become even more powerful and dangerous. And his appearance in Smash could also bridge the gap between his sniveling uselessness in Earthbound and his powerful but decaying form in Mother 3--a Porky that's just coming into his own powers but also relies on sophisticated gadgetry to pummel his foes. Most of all, I just want Porky in the game so that there's another direct Nintendo connection to the Earthbound/Mother series. I still haven't given up hope of a Western release of Mother 3...and the Switch would be the perfect console to get that long-awaited port. | Justin Haywald
The Champions Of Hyrule
The reveal trailer for Super Smash Bros. on Switch all but confirmed that Link from Breath of the Wild will be in the game. But I hope Nintendo will include more Breath of the Wild characters, like the Champions: Revali, Daruk, Urbosa, and Mipha. It would be awesome to see them all added into the game as four separate characters, but realistically, I could see Nintendo making them a single character slot--similar to Pokemon Trainer from Super Smash Bros. Brawl. Having the ability to play and freely switch between Revali, Daruk, Urbosa, and Mipha sounds complicated to implement. After all, having access to four separate movesets seems like it would be both a mechanical and balancing nightmare, but I'm holding out for the possibility of the Champions being playable. Imagine launching an opponent upwards into the air with Revali's Gale, and then switching to Daruk to smash them down with his Boulder Breaker. You could even have Mipha revive you if you happen to accidentally get launched out of a stage. There are a ton of cool possibilities available for the Champions, and given Breath of the Wild's financial and critical success, they ought to be put in the game in some form. At the very least, I hope Nintendo incorporates their moves into Breath of the Wild Link's moveset, or creates an entire stage devoted to them and their Divine Beasts. | Matt Espineli
By Matt Espineli on May 01, 2018 05:49 am
Let The BattleZ Begin
Dragon Ball FighterZ's roster is packed with familiar faces from all across the massively popular anime series. Fan favorites like Vegeta, Goku and Trunks are all accounted for, but there's also a wealth of other well known characters present. With so many characters to keep track of, we've compiled all the base game and DLC characters for your reference. There are a ton of characters to play as, which can be demanding for both beginners and veterans of fighting games. Many of the series' most beloved characters inherit a wealth of fighting game archetypes. If you need help grasping game's fundamentals and how to best play each character in the roster, read our Dragon Ball FighterZ beginner's guide. Though, if you'd rather see all the cool references the game makes to the series with its characters and stages, you can view our gallery highlighting all of the game's Easter eggs and references. Suffice to say it, there's a ton of fantastic references present in the game's large roster. And it only continues to grow thanks to the addition of DLC characters, like Super Saiyan Blue Vegito, Fused Zamasu, Bardock, and Broly. Which characters do you play the most? Let us know in the comments below. And for more on the game, check out our Dragon Ball FighterZ review, as well as our feature containinggameplay videos, essential news, and everything else you need to know.
Vegito (Super Saiyan Blue)
Vegito is the resulting fusion of Goku and Vegeta, and he naturally boasts characteristics of the two Saiyans. Like Vegeta, he's a brash and confident warrior, which comes across in his moveset; in his reveal trailer, you can see him throwing kicks while his arms are casually crossed.
Fused Zamasu
Fused Zamasu is a major antagonist from the Dragon Ball Super series. As his name suggests, he's the resulting fusion of Zamasu and his counterpart, Goku Black. Retaining the arrogance and self-entitlement of Goku Black and Future Zamasu, he believes himself to be the embodiment of justice and a figure of divine brilliance and absolute authority.
Bardock
Bardock is the father of Goku and Raditz, and led a squad of mercenaries that travel to various planets and bring down their defences so that Frieza could take them over and sell them off. Bardock revolts when he learns Frieza intends to wipe out the Saiyans on Planet Vegeta, however is killed by Frieza's Supernova energy ball, along with the rest of his planet. His sons, however, survive.
Broly
Broly is a legendary Super Saiyan who appears once every 1000 years. In his normal state, he wears a special crown which is used to restrain his power and prevent him from transforming into a Super Saiyan. Broly has an unquenchable thirst for battle and, in combat, is consumed by his rage. He is one of the most powerful and deadly Super Saiyans in existence.
Android 16
Android 16 is the sixteenth iteration of Dr. Gero's powerful series of advanced artificial humans. Unlike his more hostile siblings, he demonstrates deep compassion towards all living things. Despite his gentle demeanor, Android 16 is willing to do whatever it takes to protect his siblings from danger.
Android 18
Android 18 is the eighteenth iteration of Dr. Gero's powerful series of advanced artificial humans. When she's first introduced, she follows Gero's orders to kill Goku. However, her rebellious attitude causes her to deviate from this plan, inevitably leading to her and her brother, Android 17, murdering Gero in cold blood. Regardless, Android 18 eventually joins the Z Fighters due to the kindness and compassion they exhibit towards her at the end of the Cell saga.
Android 21
Android 21, a new character designed by Akira Toriyama, is a central figure in Dragon Ball FighterZ's story mode. She's a scientist with an intellect similar to Dr. Gero. While she wears a white lab coat and has a human-like appearance in the game's cutscenes, her playable form sees her with long white hair and pink skin similar to iconic villain Majin Buu.
Beerus
Beerus is the God of Destruction of Universe 7. As a God, he sleeps several years to several decades straight, and once he awakens, he destroys planets in his administrative zone.
Captain Ginyu
Captain Ginyu is the leader of the eponymous Ginyu Force, a squadron of elite mercenaries working for Frieza to conquer planets. He's a strict, yet compassionate leader who legitimately cares about the wellbeing of his teammates. As one of the few men who reveres Frieza, he is very loyal and follows any order he gives him.
Cell
Cell is one of the primary antagonists of the Androids arc, the third major saga in Dragon Ball Z. A mad scientist named Dr. Gero designed him to be the ultimate fighter by giving him numerous advantageous genetic traits and abilities.
Future Trunks
Future Trunks is Vegeta's and Bulma's son from an alternate timeline. While the couple eventually gave birth to him in the main timeline, this version of the character comes from an alternate era where the world was devastated by the Androids. Future Trunks first appeared in the aftermath of the Frieza Saga, having travelled back in time to warn the Z Fighters about the oncoming threat of the Androids, as well as to deliver medicine to Goku that would cure him of the heart disease he died from in the alternate timeline.
Frieza (Final Form)
Frieza is the emperor of the universe who's responsible for obliterating nearly the entire Saiyan race, which in turn caused the myriad conflicts present in Dragon Ball's earlier arcs. Frieza has a massive ego, believing that he is the most powerful life form in the universe.
Gohan
Gohan is the elder son of series protagonist Goku and his wife Chichi. While he shares his father's strength and courageous spirit, he tends to pull away from fighting and only resorts to it as a means of defending his family and friends.
Gohan (Adult)
Like his younger self, adult Gohan is a courageous warrior with a strong sense of justice. Years after he defeated Perfect Cell, he would protect the citizens of Satan City under the identity of Great Saiyaman and would go on to become an even more powerful warrior when his potential was unlocked by the Old Kai.
Goku
Goku is the main protagonist of the entire Dragon Ball series. He's a Saiyan that was originally sent to Earth as an infant with a mission to destroy it. However, he ended up losing his memory not long after landing, which caused him to grow pure-hearted. Goku constantly trains hard to become a powerful fighter, which often results in him saving the universe in the process.
Goku (Super Saiyan Blue)
Super Saiyan God Super Saiyan (SSGSS) form, also known as Super Saiyan Blue, is an incredibly powerful form introduced in Dragon Ball Z: Resurrection F. Goku describes it as occurring when a "Saiyan with the power of a Super Saiyan God further transforms himself into a Super Saiyan."
Goku Black
Goku Black is secretly a Supreme Kai apprentice Zamasu, who used the Super Dragon Balls to steal the body of Goku. He uses the power that he inherited from Goku's body to rid the universe of all mortals.
Gotenks
Gotenks is the brash and headstrong fusion of Goten and Trunks. Despite his youth, he's an immensely powerful fighter, though his impulsiveness tends to cause him to blindly rush into a battle.
Hit
Hit aka "Hit the Infallible" is a legendary assassin from Universe 6. He's considered the strongest member of Team Universe 6, a group of the most formidable warriors in Universe 6 assembled to participate in the Tournament of Destroyers.
Innocent Buu
Innocent Buu is the first and the least evil of Majin Buu's forms. He's the result of Kid Buu (the original and pure form of Majin Buu) absorbing the Grand Supreme Kai.
Kid Buu
Kid Buu is the original and pure form of Majin Buu, reverting back to this state after Goku and Vegeta removed Innocent Buu and all of the other fighters he absorbed. Kid Buu's erratic nature and unpredictability makes him the monster's most dangerous form.
Krillin
Krillin is the best friend and ally of Goku. He is known as one of the most talented human martial artists on Earth. While he is often overpowered by many of the series' antagonists, he remains a courageous and loyal fighter that rarely backs down from a fierce battle.
Nappa
Nappa is an elite Saiyan warrior and comrade of Vegeta. He was once a general of the Saiyan Army, but after his race's demise, he began working for Frieza. This would eventually lead him on a mission to defeat Goku. Despite putting his all into assisting Vegeta to accomplish that task, he was inevitably killed by the young prince for his incompetence and failure.
Piccolo
Piccolo, otherwise known as Piccolo Jr., is a Namekian and also the final child and reincarnation of the Demon King Piccolo. He was once an enemy of Goku, but after forming a close bond with Gohan in Goku's absence during the Saiyan Saga, he changes his ways and becomes a permanent member of the Z-fighters.
Vegeta
Vegeta is the crown prince of the fallen Saiyan race. He first appeared as a villain, who worked alongside Frieza and his minions. However, he turned against the villainous emperor in favor of fighting alongside the Z fighters, all while striving to become the most powerful fighter in the universe.
Vegeta (Super Saiyan Blue)
Super Saiyan God Super Saiyan (SSGSS) form, also known as Super Saiyan Blue, is an incredibly powerful form introduced in Dragon Ball Z: Resurrection F. Vegeta achieves Super Saiyan Blue form through ki control in Dragon Ball Super.
Tien
Tien is a disciplined and reclusive martial artist, and one of the strongest fighters on Earth next to Krillin and Yamcha. He's a descendent of an ancient race known as the Three-Eyed People. When he's not supporting his allies in their efforts to defeat powerful foes threatening Earth, he's usually spending time training with his lifelong best friend, Chiaotzu.
Yamcha
A former desert bandit, Yamcha was once an enemy of Goku, but quickly reformed and became his ally. He's a brave and talented martial artist who often assists the Z-fighters whenever trouble arrives; though, this begins to vary as the series goes on and more powerful foes are introduced.
By Array on May 01, 2018 05:36 am
Life of Crime
While the Grand Theft Auto series rose to prominence when it transitioned to 3D with Grand Theft Auto III, it had already been around for several years at that point. From its early days to GTA V's release and subsequent four years of success, GTA has become one of gaming's most influential franchises ever over its 20-year history, helping to redefine open-world design and gameplay. It's hard to believe, but the series' fourth entry just turned 10 years old. To commemorate the 10th anniversary of Grand Theft Auto IV, we're detailing the advancements and innovations that each of the series' entries introduced. From its humble beginnings on PS1 and PC to the staggeringly persistent sales of Grand Theft Auto V, here's a look at the evolution of GTA and how it transformed into the household name it is today. For a visual look at what we discuss here, check out the video version of the evolution of Grand Theft Auto. Following in the huge success of the series, its latest entry Grand Theft Auto V's online mode continues to do well. For the latest news and updates on GTA V's online mode on PlayStation 4, Xbox One, and PC, follow our full coverage. If you're curious about the history and evolution of other big gaming franchises, watch our in-depth video features on the history of games and series like Uncharted, Assassin's Creed, and even games based on the Lord of the Rings.
Grand Theft Auto
Platforms: PC, PS1 Release Date: October 1997 The first Grand Theft Auto must look archaic to fans of the more modern entries of the series. Its top-down perspective and jagged polygonal graphics are a far cry from the expansive, detailed city spaces we've come to expect. However, the game is still as crime-focused, mature, and violent as the series' subsequent entries. At the time, Grand Theft Auto was a pioneering game that helped introduce the concept of open-world design to action games with its free-form, objective-based missions. The freedom it gave you to pursue missions and explore laid the groundwork for many of the series' hallmarks. It also introduced the three major fictional cities the series has often used as settings: Liberty City, San Andreas, and Vice City.
Grand Theft Auto: London 1969
Platforms: PC, PS1 Release Date: April 1999 Grand Theft Auto: London 1969 is an expansion for the first game. It introduced a new city to explore and expanded the number of cars to drive and activities to take part in, though it didn't change the formula of the original. Notably, London 1969 was the first standalone expansion pack to ever release on PS1.
Grand Theft Auto 2
Platforms: PC, PS1, Dreamcast, Game Boy Color Release Date: - PC: September 1999
- PS1: October 1999
- Dreamcast: May 2000
- Game Boy Color: December 2000
While not the genre-redefining step that its successor would become, Grand Theft Auto 2 was a solid step forward that expanded on the groundwork established by the first game. Its major evolutionary shift came from its mission design. Instead of being forced through a linear sequence of missions, you now had the choice to freely accept missions from different--often opposing--gangs at any time. (Zaibatsu for life.) This created a chain of events that influenced how gangs perceived you. Also new were side missions, which have since become a staple of the series. When not playing through the story content, you could earn money by being a taxi, bus, or delivery truck driver. In addition, the game saw advancements in pedestrian behavior; people would walk on the street or enter public transportation vehicles, and if they were criminals, steal cars or engage in random fights with the police. Interestingly enough, Grand Theft Auto 2 released on four different platforms--even receiving a port on the Game Boy Color. The game would be the final core entry in the series to strictly utilize a top-down view--although an optional camera mode resembling it was included in Grand Theft Auto III and served as the inspiration for a GTA Online racing mode.
Grand Theft Auto III
Platforms: PS2, PC, Xbox Release Date: - PS2: October 2001
- PC: May 2002
Xbox: October 31, 2003
While Grand Theft Auto 1 and 2 were both proofs of concept for what an open-world action game could be, it was Grand Theft Auto III that took that idea to the next level. Unlike in its predecessors, you were free to walk from a third-person perspective through a living, breathing 3D city. This simple shift in perspective increased your immersion within its world. With the open-world structure of its predecessors once again at play, the ability to freely take on missions or simply cause chaos was a satisfying and innovative gameplay loop. Storytelling was also more greatly emphasized this time around, with celebrity voice acting (Michael Madsen, Kyle MacLachlan, and Robert Loggia all played roles) and dramatic cutscenes. The protagonist, however, had little personality or backstory and wouldn't even get a name until a minor moment in San Andreas. GTA III let you take to the sky for the first time, albeit in inelegant fashion. The Dodo was a biplane that could be found in the airport as a secret of sorts, but flying it took extreme precision and patience. Additionally, this was the first game in the series to add Hidden Packages as a secret collectible for players to hunt down. While the game first released on PS2 in 2001, it later launched on PC in 2002 and Xbox in 2003. It was the first in a trilogy of Grand Theft Auto games that would come out within the next few years and influenced countless games to come.
Grand Theft Auto: Vice City
Platforms: PS2, PC, Xbox Release Date: - PS2: October 27, 2002
- PC: May 12, 2003
Xbox: October 31, 2003
Released a year after GTA III, Grand Theft Auto: Vice City was an iterative sequel that expanded on III's framework. It offered an even more detailed city that was packed with new missions and vehicle types, like motorcycles and helicopters. Amid subtle quality-of-life improvements, one of the game's major additions was the ability to purchase businesses and properties, allowing you to increase your revenue stream and feel like you were making a mark on the game world. The game's narrative presentation also received an upgrade, featuring a protagonist who actually talked (unlike GTA III's Claude) and felt like a proper character. Its story centered on Tommy Vercetti (voiced by actor Ray Liotta), a former member of the mob who was set up and had to take over the city before its violent gangs killed him. Inspired heavily by Scarface, Vice City is most remembered for its 1980s time period, which it used predominantly in its satire of American pop culture. The game's soundtrack in particular is often considered one of the most iconic licensed video game soundtracks ever and helped the game to nail its '80s atmosphere. While Vice City was first released as PS2-exclusive in 2002, it would later launch on PC and Xbox in 2003.
Grand Theft Auto: San Andreas
Platforms: PS2, PC, Xbox Release Date: - PS2: October 26, 2004
- PC & Xbox: June 7, 2005
The third and final entry in what became known as the GTA series' "3D universe," Grand Theft Auto: San Andreas again built on the previous two games while taking players to another radically different setting. The titular San Andreas was absolutely massive; while III and Vice City allowed players to explore different portions of a single city, San Andreas dramatically expanded on that with full-fledged takes on Los Angeles (Los Santos), San Francisco (San Fierro), and Las Vegas (Las Venturas). At the time, San Andreas's world was staggeringly large--which is just as well, as it needed that space to facilitate the newly introduced trains and planes. The latter finally provided a more rapid form of air transport, as previous games limited players to helicopters, the hard-to-fly Dodo, and, in Vice City, a single seaplane. San Andreas's story centered around Carl Johnson, who was a more dynamic protagonist than previous characters. The game introduced a new RPG-style character progression system that allowed Carl to grow in a number of ways--both figuratively and literally. Heading to the gym and taking part in mini-games provided the opportunity to increase his stamina and strength, but he also had to eat. Indulge in too many cheeseburgers and he would gain a substantial amount of weight, which could impact gameplay. As a whole, the game featured a marked shift toward focusing West Coast street gangs and was heavy influenced by 90's hip-hop culture. As with the two previous games, San Andreas debuted on PS2 before later being ported to both PC and Xbox.
Grand Theft Auto Advance
Platforms: Game Boy Advance Release Date: October 26, 2004 Grand Theft Auto Advance, which was officially marketed under the name Grand Theft Auto, was the first entry in the series released exclusively on handheld devices. It released alongside San Andreas, but despite the move to 3D in the console games, Advance used the top-down perspective and Liberty City setting of earlier entries. Advance did mix in some elements of more recent games, adding side missions from GTA III and the ability for cars to flip over. Despite the ambition of bringing GTA to a handheld, the game was maligned for its mediocre story and technical limitations. It marked the only game in the series developed outside of Rockstar, having been created by Digital Eclipse.
Grand Theft Auto: Liberty City Stories
Platforms: PSP, PS2 Release Date: - PSP: October 24, 2005
- PS2: June 6, 2006
Although it's been forgotten by many, Grand Theft Auto: Liberty City Stories was a significant game for the series. It marked the first 3D GTA game released on a handheld, bringing a comparable version of Liberty City from GTA III to PlayStation Portable. It also introduced a six-player local multiplayer mode, marking the franchise's first foray outside of single-player. Liberty City Stories was a prequel game starring one of the characters you met in the game on which it's based--in this case, GTA III's Toni Cipriani.
Grand Theft Auto: Vice City Stories
Platforms: PSP, PS2 Release Date: - PSP: October 24, 2006
- PS2: March 5, 2007
Like the console games, the Liberty City entry on PSP was followed up not long after by a game set in Vice City. Titled Grand Theft Auto: Vice City Stories, the game was less novel than the previous one, as it couldn't pass itself off as the first handheld 3D GTA, nor did it introduce any major features that would become mainstays. However, it did improve on Liberty City Stories, providing a larger overall experience with longer missions and more memorable characters. There was also a new empire system where you could take over properties, install illegal businesses, embark on missions to upgrade them, and then reap the rewards. Multiplayer also evolved with new competitive modes, but it remained a local-multiplayer-only affair.
Grand Theft Auto IV
Platforms: PS3, Xbox 360, PC Release Date: - PS3 & Xbox 360: April 29, 2008
- PC: December 2, 2008
As the first numbered entry in the series in more than six years and the beginning of what's known as the "HD universe," Grand Theft Auto IV set out to provide some major new innovations--with mixed results. With a shift toward a slightly more mature, darker narrative, it provided players with moral choices--such as whether or not to let a character live--that could impact the story. These didn't radically alter things and were limited in number, but they marked an attempt by the series to try something new. Similarly, GTA IV emphasized relationships with other characters. Despite being new to the country, protagonist Niko Bellic was able to quickly make friends--but those friends expected not to be ignored. Thanks to the mobile phone in Niko's pocket, you could expect to be contacted for a date with women you were seeing or a round of bowling with dear cousin Roman. Perhaps the game's biggest new feature was online multiplayer. It allowed up to 32 players to join together online for competitive and cooperative modes or to freely roam the city, albeit with no real objectives. GTA IV evolved unlike any previous game in the series thanks to downloadable content. Its two DLC expansions, The Lost and Damned and The Ballad of Gay Tony, introduced new stories and characters set within the same city, as well as new mechanics. The motorcycle-centric Lost and Damned finally added checkpoints to missions, mercifully allowing you to pick up your progress after a failure without starting from the beginning. Gay Tony later added the BASE jumping activity and mission scoring.
Grand Theft Auto: Chinatown Wars
Platforms: Nintendo DS, PSP, iOS Release Date: - DS: March 17, 2009
- PSP: October 20, 2009
iOS: December 18, 2014
Years after GTA had moved on from the classic top-down perspective, Rockstar came out with Grand Theft Auto: Chinatown Wars, a throwback to the early days of the series. It featured the same sort of open-world gameplay the series was known for but packaged it in a way that we hadn't seen in almost a decade. The camera angle wasn't the only way Chinatown Wars differentiated itself from past entries. It featured a more stylized, comic book-esque art style (likely to accommodate the hardware constraints of the DS), the series' first asian protagonist, an "online" ordering system for ammo and weapons, and new types of interactions, such as breaking out the glass in a car to escape or turning a screwdriver to start a car. Police, an omnipresent threat to players in GTA, were no longer something to hide from; instead, you were encouraged to smash into police cars to disable them, which led to a reduction in your wanted level. The game would later be released for PSP, which featured improvements to visuals. An iOS port would also release several years later.
Grand Theft Auto V
Platforms: PS4, PS3, Xbox One, Xbox 360, PC Release Date: Grand Theft Auto V is in many ways a culmination of everything the series has been building toward since its inception. The game grew both its single-player and multiplayer portions in significant ways, resulting in an experience that's far more multi-faceted than its predecessors. In terms of single-player, GTA V took its missions--which had long been unrelated, standalone activities--and tied them together for heists. These multi-part missions feature an escalating story and allow you to build toward something, as you yourself are tasked with putting the pieces in place to pull off a bigger crime. GTA V also adjusted the series' formula by having you play as not one but three different protagonists you can freely switch between, sometimes even during the course of a mission. GTA V's multiplayer component, GTA Online, continues to evolve to this day and has made the game a long-term moneymaker for Rockstar. It took GTA IV's concept of putting a bunch of players in an online version of a GTA city and ran with it. Up to 30 players can go about their business in a single instance of the city or take part in cooperative and competitive activities. Following a post-launch update, Rockstar introduced online heists, allowing players to collaboratively complete multi-part missions. While load times and matchmaking hurdles can mar the experience, the interlocking parts of four people working together in unison--some in the air, others scattered around on the ground--can be a beautiful thing. It's through all of the GTA V's advancements to the formula and consistent updates to its online mode that the game remains a massive success and the pinnacle of the franchise's evolution as a whole.
By Chris E. Hayner on May 01, 2018 05:28 am
Avengers: Infinity War is missing some very important characters
Avengers: Infinity War is bursting at the seams with characters already, as the Avengers team with the Guardians of the Galaxy and the people of Wakanda. After all, it takes a pretty powerful group of individuals to stop a Mad Titan like Thanos. What about the characters who didn't make the cut, though? This is where you should stop reading if you haven't seen the movie, as we're about to dive pretty deep into spoiler territory--consider yourself warned. It could easily be argued that Infinity War included too many characters for its nearly three-hour running time. However, there were some faces fans had their hope on that were nowhere to be found. Instead, the Marvel Cinematic Universe faithful are forced to wait a year to see whether or not Thanos turned them to dust of if they'll be able to join the fight in Avengers 4. After watching Avenger: Infinity War too many times to count, GameSpot has come up with the definitive list of characters we were sad to see didn't take part in the battle against the big, purple jerk. Some of them seem like smart and powerful additions to the crew; others are named Korg and we love him too much to leave him out.
Valkyrie
Last seen in: Thor: Ragnarok While at least half of the surviving Asgardians were wiped out by Thanos in search of the Tesseract--and half of those turned to dust when the Mad Titan snapped his fingers, in theory--many fans were expecting Tessa Thompson's breakout Ragnarok character to play some role in the right for the universe. Hopefully, that changes in Avengers 4.
Grandmaster
Last seen in: Thor: Ragnarok It's hard to know where Infinity War could have fit Grandmaster in, but every MCU movie needs a taste of Jeff Goldblum now. Given that he's the brother of the Collector--whose death is alluded to in the film--a case can be made for him to appear.
Hawkeye
Last seen in: Captain America: Civil War Hawkeye was the sad question mark looming over Infinity War. He's an original member of the Avengers who didn't appear. The movie explains his absence with a throwaway line--he's under house arrest--but it really wasn't enough. All of existence was at stake.
Laura Barton
Last seen in: Avengers: Age of Ultron You might not have expected Laura to appear in the film. However, the actress who plays her, Linda Cardellini, appeared in a promotional photoshoot for the film. If Hawkeye is still under house arrest, chances are she'll show up soon.
Ant-Man
Last seen in: Captain America: Civil War As with Hawkeye, Ant-Man is on house arrest during Infinity War. Which is unfortunate, because he would have been a useful weapon against Thanos.
The Wasp
Last seen in: Ant-Man While Hope van Dyne's Wasp alter ego hasn't been properly introduced yet--it was teased in the Ant-Man post-credits sequence--Infinity War could have been an intriguing way to integrate her into the MCU. Think of what Captain America: Civil War did for Spider-Man. Now the question remains of how Ant-Man and the Wasp fit into Marvel's timeline after Infinity War.
Hank Pym
Last seen in: Ant-Man It's not so much that fans were expecting Hank Pym to show up and be part of the fight against Thanos. Instead, it's that they were told as much by Sebastian Stan (Winter Soldier). In an interview to promote the film, Stan claimed he filmed a battle scene that included Michael Douglas as Hank. Perhaps he was mistaken and it was actually for Avengers 4.
Janet van Dyne
Last seen in: Ant-Man As with her on-screen husband, Sebastian Stan also teased that Michelle Pfeiffer would be in the massive battle scene as Janet van Dyne, mother of Hope and the original Wasp. And yet, there's no mention of her anywhere in the film.
Korg
Last seen in: Thor: Ragnarok Like Valkyrie, Korg garnered quite a few fans in Thor: Ragnarok. What's more, he survived the destruction of Asgard and was last seen traveling through space with Thor and the rest of the gang. However, he's not mentioned when Thanos destroys the ship or at any point after that. He's definitely not dead, though. Kevin Feige, head of Marvel Studios, has confirmed that much.
Miek
Last seen in: Thor: Ragnarok Much like his big buddy Korg, Miek is alive and well--for now, anyway. It's just unclear exactly where he's at. Our money is on wherever Korg wound up.
Sharon Carter (Agent 13)
Last seen in: Captain America: Civil War The last time Sharon Carter was in the picture, she was making out with a fugitive Captain America after helping him steal government property. However, she went back to her job at the CIA. Sharon could have been an interesting source of information for Cap and the rest of the team--given that the CIA knows everything. Alas, there is no mention of her anywhere in the film.
Happy Hogan
Last seen in: Spider-Man: Homecoming Pepper Potts, who made a cameo in Spider-Man: Homecoming, got a nice moment in Infinity War. What was missing, though, was Happy Hogan. After playing some sort of mentor to Spider-Man and acting as Tony Stark's right-hand man for so long, it felt strange to not see him in the movie.
W'Kabi
Last seen in: Black Panther The Wakandan absences are the most noticeable in the movie. W'Kabi, for instance, is one of the country's fiercest warriors--and he serves at the hand of the king. While that didn't work out when Killmonger was reigning, it's a little surprising he didn't end up back on the front lines with his entire nation in danger.
Nakia
Last seen in: Black Panther Likewise, where was Nakia? In Black Panther, she showed herself to be quite a fierce warrior--which is something the Avengers and Wakanda could have used more of. While it's possible she was on assignment in another country, her not being there was glaring.
War Rhinos
Last seen in: Black Panther Yes, the vibranium-plated rhinos in Black Panther were silly and the CGI that brought them to life wasn't the best. However, when you're fighting a power as massive as the Black Order, why wouldn't you send them into battle to mow the enormous monsters down?
Phil Coulson
Last seen in: Agents of SHIELD Sure, Coulson has been largely banished to the Marvel TV universe. However, Clark Gregg has been announced to be bringing everyone's favorite SHIELD agent back to the big screen in Captain Marvel. Would it have been so hard to have him in the car with Maria Hill and Nick Fury during the post-credits scene?
Nova Corp
Last seen in: Guardians of the Galaxy When they were last seen, the Nova Corp was taking care of the Power Stone on Xandar. Of course, that's before Thanos came to town, took the stone, the decimated half of the planet. Still, that doesn't mean members of the Nova Corps didn't survive--specifically Nova Prime.
Adam Warlock
Last mentioned in: Guardians of the Galaxy Vol. 2 Guardians of the Galaxy director James Gunn made it clear before the movie released that Adam Warlock would not appear in Infinity War. Still, given the character's connection to the Infinity Gauntlet in the comics, many fans expected he would be where the Soul Stone came from. Looks like you'll have to wait for Guardians of the Galaxy Vol. 3 to get a look at Adam.
The Defenders
Last seen in: Marvel's Defenders Yes, the Netflix shows take place in the MCU. No, they never crossover and probably never will. If it didn't happen in Infinity War, the biggest entry in the MCU yet, it's never going to happen. Let's all collectively agree to move on.
Shuri
Last seen in: Avengers: Infinity War Alright, this is a cheat. Shuri was in Infinity War. How could she possibly be on this list? Because there simply wasn't enough of her. While operating on Vision is an important role to play in the movie, the viewing public demands more of this amazing character.
By Meg Downey on May 01, 2018 03:54 am
Avengers: Infinity War spoilers ahead!
After ten years and 18 movies, the Marvel Cinematic Universe has become pretty self sufficient. While Avengers: Infinity War was obviously drawing its major plot points and some fun scenes straight from its comic book source material, the majority of the movie was actually layered with callbacks and references to other MCU movies--and some of them may not have been all that obvious. So if you didn't happen to brush up on your MCU history, or if you decided not to do the 31-hour long marathon prior to your Infinity War viewing, don't worry too hard. We're looking out for you. Here is a breakdown of Infinity War's biggest Easter eggs, references, and callbacks to previous MCU movies and beyond.
1. Asgardian Refugees
Infinity War opens with a distress signal from an Asgardian refugee ship in the process of being attacked by Thanos and the Black Order, so if you skipped Thor: Ragnarok, this might have been a little out of left field for you. Ragnarok ended with Asgard being completely destroyed by the demon Surtur, with the survivors narrowly escaping on a spaceship. The post credits sequence, however, showed that same ship coming face to face with Thanos's fleet, apparently just moments before the start of Infinity War.
2. We Have a Hulk
In a last ditch effort to get Thanos and his Children off their ship, Loki attempts to con him into a fight with the ultimate punchline "we have a Hulk." This is a callback to Iron Man pulling nearly the exact same move on Loki himself back in the first Avengers movie. Apparently Loki's learned a few lessons since then.
3. Loki and the Tesseract
It was Loki's possession of the Tesseract that ultimately sealed the Asgardian refugee ship's fate. But until that moment, we weren't actually technically sure that he even had it. Loki was shown giving the Tesseract a suspicious glance during Thor: Ragnarok as he moved through Odin's vault before the ultimate destruction of the planet, but the camera cut away before we saw if he picked it up or not. Unfortunately, the fact that he did really isn't a surprise--Loki's infatuation with the Infinity Stones has been a major motivating factor in just about all of his betrayals dating back to the first Avengers movie (and it was in just about every trailer).
4. The Stark/Potts Wedding
Tony Stark and Pepper Potts are engaged! But we knew that, of course, because we actually got to see him pop the question back at the very end of Spider-Man: Homecoming. Apparently Pepper said yes, though it happened offscreen, because things definitely seem to be going pretty well these days--at least until the whole Thanos thing happens.
5. That's the Cauldron of the Cosmos
After being summoned by Doctor Strange, Tony wastes no time using sacred artifacts in the Sanctum Sanctorum as his personal furniture. The Cauldon of the Cosmos that Tony takes up leaning on is one of Strange's time-bending tools from the comics which allows him to look into the past and alternate futures.
6. Rhodey's Price
We briefly see James Rhodes out of his War Machine armor discussing the Sokovia Accords, where he talks about the "price" he's paid for his choice to sign. This is a direct nod to his tragic accident after the airport fight in Captain America: Civil War--which also happens to be why he's wearing a harness over his hips and legs. The accident left him with limited mobility, maybe even partially paralyzed from the waist down.
7. Even the MCU loves Spongebob
During their first encounter with Cull Obsidian and Ebony Maw, Tony wastes no time in tossing out a couple of witty rejoinders. He calls the Maw "Squidward" before properly engaging him in the fight--and while the resemblance is certainly uncanny, the Maw doesn't seem all that bothered by the comparison.
8. Strange's Parlor Tricks
Poor Doctor Strange is no stranger (get it?) to people not quite taking his powers seriously. During he and Tony's first fight side-by-side, Tony makes a wisecrack about Strange making "balloon animals," which places Tony squarely in the ranks of the dubiously canonical MCU late night hosts club where this Jimmy Kimmel sketch exists.
9. Rocket's Prosthetic Problem
When Rocket, Groot, and Thor arrive on Earth during the battle for Wakanda, Rocket almost immediately teams up with (or, rather, is picked up by) Bucky Barnes. First, he wants to know how much for Bucky's gun--not for sale--then, he wants to know how much or Bucky's metal arm. Bucky rolls his eyes by way of response, but Rocket's not that worried. He's gonna get that arm. Rocket's love for prosthetics, especially cybernetic enhancements, dates all the way back to the first Guardians of the Galaxy's scene in the Kyln prison. And honestly, at this point, it's a borderline fetish. He doesn't make good on his promise to disarm the Winter Soldier this time around, but hey, there's always Avengers 4.
10. Like Footloose?
During their first encounter, Drax urges Star-Lord to tell Tony, Peter, and Strange about the "dance off to save the universe," which gets a predictably mixed reaction from the Avengers. He's of course referring to the final battle with Ronan the Accuser in Guardians of the Galaxy vol. 1, in which Peter started, well, dancing to distract Ronan from the Power Stone. Peter's love of Kevin Bacon and Footloose were his inspiration for the move.
11. Space McDonalds
During their first major encounter with Thanos, Quill snaps that he looks like "Grimace" who, of course, is one of the classic McDonalds mascots--more specifically, the giant purple chicken-nugget shaped guy. Grimace was originally introduced as "Evil Grimace" in, uh, McDonalds lore(?) so Quill's probably more accurate here than even he realizes.
12. The Collector's Infinity Stone
While Thor explains the situation to the Guardians of the Galaxy during their first encounter, he tells them The Collector in Knowhere has the Reality Stone. When they assure him that isn't possible because "only an idiot" would entrust a Stone to someone like The Collector, Thor fires back "or a genius." His defensiveness is rooted in the fact that two of his close friends -- Sif and Volstagg -- were actually the ones to give the Stone over to him in the mid credits scene of Thor: The Dark World.
13. Reality Warping with Mantis and Drax
During their first big fight with Thanos in Knowhere, Mantis and Drax are two of the Reality Stone's most obvious victims. Drax is turned into a heap of cube-shaped stone and Mantis is unfolded like a spool of ribbon. Don't worry--they both get better the second Thanos leaves. Their temporary "deaths," however, were actually direct call outs to the fates of Nebula and Eros in the original Infinity Gauntlet comics mini series.
14. The Fate of the Power Stone
Thanos actually starts the movie with one Infinity Stone already set into the Gauntlet -- the purple Power Stone, which he got by "destroying Xandar." We got a firsthand look at both Xandar and its ruling body, the Nova Corps, during the first Guardians of the Galaxy movie, where the stone was left in their care.
15. The Iron Spider Suit
The end of Spider-Man Homecoming is actually where the Iron Spider suit was introduced, but Peter rejected it the first time around. Thank goodness Tony kept it around, or things would have gotten pretty dicey for our friendly neighborhood Spider-Man in this movie.
17. Torturing Strange
While Ebony Maw holds Doctor Strange captive on his spaceship, he uses a series of crystalline needles to effectively try and torture the Time Stone out of his grasp. This is a repurposed scene from the comics event Infinity, where Strange is actually imprisoned by the Maw in his own mind and tortured in a strikingly similar way.
18. Teen Groot is a Gamer
Teen Groot is a pretty relatable kid, considering he's actually an all-but-immortal tree alien. He spent about 80% of his time on screen in Infinity War with his face buried in a video game, the title of which is actually a double Easter Egg. It's a reference to both the game Defenders and Marvel's Defenders, the team of Daredevil, Jessica Jones, Iron Fist, and Luke Cage who currently exist in the strange liminal space of the Netflix MCU.
19. The Blue Man
The Russo Brothers continue their valiant efforts to blend the MCU and the world of Arrested Development after Civil War's Bluth Stair Car cameo. This time, it was Tobias Funke himself, in full Blue Man regalia, locked away in the Collector's vault. Apparently he blew himself straight into space.
20. The White Wolf
Bucky Barnes, the (ex?) Winter Soldier, is brought into the fray by T'Challa as he enjoys what looks like a pretty quiet, pastoral life. If you're confused as to exactly what happened to Bucky between the end of Captain America: Civil War and this moment, look to the post credits scene of Black Panther, where we see Bucky wake up in Wakanda, his brain washing "cured" by T'Challa's sister Shuri.
21. Doctor Strange's Time Stone
Like Thanos, Doctor Strange also starts the movie in possession of an Infinity Stone, but he didn't exactly destroy an entire planet to get it. The story of Strange and his relationship to the Eye of Agamotto, the locket in which the stone is kept, can be found in -- surprise! -- Doctor Strange, where he used it to defeat the ancient cosmic demon Dormammu.
22. Bruce Banner's Green Problem
Bruce Banner spends the entirety of Infinity War completely unable to transform into the Hulk. While we're still not exactly sure why that is, a lot of hints can be found in Thor: Ragnarok, where we learned that, prior to ending up on the ill fated Asgardian refugee ship, he spent several years on the planet Sakaar unable to turn back into Bruce Banner. It's also possible that Hulk simply doesn't want to emerge again after being defeated by Thanos in Infinity War's opening scene. The two of them have a lot to work out, and not a lot of time to do it.
23. The Secret Avengers
There's still quite a bit of tension between the two separate factions of the Avengers in the wake of Civil War, which is why it's actually a pretty big deal that Vision and Wanda were having their little romantic liaisons even now. It's also why Steve Rogers, Sam Wilson, and Natasha Romanoff were able to burst into the scene like a well oiled machine when Corvus Glaive and Proxima Midnight attacked--they've been spending the last two years operating as fugitive superheroes.
24. Vision's Consciousness
While Vision obviously has the Mind Stone, a major element of Infinity War's plot revolves around the idea that more than just the Stone is what's keeping him sentient. Bruce banner rattles off a list of different sources for Vision's identity including himself, Tony Stark, Jarvis, and Ultron as different AI consciousnesses that are working and learning from one another inside him. We actually see this in action during Vision's creation back in Avengers: Age of Ultron, where he's first introduced as a repurposed body Ultron intends to hijack.
25. Killed by a Dark Elf
While Rocket tries to (awkwardly) console Thor prior to their arrival at Nidavellir, Thor gives a pretty bleak run down of his family history. We just watched Thanos murder Loki at the start of this movie. The sister? That's Hela, the villain of Thor: Ragnarok, which also happens to be the movie where Odin died. His mother who was killed by a Dark Elf? That's Friga, who was murdered by Malekith in Thor: The Dark World. And the "best friend," of course, was Heimdall, who also died in Infinity War's opening.
26. Off to Vormir
It may not look like much on screen but the planet Vormir actually is a place from Marvel comics--it's just not a very populated or important one. Vormir is a relatively backwater planet in one of the many arms of the Kree Empire, populated by lizard-like people who apparently have all either died off or peaced out for the MCU incarnation.
27. Keeping up with the Quills
When Peter tries to one-up Thor's tragic backstory, he talks about his traumatic experiences with his father--which also just so happens to be the plot of Guardians of the Galaxy vol. 2. There we learn that Peter's father is actually Ego, the Living Planet, who seduced and impregnated his human mother in the process of trying to create a perfect heir.
28. Welcome to Nidavellir
To replace his lost hammer Mjolnir, Thor, Rocket and Groot travel to a place called Nidavellir, home of an ancient and magical forge built around the heart of a dying star. Nidavellir is actually one of the "nine realms" of Marvel's Norse mythology, recast for the MCU to actually be a totally independent planet-slash-space station rather than some sort of alternate dimension.
29. Watching the Sun Rise
Thanos's final moments in the film show him living out his own prophetic wishes--he wanted to watch the sun rise on a universe grateful for his accomplishments. This moment is actually borrowed and repurposed from the Infinity Gauntlet mini series where Thanos becomes a humble farmer after having his eyes opened to the truth of his endless quest to woo Mistress Death.
30. Calling Captain Marvel
In the final moments of the post-credits scene, we see that Nick Fury has sent a distress signal using what looks suspiciously like a very sci-fi 1990s beeper. The symbol on the screen loads as a gold star across a blue and red background--an icon associated with Carol Danvers, aka Captain Marvel, who is set to debut in her very own solo movie come 2019.
By Kallie Plagge on May 01, 2018 03:40 am
Top Tier
While PC gaming has been around for quite a while, it continues to improve as technology gets more advanced and as more and more great games come out. But because so many games do come out on PC (especially Steam) all the time, it can be hard to know what to play. To help you out, we went back a few years and rounded up the best PC-exclusive games. For this list, we included some (but not all) of the PC games that received a score of 8 or higher on GameSpot, with priority going to games that were nominated for awards at the end of their release years. To narrow the scope further, we only picked games that released in 2013 or later--sorry, CS:GO. For more PC recommendations, be sure to check out our new show, Steam Punks, where we pick out a few hidden gems on Steam for you to try each week. You can also see our list of the biggest PC games to play in 2018 for more of what's to come.
Frostpunk -- 9/10
"Frostpunk is among the best overall takes on the survival city builder to date. Its theming and consistency create a powerful narrative through line that binds your actions around the struggle to hold onto humanity in uncertain times. Hope is a qualified good, but you may not always be strong enough (or clever enough) to shelter that flame from the cold." [read the full review] -- Daniel Starkey
Into the Breach -- 9/10
"There is so much strategic joy in seeing the potential destruction a swarm of giant monsters is about to unleash on a city, then quickly staging and executing elaborate counter maneuvers to ruin the party. Into The Breach's focus on foresight makes its turn-based encounters an action-packed, risk-free puzzle, and the remarkable diversity of playstyles afforded by unique units keeps each new run interesting. It's a pleasure to see what kind of life-threatening predicaments await for you to creatively resolve in every new turn, every new battle, and every new campaign. Into The Breach is a pristine and pragmatic tactical gem with dynamic conflicts that will inspire you to jump back in again, and again, and again." [read the full review] -- Edmond Tran, AU Editor / Senior Video Producer
Divinity: Original Sin II -- 10/10
"From lonely farmhouses through pitched battles with gods in far-flung dimensions, Divinity: Original Sin II is one of the most captivating role-playing games ever made. Its immaculately conceived and emotion-wrought fantasy world, topped by brilliant tactical combat, make it one of the finest games of the year thus far, and it has to be regarded as an instant classic in the pantheon of RPG greats." [read the full review] -- Brett Todd Note: Divinity: Original Sin II is coming to PS4 and Xbox One in August.
Total War: Warhammer II -- 9/10
"With Warhammer II, Total War doesn't reinvent anything so much as it iterates on the ideas that made the first so special. At its heart there's still the marriage of Total War's big-scale strategy and Warhammer's precise tactical play. But, through a thousand tiny tweaks, they've refined the experience into one of the most intriguing and exciting strategy games ever." [read the full review] -- Daniel Starkey
The Red Strings Club -- 9/10
"From the game's opening piano chords, The Red String Club's futuristic exploration of themes regarding human emotion, strong writing, and exciting situations create an experience that is deeply gratifying. The cast of relatable, three-dimensional characters elevate the stakes of every bullet fired, secret divulged and cocktail poured. They are flawed and dangerous, but also convey admirable human characteristics that feel inspirational. The Red Strings Club is a tense adventure about a cast of characters that endanger themselves for goals that aren't necessarily guaranteed, a rewarding journey into the human soul, and a game that pushes the limits of what a point-and-click adventure can do." [read the full review] -- David Rayfield
Civilization VI -- 9/10
"Civ 6 has a few rough edges, but they're pushed far into the periphery by spectacular strategic depth and intricate interlocking nuances. Any frustrations I experienced were immediately eclipsed by my desire to continue playing. Just one more turn, every turn, forever." [read the full review] -- Scott Butterworth Note: Civilization VI's latest expansion, Rise and Fall, received an 8/10 on GameSpot and adds "several key features that both complement and change up the base game." You can read our full review for more.
Endless Space 2 -- 8/10
"4X space sims have long been known as the territory of the serious strategy gamer, but Amplitude has broken away from the pack here. Outstanding depth and tactical challenge have been preserved, although not at the expense of the strong storytelling needed to emphasize the sense of awe and wonder in galactic exploration that's always been a huge part of the genre's appeal. Amplitude has done a masterful job combining these two elements into a single game, where the quests and strategy and politics and economy are all tied into a whole much greater than the sum of its parts." [read the full review] -- Brett Todd
Warhammer 40,000: Dawn of War III -- 8/10
"An odd chimera of its forebears, there's a lot in this fast-paced RTS that's a little bit off. Parts of the interface don't work sometimes, inter-match army management is half-baked, and the micromanagement needed to use the game's signature hero units effectively doesn't jibe with the extensive base-building you'll need to support them. But those problems fall away when you're in the heat of battle. Dawn of War III builds and maintains an organic tension that yields huge pay-offs, and there's nothing else quite like it." [read the full review] -- Daniel Starkey
Hacknet - Labyrinths -- 8/10
"The feeling of playing Hacknet in a dark room with headphones on and being absorbed by its engrossing puzzles and soundtrack--full of heavy beats and filthy synth sounds--feels as close as you can get to the Hollywood hacker experience. The puzzles are uniquely challenging without feeling inaccessible, and the Labyrinths expansion takes the formula further by integrating deeper investigations and adding more puzzle variety. Despite the stumbling climax and steady learning curve, Hacknet - Labyrinths is one hell of a ride that leads you down the rabbit hole and back again." [read the full review] -- James Swinbanks
Orwell -- 8/10
"Orwell is a hard experience to pull back from, even as the dirtiness of your job sinks in. It uses simple mechanics to tell a complex and engaging story, one that feels particularly relevant right now. This is a game where your choices matter and resonate, and which will leave you with plenty to think about once it's over." [read the full review] -- James O'Connor
World of Warcraft: Legion -- 9/10
"With Legion, it's hard to remember when WoW's narrative and questing were ever this strong before. Time will tell if Blizzard will serve up a healthy dose of new content to keep the expansion and game alive (a la Mists or Lich King) or if it will suffer the fate of Warlords of Draenor, but right now (about a month after the expansion's release) Blizzard has proven it can still craft an MMO experience as well as--if not better--than anyone else." [read the full review] -- Don Saas
Quadrilateral Cowboy -- 9/10
"Quadrilateral Cowboy succeeds in astonishing ways: It makes you feel like an incredibly accomplished computer hacker and agent of espionage. It creates an eccentric, thorough world that feels good to exist in and creates characters you can empathise with, despite the lack of a clear plot thread. Quadrilateral Cowboy presents you with a spectrum of moments, and each moment makes you feel great." [read the full review] -- Edmond Tran, AU Editor / Senior Video Producer
Total War: Warhammer -- 9/10
"When you're in the middle of a siege and you're coordinating an assault with a friend, Total War: Warhammer approaches perfection. You'll be tested on all fronts and asked to manage complex battles with broad, nuanced outcomes. Every system and piece feeds into others, and your choices make all the difference. It's a triumph of real-time strategy design, and the best the Total War series has ever been." [read the full review] -- Daniel Starkey
Offworld Trading Company -- 9/10
"It's a bit chilling to think that in Offworld you're playing out the same obsessive pursuit of capitalism that led to the fall of its finctional Earth--an event hinted at in tutorial dialogue--yet it's so recklessly entertaining and biting with its satire that I couldn't help but get lost. When combined with truly deep and intricate strategic options, Offworld is a revelation. It's almost unparalleled in the genre. Each and every game is thrilling. Every moment is a challenge. And the brutality of the free market ensures that you can never rest on your laurels, less you be quashed by the invisible hand." [read the full review] -- Daniel Starkey
Devil Daggers -- 8/10
"Most of the time, Devil Daggers finds elegance in its simplicity. By stripping the pomp of many modern shooters, it reveals the complexity beneath, molding the fundamentals into something exhilarating, something always worth one more try." [read the full review] -- Mike Mahardy, Video Producer
Homeworld: Deserts of Kharak -- 9/10
"Homeworld was always about loneliness. It was always about clarity and focus. Kharak isn't new in that regard, but it is special. It shows us that when you get things right--and excel--that formula isn't easy to exhaust. Kharak does its part to add to that, though. Its use of voice acting and efficient visuals is a brilliant addition that's far from superficial. It helps narrow the scope of what you need to manage, so that it can load you up with as much as your brain can handle. It's a fast, daunting experience that's tough to shake, making Kharak as intoxicating as Homeworld has ever been." [read the full review] -- Daniel Starkey
That Dragon, Cancer -- 9/10
"It's virtually impossible to not bring one's own biases into That Dragon, Cancer, because death and disease are universal. Just as it's impossible to quantify whether the exploration of those two heavy topics is worth the time and considerable emotional energy, it's impossible to truly quantify the immeasurable value of being able to not just forever present the best version of a person to the world, but being able to earn his presence in every way his parents did." [read the full review] -- Justin Clark
The Beginner's Guide -- 8/10
"The Beginner's Guide is an absorbing journey into the thoughts and processes involved during the creation of a video game. It succeeds in helping you understand and sympathize with game developers as artists and people. It equips you with important tools to perceive and think about both video games and other mediums in intelligent ways. It's a game that lives up to its namesake--it's the beginner's guide to the meaning of video games." [read the full review] -- Edmond Tran, AU Editor / Senior Video Producer
Her Story -- 8/10
"We have an intimate level of knowledge about this woman in the wake of her own personal tragedy, and the strength of Her Story as a narrative experience is that even as the right clips put the truth in sharp relief, your ability to uncover it is both satisfying and horrifying. This feat of intelligence and insight sticks with you long after the credits roll." [read the full review] -- Justin Clark
Interloper -- 8/10
"Interloper distills the core elements of every good RTS and adds a little extra to put it over the top. No matter if you love or loathe traditional real-time strategy, the deep tactics and puzzle solving crammed into a nicely condensed package here come highly recommended." [read the full review] -- Brett Todd
The Stanley Parable -- 9/10
"The Stanley Parable is both a richly stimulating commentary on the nature of choice in games (and in other systems, too, like our workplaces and our families) and a game that offers some of the most enjoyable, surprising, and rewarding choices I've ever been confronted with in a game. Going the wrong way has never felt so right." [read the full review] -- Carolyn Petit
Arma 3 -- 8/10
"ARMA III is a game with few modern counterparts. The influence of Operation Flashpoint isn't felt in many current games, even the modern OF, leaving the ARMA series to lead a charge accompanied by Red Orchestra, Iron Front, and too few others. With that uniqueness comes a dedicated community willing to overlook the flaws because they crave a kind of tension and large-scale teamwork unavailable anywhere else. You should consider joining that crowd. ARMA III is a beast. It occasionally flails and moans, but once you learn how to balance yourself upon it, it gives you a marvelous, turbulent, and memorable ride." [read the full review] -- Kevin VanOrd
Dota 2 -- 9/10
"The original Dota was an unexpectedly powerful blend of clashing genres and disparate elements that ended up taking over the world, and Valve's successor retains the original rules and characters while adding in a cheery free-to-play model and slick production values. The experience of playing Dota changes day by day--some evenings will be exhilarating, while others will kick your morale to the curb--but there are few games as worthy of your time investment as this. Those who choose to commit to Dota 2 will find many happy hours within this immaculate update." [read the full review] -- Martin Gaston
Antichamber -- 8.5/10
"There are moments in Antichamber that remain with you long after you've uncovered your last clue and solved your last puzzle. What has been created within its barren walls is supremely intelligent and wildly inventive, and Antichamber doesn't give up its ideals for the sake of accessibility. The few spells of frustration are fleeting and never compromise Antichamber's powerful achievements in design and style. 'Every journey is a series of choices,' you're told at the beginning of your adventure. You should choose to begin yours in Antichamber: it really is quite unlike anything else." [read the full review] -- Mark Walton
By Kallie Plagge on May 01, 2018 03:36 am
High Quality, Low Price
It's been over four years since the Xbox One first launched, but the 4K-capable Xbox One X is a recent addition to the family of current-gen Xbox consoles. Whether you've had an Xbox for years or just picked one up, it can be difficult decide what games to play. And yes, there are jokes about how Xbox One doesn't have any games, but that's not true! There's plenty to play on Xbox, and your options are good even if you're on a budget. From discounted AAA games to newer, smaller-scale titles, we've picked out the best games you can get for $20 or under (around £16) on the Xbox store. We've only looked at digital prices here; there are games you can get on sale at other stores, but these games are consistently this affordable. For more games on a budget, see our roundups of the best cheap games on PS4 and on Switch. And make sure to check out our gallery of the Xbox One exclusive games confirmed for 2018 as well as the biggest Xbox One games of 2018 for everything coming to the console.
Celeste -- $20 / £16
Celeste may look like another pixelated platformer with a youthful protagonist, but it quickly transforms into a brutal, tightly orchestrated gauntlet of death that only the best players can master. It challenges you to traverse spike-lined caverns with a modest selection of skills, with alternate pathways that push your mettle even further as you strive to acquire every last hidden item. You will die hundreds of times, but with quick restarts and a catchy soundtrack, there's never any downtime to wallow in defeat, only a new opportunity to show the game what you're made of. The action and difficulty curve are accompanied by a surprisingly engaging story that adds just the right amount of context to make your arduous journey feel justified, and to solidify Celeste as one of the biggest surprises so far of 2018. | Peter Brown
Inside -- $20 / £16
Playdead games won the admiration of its now-large audience when it released Limbo, a slow-paced puzzle-platformer that relied heavily on the use of light and negative space. For the studio's follow-up, Inside, it delivered yet another somber world to explore. It presents a tale that unfolds effortlessly before your eyes as you advance from one scene to the next, with nary a word from any of its characters. Through the power of inference and suggestion, you realize the infiltration of a malicious organization and bear witness to its sinister deeds. Inside will test your ability to think creatively, but it's the narrative--and the way it's delivered--that makes it a game worth playing. Inside reinforces the notion that, sometimes, less is more. | Peter Brown
The Sexy Brutale -- $20 / £16
The Sexy Brutale is a quirky little puzzle game co-developed by Tequila Works, the studio behind beautiful adventure game Rime. Its essentially Groundhog Day: The Game--you play through the same day over and over, but with each runthrough you learn more about the creepy mansion you find yourself in. After seeing one character shoot another, you might go and find the gun and prevent the bloody murder by replacing real bullets with blanks. A number of these murders are interconnected--solving one puzzle might prevent one murder, but that could change another branch of time elsewhere in the house. There's no way of preventing every murder in one go, but discovering and tinkering with the different timelines is where the fun lies.And with it being playable on Switch, you can live the same day countless times anywhere you want. Suffice it to say, we've played it over and over again--groundhog day indeed. | Matt Espineli
Halo 5: Guardians -- $20 / £15
Halo 5: Guardians is the biggest and boldest Halo game ever. The campaign tells an intriguing story where Master Chief is could potentially be the bad guy, and another team is tasked to hunt him down. Though the overall narrative did not exactly pay off, the campaign pushed the franchise forward with its more open level design that offered a new feeling of freedom. On the multiplayer side, Halo 5 is arguably the series' strongest offering to date. The core modes like Arena are there and have never been better, and Forge mode has allowed modders to create some truly incredible creations. But what's more exciting is the 24-player Warzone mode, which gives Halo's multiplayer a sense of scale that it never had before--and it's a lot of fun. At $20 (or free with an Xbox Game Pass subscription), Halo 5 is absolutely worth checking out. | Eddie Makuch
Crypt of the NecroDancer -- $15 / £12
Roguelikes (or at least roguelike elements) have been one of the most popular trends in gaming over the past handful of years, but few have taken as interesting of an approach to the genre as Crypt of the NecroDancer. It tasks players with navigating a dungeon to the beat of the music. Rather than simply move in the direction you wish or attack the enemy that's in your path, you and your enemies' actions are tied directly to the (always excellent) soundtrack. It's essential that you always be doing something--not taking an action at the next beat resets your combo, meaning you'll earn less gold or deal less damage, depending on the items you've acquired. Particularly as the music becomes more fast-paced, this lends a real sense of tension and excitement to every moment: you need to constantly be considering your next action while accounting for how nearby enemies will react to your movements. It's an experience with few points of comparison, but it's nonetheless one that you'll certainly want to try. | Chris Pereira
Enter the Gungeon -- $15 / £11
Being a roguelike-style shooter, Enter the Gungeon naturally draws comparisons to games like The Binding of Isaac and Nuclear Throne. And while that does offer a decent starting point for understanding what to expect, Enter the Gungeon manages to rise above being a pale imitator. It feels fantastic, with a dodge-roll ability that allows you to satisfyingly evade damage with a well-timed use. There are ridiculous weapons, such as those that fire bees or a gun that shoots guns which themselves fire bullets. The well-crafted procedurally generated environments help to keep each run feeling fresh, as do the wide variety of items and secrets to uncover along the way. And co-op support makes for an especially fun, chaotic experience (although it's unfortunate that the second player isn't able to play as the different characters that the main player has access to). The entire game is also overflowing with personality and color, making for an experience that is as fun to look at as is to play. | Chris Pereira
Stardew Valley -- $15 / £12
Originally released on PC, hit farming sim Stardew Valley has made its way to console with very few compromises (aside from the lack of mods, if that's something you care about). It's an excellent take on the Harvest Moon formula, with a laid-back small-town atmosphere, tons of work to do, and bachelors and bachelorettes to date. But the valley also has its mysteries, and the added intrigue makes it easy to pick up, hard to put down, and rewarding day after day. Even though it has nothing to do with the Harvest Moon franchise, it's easily the best "Harvest Moon" game in years. | Kallie Plagge
Sonic Mania -- $20 / £16
Created by members of the Sonic fan-hack community under Sega's watch, Sonic Mania exudes passion and reverence in its recreation of nostalgic visuals, sounds, and level designs. But the game isn't content with senselessly regurgitating the past; rather, it expands upon the familiar with new ideas of its own and delivers plenty of inventive concepts that diversify and build upon the series' fast-paced level design. Sonic Mania is smart and interpretive in its approach, leveraging the strengths of its design and visuals to craft not only the best Sonic game ever made, but an amazing platforming experience overall. If you've enjoyed Sonic at any point in your life, you owe it to yourself to play Sonic Mania. And even if you're not a longtime fan, the fast-paced platforming on display is a fantastic introduction to Sega's beloved blue blur. | Matt Espineli
Overcooked -- $17 / £13
Overcooked is like a Mario Party mini-game blown up into its own standalone experience in the best way possible. It's a game that becomes exponentially better when played with at least one other person. What starts out as a relatively tame game where you help each other chop some vegetables and get them served on a plate becomes a frantic rush to put out fires, get ingredients distributed between two moving vehicles, and other ridiculous scenarios. | Chris Pereira
Thimbleweed Park -- $20 / £17
Point-and-click adventure games have experienced something of a renaissance in recent years, and Thimbleweed Park--from adventure game legends Ron Gilbert and Gary Winnick--is a prime example. The X-Files-inspired journey puts you in the role of two FBI agents that bear more than a passing resemblance to the classic TV show as you relive the glory days of adventure games. Playing on any console means dealing with a gamepad-based control scheme (as opposed to the more natural mouse controls on PC), but Switch makes up for this with touchscreen support when played in handheld mode. | Chris Pereira
Thumper -- $20 / £16
Although it's a game arguably best-suited for VR, Thumper is an incredible experience however you play it. It provides a unique blend of rhythm-based gameplay and action--what the developer calls "rhythm violence"--that provides a far more intense version of the basic mechanics you see in other rhythm games. With an incredible soundtrack and levels well-suited to chasing high scores, Thumper is a game with the potential to stick around on your home screen for a long time. | Chris Pereira
Axiom Verge -- $20 / £16
Axiom Verge is another take on the Metroidvania style, but it distinguishes itself through its wide variety of weapons and tools--most notably, the Address Disruptor, which affects the environment and each enemy type in different ways. It's also a game with an impressive sense of scale and no shortage of secrets to uncover, encouraging multiple playthroughs. Add in an excellent soundtrack and tantalizing story, and there's a lot to like here. | Chris Pereira
Bastion -- $15 / £12
Supergiant Games' debut, Bastion, set the stage for everything else the developer created. This isometric action RPG tells a gripping story of a world destroyed by a catastrophic event referred to as The Calamity in the city of Caelondia. You control Bastion's protagonist, The Kid, who is led by the charismatic narrator named Rucks in a journey to piece the city back together. Very few survivors are left, and hostile monsters litter Caelondia, which is the impetus to put a varied arsenal of melee and projectile weapons to use. The Bastion acts as a sort of home base that slowly comes together as you progress and collect cores at the end of each level.Rucks' deep, instantly recognizable voice (that of Logan Cunningham) adds a level of grandeur to the story that's superbly supported by a truly remarkable soundtrack (by Darren Korb) that's vaguely Celtic, Western, and trip-hop all at the same time. Bastion's fantastical hand-painted art style (by Jen Zee) breathes life into a world nearly devoid of it, torn apart by a conflict of different cultures. These elements came to be staples of Supergiant's work, and Bastion is still a sterling example of the team's ability to craft a game that's both fun and heartfelt. | Michael Higham
Metal Gear Solid V: The Phantom Pain -- $20 (not discounted in UK)
You may have heard that Metal Gear Solid V: The Phantom Pain, the final Metal Gear game to feature the involvement of series creator Hideo Kojima, has flaws. The last chunk of the game involves replaying earlier missions with small tweaks, and certain late-game story content was consigned to a special edition bonus feature. Despite all of that, The Phantom Pain stands as a seminal example of what an open-world action game can be. While still retaining much of what makes a Metal Gear game so distinct, it presents players with a vast open world and the ability to tackle its challenges in many, many ways.The mechanics of Ground Zeroes have been fine-tuned, and you can leverage them in a multitude of ways as you take part in the game's consistently excellent, thrilling missions. Just as enjoyable are the emergent hijinks you'll encounter along the way, and all of this is made better by the consistent progression of building up your own personal army. Although it's undoubtedly an experience best played after playing making your way through the prior games, The Phantom Pain is a game that everyone should ultimately try. It holds up now, even after a few years; all that's changed is the price tag. | Chris Pereira
By Mat Elfring on May 01, 2018 02:31 am
Because other companies own the rights to some of Marvel's properties, characters from all across the Marvel universe have been featured in twice as many films as DC. This includes characters from The Avengers, Spider-Man, the X-Men, and more. Here are how all those films did in the box office, in order by worldwide totals, adjusted for inflation. Check out how DC's films did at the box office here. Box office numbers and information came from IMDb and Box Office Mojo. UPDATE 4/30/18: Avengers: Infinity War added.
The Punisher (1989)
The late '80s Punisher film was full of bad dialogue, a cheesy plot, and many unmemorable moments. Somehow, the Dolph Lungren driven film found a cult following. Worldwide total: $533,411 (Adjusted for Inflation: $1,036,873) The Punisher was only released in Europe.
Man-Thing (2005)
Man-Thing went straight to the Syfy Channel in the States; however, it did get a small release in Europe. Worldwide total: $1,123,136 (Adjusted for Inflation: $1,386,167)
Punisher: War Zone (2008)
The over-the-top, ultra-violent Punisher: War Zone didn't have the box office success it hoped for, even with the Punisher spinning from a chandelier, shooting people. US: $8,050,977 (Adjusted for Inflation: $9,013,304) Worldwide total: $10,100,036 (Adjusted for Inflation: $11,307,285)
The Punisher (2004)
Thomas Jane played Frank Castle in the highly-anticipated 2004 film, but it received mixed reviews, even with WWE wrestler Kevin Nash playing one of the villains. US: $33,810,189 (Adjusted for Inflation: $43,142,087) Worldwide total: $54,700,105 (Adjusted for Inflation: $69,797,797)
Elektra (2005)
Spinning out of 2003's Daredevil, Jennifer Garner starred as the titular Elektra in this critically panned film. US: $24,409,722 (Adjusted for Inflation: $30,126,321) Worldwide total: $56,681,566 (Adjusted for Inflation: $69,956,023)
Howard the Duck (1986)
Most people remember only a couple things from Howard the Duck: Lea Thompson having sex with the titular character and a topless female duck. It was a pretty weird film. US: $16,295,774 (Adjusted for Inflation: $35,838,510) Worldwide total: $37,962,774 (Adjusted for Inflation: $83,489,699)
Ghost Rider: Spirit of Vengeance (2012)
The Ghost Rider sequel didn't win over American moviegoers as much as the rest of the world, with the majority of its box office coming from other countries. US: $51,774,002 (Adjusted for Inflation: $54,354,651) Worldwide total: $132,563,930 (Adjusted for Inflation: $139,171,513)
Blade: Trinity (2004)
The third and final Blade film had the titular character joining up with the famed Nightstalkers to hunt vampires. US: $52,411,906 (Adjusted for Inflation: $66,878,035) Worldwide total: $128,905,366 (Adjusted for Inflation: $164,484,338)
Fantastic Four (2015)
Last year's Fantastic Four was a bit of a mess, but it still managed to pull in over $100 million from the rest of the world. US: $56,117,548 (Adjusted for Inflation: $57,069,583) Worldwide total: $167,977,596 (Adjusted for Inflation: $170,827,340)
Blade (1998)
Blade was the film that really kicked off the comic book movie craze that's been running for 18 years now. US: $70,087,718 (Adjusted for Inflation: $103,642,965) Worldwide total: $131,183,530 (Adjusted for Inflation: $193,989,053)
Blade II (2002)
The sequel to Blade did well, and it helped studios realize that mass audiences have a thirst for superheroes. US: $82,348,319 (Adjusted for Inflation: $110,333,930) Worldwide total: $155,010,032 (Adjusted for Inflation: $207,689,316)
Daredevil (2003)
The only superhero film to feature a fight on a see-saw didn't have a great reach to the international market. US: $102,543,518 (Adjusted for Inflation: $134,330,893) Worldwide total: $179,179,718 (Adjusted for Inflation: $234,723,482)
Ghost Rider (2007)
Nicolas Cage suited up as Johnny Blaze in what many comic book fans consider to be an entirely forgettable film. US: $115,802,596 (Adjusted for Inflation: $134,622,151) Worldwide total: $228,738,393 (Adjusted for Inflation: $265,911,608)
The Incredible Hulk (2008)
The Incredible Hulk was the second film in Marvel's Cinematic Universe. This was the only film in which Edward Norton played Bruce Banner. US: $134,806,913 (Adjusted for Inflation: $150,920,278) Worldwide total: $263,427,551 (Adjusted for Inflation: $294,914,841)
Hulk (2003)
Ang Lee's Hulk was incredibly stylized and very ambitious. While it did well worldwide, it received mixed reviews. US: $132,177,234 (Adjusted for Inflation: $173,150,739) Worldwide total: $245,360,480 (Adjusted for Inflation: $321,419,561)
Fantastic Four: Rise of the Silver Surfer (2007)
The Fantastic Four sequel strayed a bit from its comic roots and may have added a bit too much humor for many purists' liking. US: $131,921,738 (Adjusted for Inflation: $153,360,881) Worldwide total: $289,047,763 (Adjusted for Inflation: $336,022,102)
X-Men: First Class (2011)
This 2011 X-Men film went back in time, to the '70s, to examine how the first X-Men team came together. US: $146,408,305 (Adjusted for Inflation: $156,886,822) Worldwide total: $353,624,124 (Adjusted for Inflation: $378,933,184)
Captain America: The First Avenger (2011)
Chris Evans made his debut as Steve Rogers in this World War II film, which featured a CG'ed Evans to make him look scrawny. US: $176,654,505 (Adjusted for Inflation: $189,297,758) Worldwide total: $370,569,774 (Adjusted for Inflation: $397,091,643)
Fantastic Four (2005)
Fox's Fantastic Four introduced the world to the famed comic book family and was as big of a hit ovearseas as it was in America. US: $154,696,080 (Adjusted for Inflation: $190,924,903) Worldwide total: $330,579,719 (Adjusted for Inflation: $407,999,356)
X-Men (2000)
Hugh Jackman made his debut as Wolverine in 2000's X-Men. US: $157,299,717 (Adjusted for Inflation: $220,181,238) Worldwide total: $296,339,527 (Adjusted for Inflation: $414,803,059)
X-Men Origins: Wolverine (2009)
Although many people consider it to be the worst of all the X-Men films, X-Men Origins: Wolverine still pulled in more money than the first X-Men movie. US: $179,883,157 (Adjusted for Inflation: $202,103,489) Worldwide total: $373,062,864 (Adjusted for Inflation: $419,146,005)
The Wolverine (2013)
The sequel to the worst X-Men film did a bit better, but mainly because it resonated more with a global audience. US: $132,550,960 (Adjusted for Inflation: $137,148,994) Worldwide total: $414,828,246 (Adjusted for Inflation: $429,218,142)
Thor (2011)
The god of thunder got his own solo film in 2011, which did very well overseas. US: $181,030,624 (Adjusted for Inflation: $193,987,078) Worldwide total: $449,439,994 (Adjusted for Inflation: $481,606,645)
Ant-Man (2015)
Once again, the world market came out in droves to see another Marvel film, which featured a superhero who controls ants. US: $180,202,163 (Adjusted for Inflation: $183,259,297) Worldwide total: $519,250,779 (Adjusted for Inflation: $528,059,882)
X2: X-Men United (2003)
X2 had some of the coolest scenes in all of the X-Men franchise. US: $214,949,694 (Adjusted for Inflation: $281,581,762) Worldwide total: $407,711,549 (Adjusted for Inflation: $534,097,697)
X-Men: Apocalypse (2016)
The latest X-Men film made the bulk of its money overseas. US: $155,442,489 Worldwide total: $534,619,896
X-Men: The Last Stand (2006)
The final--and worst--of the original X-Men trilogy brought in the most money. US: $234,362,462 (Adjusted for Inflation: $280,209,618) Worldwide total: $459,359,555 (Adjusted for Inflation: $549,221,767)
Logan (2017)
Fox tries its hand at another Rated R comic book film, featuring Logan slashing his way through everyone. US: $226,275,826 Worldwide: $616,189,858
Avengers: Infinity War (2018)
In its opening weekend, Infinity War pulled in more than half a billion dollars. US: $257,698,183 Worldwide total: $640,521,291
Iron Man (2008)
Iron Man was the movie that kicked off the Marvel Cinematic Universe. Even though--at the time--mass audiences weren't very familiar with the character, it was still a box office success. US: $318,412,101 (Adjusted for Inflation: $356,471,651) Worldwide total: $585,174,222 (Adjusted for Inflation: $655,119,641)
Thor: The Dark World (2013)
Thor: The Dark World wasn't a critical hit, but it did bring in around $180 million more than the first film. US: $206,321,198 (Adjusted for Inflation: $213,478,233) Worldwide total: $644,783,140 (Adjusted for Inflation: $667,149,896)
Big Hero 6 (2014)
While Big Hero 6 was a gigantic departure from the source material, this animated feature from Disney did great in the States and even better worldwide. US: $222,527,828 (Adjusted for Inflation: $226,571,635) Worldwide total: $657,127,828 (Adjusted for Inflation: $669,069,247)
Iron Man 2 (2010)
The followup to Iron Man did exceptionally well across the globe. US: $312,433,331 (Adjusted for Inflation: $345,362,224) Worldwide total: $623,933,331 (Adjusted for Inflation: $689,692,749)
Doctor Strange (2016)
Doctor Strange did decently in the United States, but it made the bulk of its money internationally. US: $231,901,043 Worldwide total: $670,042,595
Amazing Spider-Man 2 (2014)
Amazing Spider-Man 2 may not have been a huge hit in the States, but it killed overseas. US: $202,853,933 (Adjusted for Inflation: $206,540,223) Worldwide total: $708,982,323 (Adjusted for Inflation: $721,866,049)
Captain America: The Winter Soldier (2014)
One of Marvel's best solo superhero films, Winter Solider made the bulk of its money overseas. US: $259,766,572 (Adjusted for Inflation: $264,487,086) Worldwide total: $714,766,572 (Adjusted for Inflation: $727,755,411)
X-Men: Days of Future Past (2014)
The time-travelling sequel to X-Men: First Class did very well. US: $233,921,534 (Adjusted for Inflation: $238,172,389) Worldwide total: $748,121,534 (Adjusted for Inflation: $761,716,504)
Deadpool (2016)
In a surprise to many people, an R-rated superhero film did very well in the box office. US: $363,070,709 Worldwide total: $782,603,445
Guardians of the Galaxy (2014)
Many moviegoers consider Guardians of the Galaxy to be the best team movie Marvel has put out to date. Sorry, Avengers. US: $333,176,600 (Adjusted for Inflation: $339,231,132) Worldwide total: $774,176,600 (Adjusted for Inflation: $788,245,046)
Amazing Spider-Man (2012)
The Spider-Man reboot wasn't as great as fans hoped, but it still did well in the box office. US: $262,030,663 (Adjusted for Inflation: $275,091,452) Worldwide total: $757,930,663 (Adjusted for Inflation: $795,709,344)
Thor: Ragnarok (2017)
The third installment in the Thor series raked in over $100 million its opening weekend in the United States. US: $314,647,663 Worldwide: $853,471,734
Guardians of the Galaxy Vol. 2 (2017)
Guardians of the Galaxy Vol. 2 is turning out to be a hit. Star-Lord learns his father is from the stars and more than just a humanoid. US: $389,813,101 Worldwide total: $863,563,831
Spider-Man: Homecoming (2017)
The first Spider-Man film to exist within the Marvel Cinematic Universe had a good opening weekend, pulling in $117 million. It still has a long way to go to catch up with Sam Raimi's films from last decade. US: $334,201,140 Worldwide: $880,166,924
Spider-Man 2 (2004)
Sam Raimi's Spider-Man follow-up also did great. US: $373,585,825 (Adjusted for Inflation: $476,698,677) Worldwide total: $783,766,341 (Adjusted for Inflation: $1,000,092,489)
Spider-Man 3 (2007)
While Spider-Man 3 made a ton of money, it's considered to be a terrible film. US: $336,530,303 (Adjusted for Inflation: $391,221,224) Worldwide total: $890,871,626 (Adjusted for Inflation: $1,035,650,832)
Spider-Man (2002)
Spider-Man was the first Marvel film to reach a billion dollars, when adjusted for inflation and held quite a few other records. US: $403,706,375 (Adjusted for Inflation: $540,903,708) Worldwide total: $821,708,551 (Adjusted for Inflation: $1,100,961,565)
Captain America: Civil War (2016)
The latest Captain America film has heroes fighting heroes, so of course, people went to the movie in droves. US: $407,264,745 Worldwide total: $1,151,852,525
Iron Man 3 (2013)
The final Iron Man film did exceptionally well. US: $409,013,994 (Adjusted for Inflation: $423,202,200) Worldwide total: $1,215,439,994 (Adjusted for Inflation: $1,257,602,155)
Black Panther (2018)
Black Panther made close to $200 million its opening weekend, setting a box office record for a movie opening in February. It hit a new record after the weekend of March 10 as it made $1 billion worldwide. US: $665,355,740 Worldwide total: $1,299,855,740 (As of 4/9)
Avengers: Age of Ultron (2015)
The Avengers sequel pulled in almost a billion dollars overseas alone. US: $459,005,868 (Adjusted for Inflation: $466,792,915) Worldwide total: $1,405,035,767 (Adjusted for Inflation: $1,428,872,237)
Avengers (2012)
Finally, sitting pretty at the top spot is the first Avengers film. US: $623,357,910 (Adjusted for Inflation: $654,428,878) Worldwide total: $1,518,594,910 (Adjusted for Inflation: $1,594,288,526)
By Kevin Wong on May 01, 2018 01:53 am
I imagine that somewhere, in a secluded HBO writer's room in California, there are a dozen massive whiteboards that spell out the sprawling story of Westworld Season 2. How else could the creators keep it straight? We're only in the second episode, and already, there are five different timelines to account for. Though not much happened in the "present" storyline--the one where the hosts have rebelled against the humans and are killing them--we received a lot in the way of contextual information, including more clues about the park's "real purpose." We saw an awkward interaction between Dolores and Maeve, which raised more questions than it answered. We learned that Ford is a troll of massive proportions, whose presence still dominates Westworld, despite his apparent death. Here are the latest theories circulating about Westworld: Season 2. Two episodes down, only eight more to go.
5. The Jim Delos Is Abernathy Theory
In this thread started by Reddit user sam_rock_well, fans are theorizing that Jim Delos, seen coughing and ill during his birthday party, was transferred into a host before his death. And perhaps, that host was Abernathy, Dolores's "father" in Ford's storyline. This would explain why Abernathy malfunctioned when he found the modern photo in Season 1; the woman in the photo was Juliet, Jim's daughter (and William's wife). Perhaps when he saw the photo, part of him remembered the life he used to have. For this to be true, it would mean that William (The Man In Black) is truly evil--that he's imprisoned his father-in-law in a storyline where he's forced to watch his host daughter murdered on a semi-regular basis. But even this would not be all that surprising; given the contempt that William feels for Logan. Father and son share the same mentality, and thus, William might share a similar disdain for Jim as well.
4. The Body Snatchers Theory
In "Reunion," we learn, definitively, that the Delos family has been deliberately collecting information on its rich clientele--their preferences, likes, dislikes, and depravities--while they are guests at Westworld. Young William theorizes that Delos could use this information for targeted advertising. But data mining for marketing purposes doesn't seem nearly ambitious enough, given the sheer amount of information the company is collecting. Reddit user jasongill posits that unbeknownst to the outside world, the rich guests who enter the park are killed and replaced by lookalike hosts who exit the park. All the data and information mined from a guest can be used to form a personality/psychological profile. The hosts can look and act like their originals, making the switch that much harder to detect. Although what purpose this would serve--William and Delos's master plan--isn't known.
3. The Lawrence is Ford Theory
During the scene where El Lazo's entire gang commits suicide, Ford, speaking through a host, tells the Man in Black that he must play the game on his own. Apparently, that doesn't include Lawrence, MiB's reluctant, trusted accompaniment. Unless, of course, Lawrence is not who he says he is. Imagine, instead, if Lawrence is host to Ford's consciousness. What better vantage point to keep tabs on the MiB than on the horse right next to him?
2. The Future World Theory
We get our first glimpse of the real world at the beginning of "Reunion." Apparently, Dolores has been outside of Westworld before, as part of a host demonstration for potential investors. She overlooks the skyline of the city she's in, and she later visits a home that Arnold is building for himself. The clean, polished sheen of the environment is making fans wonder: Is this actually the real world? Or is this Futureworld, a long-rumored theme park separate from Westworld? If what we're seeing is not a real city, this was foreshadowed during Logan's tech demonstration with the hosts. Remember how Logan couldn't tell who was a host and who was not? The rest of the city might have a similar level of seamlessness.
1. The Door Theory
And lastly, fans were somewhat disappointed when they learned that the Maze in Season 1 turned out to be merely that--an old child's toy maze that once belonged to Arnold's son. In the moments before MiB shoots him, young Ford tells him, "In this game you must find the door…The game begins where you end and ends where you began." And some fans, still stinging from the anticlimactic reveal from last season, speculate that "The Door," might be an actual door. The way to win this new game is to simply leave the park and walk out the door. It's seems a bit simple. But as demonstrated in Season One, Westworld's creators like to leave a few solutions hiding in plain sight.
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